Category Archives: Event

Weird Tales from the Public Domain: Freeing Culture from Corporate Captivity

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The mouse that became Mickey will finally be free of his corporate captivity as the copyright term of the 1928 animated Disney film, Steamboat Willie, expires along with that of thousands of other cultural works on the first day of 2024.

The year 1928 brought us a host of still relevant, oft-revived and remixed culture, from H.P. Lovecraft’s classic horror story, “Call of Cthulhu” (originally published in Weird Tales; now currently a popular video game), to the Threepenny Opera, a critique of income inequality and the excesses of capitalism that is surprisingly on point for our current era.

And further, classic works of literature such as Orlando by Virginia Woolfe, Well of Loneliness by Radclyffe Hall, and Black Magic by Paul Mourad; children’s literature like House on Pooh Corner by A. A. Milne, which introduced the character Tigger, and Millions of Cats by Wanda Gág; movies like Charlie Chaplin’s The Circus, and Buster Keaton’s The Cameraman; and music like Dorothy Field’s “I Can’t Give You Anything But Love, Baby” and Cole Porter’s “Let’s Do It, Let’s Fall in Love” will grow the rich set of materials that are freely available to all of us as part of the public domain.  

Join us for a virtual celebration at 10am PT / 1pm ET on January 25, 2024, with an amazing lineup of academics, librarians, musicians, artists and advocates coming together to help illuminate the significance of this new class of works entering the public domain!

Of course our program wouldn’t be complete without a discussion of Generative AI, which to some has become a new kind of Eldritch God unleashed upon humanity—a Chtulhu of sorts—out to alter or control human reality. New AI technologies have raised all kinds of questions about human creativity, and the various monsters we must vanquish in order to preserve it. We’ll get into all that and more in our panel discussion of AI, Creativity and the Public Domain.

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This event is co-hosted by Internet Archive, Creative Commons, Authors Alliance, Public Knowledge, Library Futures, SPARC and the Duke Center for the Study of the Public Domain.

More ways to celebrate the public domain!

In addition to our virtual event on January 25th, we are also hosting an in-person party & film screening at the Internet Archive on January 24th for our Public Domain Remix Contest.

Public Domain Day Party in San Francisco! Celebrate 1928

Step into a time capsule of creativity on January 24, 2024, at the Internet Archive, as we celebrate the release of new cultural treasures into the public domain. Join us for an unforgettable evening filled with period tunes, classic cocktails, and a cinematic journey into the past. These works, once bound by copyright restrictions, will be released into the wild, opening up new opportunities for artistic expression, adaptation, and innovation.

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Discover the enchantment of animation with a special screening of Steamboat Willie on the large screen. Come together to witness the beloved icon, Mickey Mouse, as he enters the public domain. Let’s rejoice in this moment that commemorates the lasting legacy of a cultural gem that has captivated hearts across generations. Film Historian Eric Smoodin will delve into the history of Steamboat Willie and how a mouse changed the entertainment world.

Be captivated by the cinematic brilliance of our annual short film contest winners. These films, inspired by the vast public domain materials on the Internet Archive, showcase the boundless possibilities of reimagining classic works.

Embrace the spirit of 1928 by dressing in your finest flapper dresses, dapper suits, and don’t forget the feathered headbands. You’re not just attending an event; you’re stepping into a world where every outfit tells a story. Be the “Bee’s Knees” and the “Cat’s Pajamas” as you immerse yourself in the glamour of a bygone era.

No celebration from the Jazz Age is complete without a classic cocktail. Let the clink of glasses echo the liberation of creative works now set free in the public domain.

Come share an evening of revelry, inspiration, and artistic freedom with us. Be part of a celebration where the past becomes the canvas for the future. Let the reimagining begin, and together, let’s toast to a world of boundless creativity in the public domain. See you there in your finest attire!

Where: Internet Archive – 300 Funston
When: 6pm to 8 pm
Cost: $15
Register now!

More ways to celebrate the public domain

In addition to our in-person event on January 24th & our film remix contest, we are also hosting a virtual celebration on January 25th, “Weird Tales from the Public Domain: Freeing Culture from Corporate Captivity”—register now!

Public Domain Day 2024 Remix Contest: The Internet Archive is Looking For Creative Short Films Made By You!

The Cameraman – 1928 – Buster Keaton

We are looking for filmmakers and artists of all levels to create and upload short films of 2–3 minutes to the Internet Archive to help us celebrate Public Domain Day at our celebrations on January 24 (in-person screening & party) & January 25 (virtual celebration), 2024!

Our short film contest serves as a platform for filmmakers to explore, remix, and breathe new life into the timeless gems that have entered the public domain. From classic literature and silent films to musical compositions and visual art, the contest winners draw inspiration from the vast archive of cultural heritage from 1928. We want artists to use this newly available content to create short films using resources from the Internet Archive’s collections from 1928. The uploaded videos will be judged and prizes of up to $1500 awarded!! (see details below)

Winners will be announced and shown at the in-person Public Domain Day Celebration at the Internet Archive headquarters in San Francisco on January 24, 2024, as well as our virtual celebration on January 25. All other participating videos will be added to a Public Domain Day Collection on archive.org and featured in a blog entry in January of 2024.

Here are a few examples of some of the materials that will become public domain on January 1, 2024:

Possible themes include, but are not limited to:  

  • Weird Tales of 1928
  • Sleuthing the Public Domain
  • What can 1928 teach us about 2024?
  • Steamboat Willie re-imagined

Guidelines

  • Make a 2–3 minute movie using at least one work published in 1928 that will become Public Domain on January 1, 2024. This could be a poem, book, film, musical composition, painting, photograph or any other work that will become Public Domain next year. The more different PD materials you use, the better!
    • Note: If you have a resource from 1928 that is not available on archive.org, you may upload it and then use it in your submission. (Here is how to do that). 
  • Your submission must have a soundtrack. It can be your own voiceover or performance of a public domain musical composition, or you may use public domain or CC0 sound recordings from sources like Openverse and the Free Music Archive.
    • Note: Music copyright is TRICKY! Currently sound recordings published up to December 31, 1922 are public domain; on the upcoming January 1 that will change to sound recordings published up to December 31, 1923.  Sound recordings published later than that are NOT public domain, even if the underlying musical composition is, so watch out for this!
  • Mix and Mash content however you like, but note that ALL of your sources must be from the public domain. They do not all have to be from 1928. Remember, U.S. government works are public domain no matter when they are published. So feel free to use those NASA images! You may include your own original work if you put a CC0 license on it.
  • Add a personal touch, make it yours!
  • Keep the videos light hearted and fun! (It is a celebration after all!)

Submission Deadline

All submissions must be in by Midnight, January 19, 2024 (PST) by loading it into this collection on the Internet Archive.

How to Submit

Prizes

  • 1st prize: $1500
  • 2nd prize: $1000
  • 3rd prize: $500

*All prizes sponsored by the Kahle/Austin Foundation

Judges:

Judges will be looking for videos that are fun, interesting and use public domain materials, especially those from 1928. They will be shown at the in-person Public Domain Day party in San Francisco and should highlight the value of having cultural materials that can be reused, remixed, and re-contextualized for a new day. Winners’ pieces will be purchased with the prize money, and viewable  on the Internet Archive under a Creative Commons license.

  • Amir Saber Esfahani (Director of Special Arts Projects, Internet Archive)
  • Rick Prelinger (Board Member, Internet Archive, Founder, Prelinger Archives)
  • BZ Petroff (Director of Admin & HR, Internet Archive)
  • Special guest judges

For reference, check out the 2023 Entrants

Internet Archive Celebrates Research and Research Libraries at Annual Gathering

At this year’s annual celebration in San Francisco, the Internet Archive team showcased its innovative projects and rallied supporters around its mission of “Universal Access to All Knowledge.”

Brewster Kahle, Internet Archive’s founder and digital librarian, welcomes hundreds of guests to the annual celebration on October 12, 2023.

“People need libraries more than ever,” said Brewster Kahle, founder of the Internet Archive, at the October 12 event. “We have a set of forces that are making libraries harder and harder to happen—so we have to do something more about it.”

Efforts to ban books and defund libraries are worrisome trends, Kahle said, but there are hopeful signs and emerging champions.

Watch the full live stream of the celebration

Among the headliners of the program was Connie Chan, Supervisor of San Francisco’s District 1, who was honored with the 2023 Internet Archive Hero Award. In April, she authored and unanimously passed a resolution at the San Francisco Board of Supervisors, backing the Internet Archive and the digital rights of all libraries.

Chan spoke at the event about her experience as a first-generation, low-income immigrant who relied on books in Chinese and English at the public library in Chinatown.  

Watch Supervisor Chan’s acceptance speech

“Having free access to information was a critical part of my education—and I know I was not alone,” said Chan, who is a supporter of the Internet Archive’s role as a digital, online library. “The Internet Archive is a hidden gem…It is very critical to humanity, to freedom of information, diversity of information and access to truth…We aren’t just fighting for libraries, we are fighting for our humanity.”

Several users shared testimonials about how resources from the Internet Archive have enabled them to advance their research, fact-check politicians’ claims, and inspire their creative works. Content in the collection is helping improve machine translation of languages. It is preserving international television news coverage and Ukrainian memes on social media during the war with Russia.  

Quinn Dombrowski, of the Saving Ukrainian Cultural Heritage Online project, shows off Ukrainian memes preserved by the project.

Technology is changing things—some for the worse, but a lot for the better, said David McRaney, speaking via video to the audience in the auditorium at 300 Funston Ave. “And when [technology] changes things for the better, it’s going to expand the limited capabilities of human beings. It’s going to extend the reach of those capabilities, both in speed and scope,” he said. “It’s about a newfound freedom of mind, and time, and democratizing that freedom so everyone has access to it.”

Open Library developer Drini Cami explained how the Internet Archive is using artificial intelligence to improve access to its collections.

When a book is digitized, it used to be that photographs of pages had to be manually cropped by scanning operators. The Internet Archive recently trained a custom machine learning model to automatically suggest page boundaries—allowing staff to double the rate of process. Also, an open-source machine learning tool converts images into text, making it possible for books to be searchable, and for the collection to be available for bulk research, cross-referencing, text analysis, as well as read aloud to people with print disabilities.

Open Library developer Drini Cami.

“Since 2021, we’ve made 14 million books, documents, microfiche, records—you name it—discoverable and accessible in over 100 languages,” Cami said.

As AI technology advanced this year, Internet Archive  engineers piloted a metadata extractor, a tool that automatically pulls key data elements from digitized books. This extra information helps librarians match the digitized book to other cataloged records, beginning to resolve the backlog of books with limited metadata in the Archive’s collection. AI is also being leveraged to assist in writing descriptions of magazines and newspapers—reducing the time from 40 to 10 minutes per item.

“Because of AI, we’ve been able to create new tools to streamline the workflows of our librarians and the data staff, and make our materials easier to discover, and work with patrons and researchers, Cami said. “With new AI capabilities being announced and made available at a breakneck rate, new ideas of projects are constantly being added.”

Jamie Joyce & AI hackathon participants.

A recent Internet Archive hackathon explored the risks and opportunities of AI by using the technology itself to generate content, said Jamie Joyce, project lead with the organization’s Democracy’s Library project. One of the hackathon volunteers created an autonomous research agent to crawl the web and identify claims related to AI. With a prompt-based model, the machine was able to generate nearly 23,000 claims from 500 references. The information could be the basis for creating economic, environmental and other arguments about the use of AI technology. Joyce invited others to get involved in future hackathons as the Internet Archive continues to expand its AI potential.

Peter Wang, CEO and co-founder at Anaconda, said interesting kinds of people and communities have emerged around cultures of sharing. For example, those who participate in the DWeb community are often both humanists and technologists, he said, with an understanding about the importance of reducing barriers to information for the future of humanity. Wang said rather than a scarcity mindset, he embraces an abundant approach to knowledge sharing and applying community values to technology solutions.

Peter Wang, CEO and co-founder at Anaconda.

“With information, knowledge and open-source software, if I make a project, I share it with someone else, they’re more likely to find a bug,” he said. “They might improve the documentation a little bit. They might adapt it for a novel use case that I can then benefit from. Sharing increases value.”

The Internet Archive’s Joy Chesbrough, director of philanthropy, closed the program by expressing appreciation for those who have supported the digital library, especially in these precarious times.

“We are one community tied together by the internet, this connected web of knowledge sharing. We have a commitment to an inclusive and open internet, where there are many winners, and where ethical approaches to genuine AI research are supported,” she said. “The real solution lies in our deep human connection. It inspires the most amazing acts of generosity and humanity.”

***

If you value the Internet Archive and our mission to provide “Universal Access to All Knowledge,” please consider making a donation today.

Doors Open to Richmond Facility for Behind-the-Scenes Look at the Donation, Digitization and Preservation Process

The Physical Archive in Richmond, California, was buzzing with activity the evening of October 11 as people gathered for a peek at how donations of books, film, and media of all kinds are preserved.

Some guests were long-time fans and others had recently donated or were considering giving their treasured items. Many shared a curiosity about how the Internet Archive operates the digital side of the research library.

“I’m a big believer in libraries—and this is one of the weirdest, coolest libraries,” said Jeremy Guillory of Oakland, California, as he toured the buildings and listened to stories behind the many donations on display.

Brewster Kahle, founder and digital librarian of the Internet Archive, gives a tour of the Physical Archive.

Curated collections from individuals included books from Stevanne “Dr. Toy” Auerbach, a pioneering mass media toy reviewer and early childhood studies author. There was also a set of rare dinosaur books and years of the Laugh Makers, a journal about magic and clowning.

Some large institutions, such as the Claremont School of Theology, donated papyrus fragments from ancient Egypt. Among the eight shipping containers of items from the Graduate Theological Union was a children’s hymnal written in Chinese from 1950.

“We get to explore and make available things that may not be able to be seen otherwise,” said Caslon Kahle, a donation coordinator, speaking to visitors at the event. “It’s important to have this historical record preserved for the public.”

Caslon Kahle gives a tour of the Physical Archive.

As they toured the facility, guests learned about the meticulous steps taken to sort materials (avoiding duplication), scan books (by people, turning one page at a time) and preserve fragile film (in a high-tech lab). Many expressed an appreciation for the vast and eclectic collections.

“I think it’s super awesome—all the knowledge in one place,” said Rachel Katz of Berkeley, California, who uses the Wayback Machine in their work at a nonprofit organization, researching the historic record of health equity, racial justice and environmental issues. “I don’t think I had thought about the political aspect—that when people want power they destroy knowledge, and library preservation is a hedge against that.”

Daniel Toman came to the event after he’d contributed items when his grandfather, a big amateur radio enthusiast, passed away a few years ago. “He had a bunch of equipment, catalogs and books around the house that nobody knew what to do with,” said Toman, who lives in San Francisco. “I told my family about [the Internet Archive] and they were all interested in donating some of his materials.”

Digitization manager Elizabeth MacLeod shows off an image captured from the Internet Archive’s Scribe digitization equipment.

Larry and Ann Byler drove from Sunnyvale, California, to get a first-hand look at the physical archive as they decide what to do with their books, records (78s, LPs, 45s), cassette tapes and home movies that they’ve accumulated over the years.

Ann, 81, said some of their film collection includes black-and-white images of trains that go back to the 1940s. She likes the idea that the Internet Archive could digitize the films at a high resolution.

“I want to get them out of the house—somewhere besides the trash bin,” said Larry, a retired computer programmer, of his wall of media items. “I have this ingrained abhorrence for throwing stuff away.”

At the event, noted film archivist Rick Prelinger provided guests with an inside look at preserving vintage film. “The process is not simple, but it’s achievable when you have resources, and we’re fortunate with the generosity of the Internet Archive that we have resources,” he said.

Kate Dollenmayer demos film digitization and preservation.

Linda Brettlen, an architect from Los Angeles, said she became familiar with the Archive through her daughter, who uses the collection when looking for primary sources in her documentary filmmaking. Brettlen has become a fan herself, particularly, the collection of old postcards of L.A. buildings that no longer exist.

“I love that it’s the best use of the Internet,” she said of the Internet Archive at the event. “This is a positive beacon.”

What Happened at the Virtual Library Leaders Forum?

The Internet Archive team, its partners, and enthusiasts recently shared updates on how the organization is empowering research, ensuring preservation of vital materials, and extending access to knowledge to a growing number of grateful users.

The 2023 Library Leaders Forum, held virtually Oct. 4, featured snapshots of the many activities the organization is supporting on a global scale. Together, the efforts are making a difference in the lives of students, scholars, educators, entrepreneurs, journalists, public servants — anyone who needs trusted information without barriers.

“It’s important for us to recognize that the Internet Archive is a library. It’s a research library in the role that it plays, in the way that it works,” said Brewster Kahle, founder of the Internet Archive.

Watch the 2023 Library Leaders Forum:

With the rise of misinformation and new artificial intelligence technologies, reliable, digital information is needed more than ever, he said.  

“This is going to be a challenging time in the United States when all of our institutions — the press, the election system, and libraries — are going to be tested,” Kahle said. “It’s time for us to make sure we stand up tall and be as useful to people in the United States and to people around the world who are having some of the same issues.”

To provide citizens everywhere with free access to government data, documents, records, the Archive launched Democracy’s Library last year. The collection now has 889,000 government publications, with many more items donated but yet to be organized, said the Archive’s Jamie Joyce at the forum. The goal is to digitize municipal, provincial, state and federal documents, along with datasets, research, records publications, and microfiche so they are searchable and accessible.

The Archive is taking a leadership role in harnessing the power of AI to make its information easier for users to find, Kahle added. It is also preserving state television newscasts from Russia and Iran, along with translations, to allow researchers to track trends in coverage.

Collections as data

Thomas Padilla, deputy director of data archiving and data services at the Internet Archive, reported on a project that examines how libraries can support responsible use of collections as data. Working in partnership with Iowa State University, University of Pennsylvania, and James Madison University, it is a community development effort for libraries, archives, museums and galleries to help researchers use new technology (text and data mining, machine learning) while also mitigating potential harm that can be generated by the process.

Through the effort, the Archive gave grants to 12 research libraries and cultural heritage organizations to explore questions around collections as data, Padilla said. As it became apparent that others around the world were grappling with similar issues, the project convened representatives from 60 organizations representing 18 countries earlier this year in Canada. The group agreed on core principles (The Vancouver Statement on Collections-As-Data) to use when providing machine actionable collection data to researchers. Next, the project expects to issue a roadmap for the broader international community in this space, Padilla said.

Helping libraries help publishers

The recent forum also featured digitization managers from the Internet Archive who are collaborating with partner libraries, including Tim Bigelow, Sophie Flynn-Piercy, Elizabeth MacLead, Andrea Mills and Jeff Sharpe. These librarians are at institutions big and small from the University of North Carolina at Chapel Hill to the Wellcome Trust in London, working with teams of professionally trained technicians to digitize collections.

One of those partnerships is taking an exciting new direction. The Boston Public Library’s partnership with the Archive began in 2007. Over the years, the team has completed digitization of the John Adams presidential library, Shakespeare’s First Folio (his 36 plays published in 1632), more than 17,000 government documents and the Houghton Mifflin trade book archival collection, according to Bigelow, the Northeast Regional digitization manager for the Archive.

The Houghton Mifflin collection includes 20,000 titles dating back to 1832, including some of the best known works in American fiction and children’s literature, such as books by Ralph Waldo Emerson and the Curious George series. The publisher gave BPL the entire physical collection for preservation (90% of which were out of print) and continues to add new titles as they are published. With the formal agreement of Houghton Mifflin, BPL and the Archive have been working together since 2017 to digitize every book—those in the public domain are completely readable and downloadable; those still in copyright are available through controlled digital lending (CDL).

Lawsuit updates

As in Boston, many libraries have embraced CDL. However, commercial publishers have challenged the practice.

Lila Bailey, senior policy counsel for the Archive, provided an update at the forum on the Hachette v. Internet Archive lawsuit, in which the court ruled in favor of the publishers in limiting the use of CDL. The Archive filed an appeal in September.  Bailey encouraged supporters to consider filing amicus briefs when the Archive’s case is expected to be reviewed by the appellate court.

For the Internet Archive—and libraries everywhere—to continue their work, the Archive is advocating for a legal infrastructure that ensures libraries can collect digital materials, preserve those materials in different formats, lend digital materials, and cooperate with other libraries.

“In our evolving digital society, will new technologies serve the public good, or only corporate interests?” Bailey asked in her remarks at the forum. “Libraries are on the front line of the fight to decide this question in favor of the public good. In order to maintain our age-old role as guardians of knowledge, we need our rights to own, lend and preserve books, as we all live more and more of our lives online.”

Join Us for Our Annual Celebration – Thursday, October 12!

We are just one week away from our annual celebration on Thursday, October 12! Party in the streets with us in person or celebrate with us online—however you choose to join in the festivities, be sure to grab your ticket now!

What’s in Store?

📚 Empowering Research: We’ll explore how research libraries like the Internet Archive are considering artificial intelligence in a live presentation, “AI @ IA: Research in the Age of Artificial Intelligence.” Come see how the Internet Archive is using AI to build new capabilities into our library, and how students and scholars all over the world use the Archive’s petabytes of data to inform their own research.

🏆 Internet Archive Hero Award: This year, we’re honored to recognize the incredible Connie Chan, our local District 1 supervisor, with the prestigious Internet Archive Hero Award. Supervisor Chan’s unwavering support for the digital rights of libraries culminated in a unanimously passed resolution at the Board of Supervisors, and we can’t wait to present her with this well-deserved honor live from our majestic Great Room. Join us in applauding her remarkable contributions!

🌮 Food Truck Delights: Arrive early and tantalize your taste buds with an assortment of treats from our gourmet food trucks.

💃 Street Party: After the ceremony, let loose and dance the night away to the tunes of local musicians, Hot Buttered Rum. Get ready to groove and celebrate under the starry San Francisco sky!

🎟️ Register now for in-person or online attendance!

Internet Archive’s Annual Celebration
Thursday, October 12 from 5pm – 10pm PT; program at 7pm PT
300 Funston Avenue, San Francisco
Register now for in-person or online attendance

Internet Archive to Honor Supervisor Connie Chan with 2023 Hero Award

Announced today, Connie Chan, Supervisor of San Francisco’s District 1, will receive the 2023 Internet Archive Hero Award. Supervisor Chan will be presented the award on stage at next week’s evening celebration at the Internet Archive.

The Internet Archive Hero Award is an annual award that recognizes those who have exhibited leadership in making information available for digital learners all over the world. Previous recipients have included public domain advocate Carl Malamud, librarians Kanta Kapoor and Lisa Radha Vohra, copyright expert Michelle Wu, the Biodiversity Heritage Library, and the Grateful Dead.

In April, Supervisor Chan, whose district includes the Internet Archive, authored and unanimously passed a resolution at the San Francisco Board of Supervisors, backing the Internet Archive and the digital rights of all libraries. “At a time when we are seeing an increase in censorship and book bans across the country, we must move to preserve free access to information,” said Supervisor Chan, about the resolution. “I am proud to stand with the Internet Archive, our Richmond District neighbor, and digital libraries throughout the United States.”

Supervisor Connie Chan with Internet Archive’s Brewster Kahle and digital library supporters rally for the digital rights of libraries on the steps of San Francisco City Hall, April 19, 2023.

Many thanks to Supervisor Chan for being a strong advocate for libraries, and for making San Francisco the first municipality to codify the importance of digital libraries and controlled digital lending in a resolution. For this fearless act of standing with libraries, the Internet Archive is proud to honor Supervisor Connie Chan with the 2023 Internet Archive Hero Award.

Join us next week on Thursday, October 12 at 7pm PT, as Supervisor Chan accepts the award live on stage during our evening celebration. Tickets are available for in-person attendance or the livestream.

Book Talk: Sparks by Ian Johnson

Join author Ian Johnson and sociologist Li Jun for an IN-PERSON discussion about “Sparks: China’s Underground Historians and their Battle for the Future”

Click Here to Watch the Recording

Sparks tells the resonant story of writers, filmmakers, and artists who use history to challenge Communist Party rule.

6:00 PM — Doors Open
6:30 PM — Book Talk: Sparks by Ian Johnson
7:30 PM — Book Signing

Please note that this event will be held in person at the Internet Archive, 300 Funston Avenue, San Francisco.

Click Here to Watch the Recording

About Sparks
Sparks: China’s Underground Historians and their Battle for the Future (to be published by Oxford University Press on September 26, 2023) describes how some of China’s best-known writers, filmmakers, and artists have overcome crackdowns and censorship to forge a nationwide movement that challenges the Communist Party on its most hallowed ground: its control of history.

The past is a battleground in many countries, but in China it is crucial to political power. In traditional China, dynasties rewrote history to justify their rule by proving that their predecessors were unworthy of holding power. Marxism gave this a modern gloss, describing history as an unstoppable force heading toward Communism’s triumph. The Chinese Communist Party builds on these ideas to whitewash its misdeeds and glorify its rule. Indeed, one of Xi Jinping’s signature policies is the control of history, which he equates with the party’s survival.

But in recent years, a network of independent writers, artists, and filmmakers have begun challenging this state-led disremembering. Using digital technologies to bypass China’s legendary surveillance state, their samizdat journals, guerilla media posts, and underground films document a regular pattern of disasters: from famines and purges of years past to ethnic clashes and virus outbreaks of the present–powerful and inspiring accounts that have underpinned recent protests in China against Xi Jinping’s strongman rule.

Based on years of first-hand research in Xi Jinping’s China, Sparks challenges stereotypes of a China where the state has quashed all free thought, revealing instead a country engaged in one of humanity’s great struggles of memory against forgetting—a battle that will shape the China that emerges in the mid-21st century.

Ian Johnson is a senior fellow at the Council on Foreign Relations. He has lived more than twenty years in China as a student, journalist, and teacher. His work appears regularly in The New York Review of Books, The New York Times, and other publications, and for five years he was on the editorial board of The Journal of Asian Studies. He has won numerous prizes for his coverage of China, including a Pulitzer Prize.

Li Jun (who writes under the penname Li Sipan) is a Ph.D. in political sociology, and a visiting scholar at Stanford University. Before entering academia, she was an investigative reporter for the liberal newspaper group Southern Daily Press and a recognized feminist activist. In 2004, she founded the feminist communications NGO Women’s Awakening Network (新媒体女性), which has played a leading role in China’s anti-sexual harassment campaigns and in the process of legislating against domestic violence. Li’s research focuses on the intergenerational differences in the feminist movement as well as the relationship between the media and the feminist movement in China.

Book Talk: Sparks by Ian Johnson
October 19 @ 6pm PT
IN-PERSON @ 300 Funston Avenue, San Francisco
Register now!

Book Talk: Memory, Edited

Join archivist Rick Prelinger and author Abby Smith Rumsey for an IN-PERSON discussion about “Memory, Edited: Taking Liberties with History.”

REGISTER NOW

An exploration of historical memory and networks of meaning in the context of today’s crises of extremism and polarization.

6:00 PM — Doors Open
6:30 PM — Book Talk: Memory, Edited
7:30 PM — Book Signing

Please note that this event will be held in person at the Internet Archive, 300 Funston Avenue, San Francisco.

REGISTER NOW

About Memory, Edited
As authoritarianism continues to rise around the world, the stories we tell ourselves about what has happened and what is happening become ever more relevant. In Memory, Edited, Abby Smith Rumsey examines collective memory, how it binds us, and how it can be used by bad actors to manipulate us. Bringing forward the voices of a rich cast of Eastern European artists from the past two hundred years—from Fyodor Dostoevsky to Gerhard Richter—Rumsey shows how their work and lives illustrate the devastation wrought by regimes dependent on entrenched lies to survive. This hijacking of the narrative polarizes communities even as it commandeers our future.

Through an interdisciplinary lens that includes the best thinking from history, the arts, cognitive science, psychology, and political philosophy, Rumsey lays bare our narratives, showing how they are constructed and how they have changed over time. Ever-aware of resisting the false promise of utopia, Rumsey argues that only by confronting the past and reckoning with the crimes that were committed can we ever hope to heal and gain self-knowledge. Memory, Edited is an indispensable text for anyone who cares about democracy, equality, and freedom in our current age of crisis.

Abby Smith Rumsey is an intellectual and cultural historian. She chairs the board of the Center for Advanced Study in the Behavioral Sciences at Stanford University and is the author of When We Are No More: How Digital Memory Is Shaping Our Future.

Rick Prelinger is an archivist, filmmaker, writer and educator.

Book Talk: Memory, Edited
September 20 @ 6pm PT
IN-PERSON @ 300 Funston Avenue, SF
Register now!