Emulation in the Browser adds WebAssembly

Since we introduced our approach to Emulation in the Browser (now simply called The Emularity) back in 2013, there’s always been plans to continually improve the experience and advance the various web technologies that make it happen.

As of today, the Internet Archive now has a majority of emulated platforms running in WebAssembly.

What is WebAssembly?

Webassembly (or WASM) is meant to be a replacement for the “executed programs in the browser” aspects of Javascript. It is designed from the ground up to be open, widely supported, and taking into account all the lessons learned from 20 years of Javascript. The benefits include speed advantages, improvements in the code size and transfer, and being much easier to debug. It is a result of years of work, and can almost be considered a “do-over” from the lessons learned by Javascript.

What do I need to do?

You actually don’t need to do much at all! WebAssembly, if it’s enabled in your browser, will just start being how the program loads when you emulate something at the Internet Archive. (The loader will mention a “WASM Binary” when it’s loading up your emulation.) If you don’t have WASM or you’ve disabled it, the usual Javascript loading will happen, as it always has. There is support for WASM in the Firefox, Chrome, Safari, Brave and Edge browsers.

Our DOS, Windows, and Macintosh emulations are still running the older system with Javascript as the language. WASM support is now in places like the Console Living Room, Internet Arcade, and our support for platforms like the Apple II or the ZX Spectrum.

Also, if this is the first time you’ve become aware we’re emulating over 80,000 software titles in the browser.. well, you have a lot of software history to look forward to.

Thanks to Dan Brooks and everyone on the Emularity team for helping to advance us to the next level, as well as the many people working on the WebAssembly standard, to ensure software history is one click away.

We’re always interested in bug reports, or noticing strangeness, so definitely mail me at jscott@archive.org if you run into issues or want more information.

Posted in News | 2 Comments

Betting on Bitcoin? Better see this film — Monday, February 26

We all know this person: the friend who bought a new car with her Bitcoin earnings during the boom. The uncle who moved his retirement funds into cryptocurrencies and lost his shirt after the bust. So why is everyone suddenly buzzing about Bitcoin? What do they know that you don’t?

For an evening of Bitcoin 101, come to the Internet Archive Headquarters in San Francisco on Monday, February 26 for a screening of the documentary, “BANKING ON BITCOIN,” directed by Christopher Cannucciari.  

Doors open at 6 p.m. for drinks and snacks along with interactive workshops. Bitcoin community members will be on hand to answer your questions and help you set up your own digital currency wallets. At 7 p.m., join us for a panel discussion before the film with experts explaining the current state of the Bitcoin bubble. At 7:30 pm, we’ll screen the 90-minute independent film, “BANKING ON BITCOIN.”

Directed by Christopher Cannucciari , this independent film “features interviews with enthusiasts and experts, covering Bitcoin’s roots, its future and the technology that makes it tick.” Ticket prices are a suggested donation of $5 or more, but no one will be turned away for lack of funds. The Internet Archive warmly accepts donations in many currencies, including dollars, Bitcoin, Bitcoin Cash, Zcash and Ethereum.

Get Tickets Here

Or Pay with Bitcoin

Monday, February 26, 2018

6:00 pm—Reception and Bitcoin 101 Workshops

7:00 pm— Introduction/Q&A with Panel of Bitcoin Experts

7:30 pm— “BANKING ON BITCOIN” screening (90 minutes)

Trailer

At the Internet Archive

300 Funston Avenue

San Francisco, CA  94118

Reserve Now!  

Posted in Event, News | 1 Comment

TV News Record: New search, important data, & more fact-checks

A round up on what’s happening at the TV News Archive by Katie Dahl and Nancy Watzman. Additional research by Robin Chin.

This week we present new TV news search features, inventory data of TV news recordings from GDELT, and the State of the Union, fact-checked by national fact-checking partners.

New TV news search features

We’re pleased to announce new search options on the TV News Archive, making it easier to find what you’re looking for, as well as integrating TV news material into global search at the Internet Archive. The work of TV Architect Tracey Jaquith, and designed by Carolyn Li-Madeo, these new features include:

Search TV news captions directly from Archive.org. “Search TV news captions” is now a selectable item on the main search bar at the Internet Archive. You no longer need to start from the TV News Archive home page.

Or, search from TV News Archive home page.  You can also search from the TV News Archive website homepage: archive.org/tv. Click on “Advanced Search” to drill down into the details.

Toggle between video thumbnails and text view. Don’t want to see video screenshots when you enter a search term? We now offer the ability to choose a “text view” that provides search results in a list format. Click on the text box icon on the upper right hand side of search results to switch to text view.

Search more than one facet at a time. Now you can select more than one TV program at a time to refine your search, as well as click multiple options for search for other attributes, such as topics and subjects.

More facets viewable. You’ll also see longer lists of available facets when you click on the “More” option.

New sort options. There are new sort options. For example, click on “views” to see TV news clips that have been viewed the most on the Internet Archive.

Dig in, and tell us what you think!

For power users, GDELT now offers downloadable historical inventory of TV News Archive recordings

If you are doing an advanced analysis of captioning or other TV News Archive metadata, it can be helpful to know the exact TV News Archive recordings on a given date and time. Thanks to data scientist Kalev Leetaru, this information is now available on GDELT in a downloadable format.

“Inevitably with an archive this massive spanning back to 2009 there will be brief outages or other disruptions and some stations may be monitored for only a specific period of time (such as adding local stations in key markets during specific months of a national election cycle),” writes Leetaru.

Knowing the exact broadcasts captured can help analysts who want to make sure a trend they are seeing – for example, a big dip or large increase in mentions of a particular term – is a valid trend or a reflection of outages or new stations added over a specific time period.

You can download all CSV files via the following URL (replace YYYYMMDD with the date of interest):

  • http://data.gdeltproject.org/gdeltv3/iatv/inventory/YYYYMMDD.inventory.csv

For example, to request the inventory of shows monitored on the very first official day of the Archive’s existance, use the URL http://data.gdeltproject.org/gdeltv3/iatv/inventory/20090616.inventory.csv or to request the inventory for February 2, 2018, use the URL http://data.gdeltproject.org/gdeltv3/iatv/inventory/20180202.inventory.csv.

Read the blog post here:  https://blog.gdeltproject.org/television-explorer-new-inventory-tables/

State of the Union 2018, fact-checked

The 2018 State of the Union is in the history books now – and preserved now on the TV News Archive, with links to 26 fact-checked clips (48 total fact-checks) by the TV News Archive’s fact-checking partners: FactCheck.org, PolitiFact, and The Washington Post‘s Fact Checker.

You can see fact-checks marked in context with the red check mark, or view them on this table of fact-checked items.

For example, all three fact-checking organizations checked President Donald Trump’s statement, “We enacted the biggest tax cuts and reforms in American history.”

  • PolitiFact: “In inflation-adjusted dollars, the recent tax bill is the fourth-largest since 1940. And as a percentage of GDP, it ranks seventh. We rate the statement False.”
  • FactCheck.org: “CRFB [Committee for a Responsible Federal Budget] said the tax cut in 1981 under President Ronald Reagan, at 2.9 percent of GDP, is the largest in history.”
  • WaPo: “Trump’s tax cut is only the eighth-largest — and is even smaller than two of Barack Obama’s tax cuts.”

And here’s a fact-check of the Democratic rebuttal of the SOTU by Rep. Joe Kennedy III, D., Mass. Kennedy, when he said: “We choose an economy strong enough to boast record stock prices and brave enough to admit that top CEOs making 300 times the average worker is not right.”

  • WaPo: “What Kennedy leaves out is that the EPI study is updated annually, and in the most recent version, covering 2016, the ratio between CEO and worker pay at the top 350 companies had declined somewhat, to 271 to 1. In making his point, Kennedy accurately refers only to the ‘top CEOs.’ But it’s important to note that he is presenting an outdated snapshot of only one year (2013) and that the EPI study is not the only research on this subject. Similar data from the Wall Street Journal and Bloomberg show that the ratio between what top CEOs and their workers make is closer to 200 to 1.”
  • PolitiFact: “His numbers describing today’s ratio, while credible, are on the high side of research. The AFL-CIO put the ratio at 347-to-1. The liberal Economic Policy Institute said CEOs make either 271 or 224 times that of average employees, depending on how you measure stock options. Bloomberg pegged the ratio at 265-to-1.” PolitiFact rated the claim Mostly True.

Follow us @tvnewsarchive, and subscribe to our biweekly newsletter here.

Posted in Announcements, News, Television Archive | Comments Off on TV News Record: New search, important data, & more fact-checks

PINEAPPLE FUND CHALLENGES DONORS WITH $1 MILLION MATCHING GRANT TO THE INTERNET ARCHIVE

Why name a project giving away millions of dollars in Bitcoin “The Pineapple Fund?” “I really like pineapple,” explains this the crypto-philanthropist behind it all.

Cryptocurrency investors may be on a vertiginous ride right now, but one early Bitcoin believer is turning crypto gains into social good. The anonymous philanthropist behind the Pineapple Fund wants to inspire others to support the Internet Archive by matching every donation with up to $1 million in Bitcoin through April 30, 2018. That’s right, when you donate to the Internet Archive right now, you can double your impact thanks to the early Bitcoin miner behind the Pineapple Fund.

In December of 2017, a mysterious donor nicknamed “Pine” made a generous contribution to the Internet Archive: $1 million worth of Bitcoin. Now our Bitcoin benefactor is offering to “double down” with this challenge grant. “Preservation of the World Wide Web and digital media has so much important utility to the world,” Pine wrote to us in December. “Especially as time passes and link rot exponentially increases. (I personally extremely appreciate Archive Team’s work on archiving communities or apps that are shutting down.)”

As Pine notes, the Internet Archive team is working diligently behind-the scenes to ensure you can always access reliable information. In 2017 alone we:

  • saved 200 terabytes of government data that might have disappeared
  • fixed more than 3 million broken links in Wikipedia using the Wayback Machine
  • archived 757 million tweets

The Internet Archive is the digital library for the world—a trusted source of reference for everyone, free of charge.

The Pineapple Fund keeps a running tally of organizations and donations made to date.

We are one of 48 organizations who have received Pineapple Fund support thus far. Overall, the Pineapple Fund aims to give away 5057 Bitcoin (valued at $86 million at the time of announcement) to worthy charities; to date the fund has donated more than $44.5 million to organizations including the ACLU, MAPS, the Electronic Frontier Foundation and the Open Medicine Foundation.

The Internet Archive was an early experimenter in Bitcoin, accepting donations in the cryptocurrency as early as 2011. Indeed, Ethereum founder, Vitalik Buterin, helped us get set up. Today, we gratefully accept cryptocurrency donations in Bitcoin, Bitcoin Cash, Zcash and Ethereum. (Stay tuned, there’s more on the way.) And right now thanks to the Pineapple Fund, donations in all currencies are being matched 1-to-1.

 

 

Posted in Announcements, News | 4 Comments

78s Bring the Past to Life

For many of us, music is an integral part of our memories.  It evokes a period of time in our lives, or inspires specific recollections.  Music can also conjure times long past, outside of our personal memories.

 

When we watch this movie, we see and hear Argentina in the early 20th Century.  The music in this clip came from a 78 collected in Buenos Aires by Tina Argumedo, part of her personal collection of hundreds of discs.

Tina Argumedo (L), D’Anna Alexander (C), Lucretia Hug (R)

Tina began collecting 78s in the 1930s.  The world was waking up from the Great Depression, Buenos Aires was celebrating its 400th birthday, and tango was moving from working class barrooms to grand, middle-class dance halls.  Tina was a 20 year old newlywed, and she and her husband loved to dance.  She began to collect the music she loved, and she continued to build her collection of 78s for 20 years.

When Tina’s husband died, she moved to the U.S. to live with her daughter, Lucretia Hug.  She sold almost everything she owned, packed up her life, and moved to a foreign country.  One of the few things she brought with her were her 78s.  She passed her love of music down to her children and grandchildren and shared this music with her family, sitting on the couch in the living room with her 78s on shelves around them.

A few years ago when Tina passed away, her family had to decide what to do with this collection.  They no longer had room to store the discs, but they knew how important this music had been to Tina and couldn’t imagine throwing the 78s away or donating them to some charity to be disposed of piecemeal.  Fortunately, a family friend (and Argentinian composer), Débora Simcovich, offered to take the discs and keep them together.

And then, just a few months ago, Tina’s granddaughter, D’Anna Alexander, heard about The Great 78 Project and she remembered her grandmother’s collection.  She and Débora agreed that the best tribute to Tina would be to donate her collection to the Internet Archive for digitization and preservation, so that people all over the world could appreciate this music and the collection that Tina built. It is a way to preserve and celebrate their family’s heritage and culture.

We have begun to digitize Tina’s collection and you can hear the first discs now in the Tina Argumedo & Lucretia Hug Collection.

More than 3 million recordings were produced on 78rpm discs, and many of them have never made the leap forward to modern formats. In some cases, these 78s contain the only version of these performances, and they are mostly inaccessible to people today.  Few people have equipment to play a 78, and the discs themselves are frighteningly fragile.

These 78rpm discs contain an entire era of our musical history, from about 1898 through the 1950s when LP records were introduced.  If we do not digitize the music on these discs, we will lose it. 

The Great 78 Project aims to digitize as many of those 3 million recordings as we can find. Currently we have digitized 50,000 recordings, and we continue to add about 5,000 each month.  We are preserving discs from more than 20 collectors and institutions around the world, and we continue to look for more people with collections they would like to share.  If you would like to work with us on this collection, please let us know at info@archive.org.

Posted in News | 1 Comment

From Giving Big with Bitcoin to Embracing Ethereum!


A little bit(coin) funds a lot of bytes.
If you use the Internet Archive regularly, no doubt you saw the banner flying above our navigation bar during the month of December. As a charity funded by you —our users— the Archive relies each year on the generosity of the tens of thousands of people worldwide who donate to keep our servers running, pay our staff, and help make our collections bigger, better, and more open.

As we look back at the 2017 contributors, one group stands out: the cryptocurrency community.

On top of an incredibly generous 69.38 BTC (~$1 Million!) gift from the Pineapple Fund (celebrated earlier in this blog post), this year alone the Archive received over $60,000 in Bitcoin donations, more than $5,000 in Bitcoin Cash, and more than $1,200 in Zcash.

As a long-time supporter of the cryptocurrency movement —our community has been donating Bitcoin since 2011— we have long believed that philanthropy can and should have a place in this evolving peer-to-peer monetary system. We have done what we can to support the evolution of decentralized technologies, and we are thrilled this community is supporting us in the same way.

Ours is a shared vision of openness on the web.

We see continued promise in crypto-philanthropy. We want to do all we can to support this community and provide robust options for charitable support. That is why today, we are pleased to announce that we have added Ether to the list of donation options.

Ethereum Address: 0x635599b0ab4b5c6b1392e0a2d1d69cf7d1dddf02

We think this option will help make giving to the Archive easier, and lower the cost, since Ether’s transaction costs are currently much lower than Bitcoin’s, which have increased as new users enter the market.

If you would like to make a donation in Ether, or any of the cryptocurrencies we accept, please go to https://archive.org/donate/bitcoin.php

We hope you’ll check out this new option and, if you’re so inclined, try gifting to the Archive in Ether.

And to the crypto-currency community, we want to say, THANKS!

More stories about our adventures in digital currencies have been written by our founder, Brewster Kahle, here.

Posted in Announcements, News | 6 Comments

TV News Record: State of the Union, past and future

A round up on what’s happening at the TV News Archive by Katie Dahl and Nancy Watzman. Additional research by Robin Chin.

When President Donald Trump takes the podium to deliver his first official State of the Union address to a joint session of Congress on Tuesday, January 30,  he’ll be following in the footsteps of the nation’s very first president, George Washington, long before there was cable TV or radio.

In Washington’s time, the speech was not yet known as the State of the Union, but the annual message, and according to Donald Ritchie, former U.S. Senate historian, seen here in a clip from C-Span, the practice was “to [physically] cut the State of the Union message up into paragraphs and create committees to address each one of the issues the president suggested.” There were no standing committees in Congress at that time. Now it’s fact-checkers who examine the speech, line by line, and since 2017, we’ve been annotating our TV news programs with fact-checks of Trump, top administration officials, and the four top congressional leaders, Democrat and Republican.

Make history by being a beta tester of FactStream, a new free app for iPhone or iPad, which will deliver live fact-checks of Trump’s State of the Union address from national fact-checking organizations. The app is a product of Duke Reporters Lab Tech & Check collective, of which the Internet Archive’s TV News Archive is a member. We’ll be adding the fact-checks to the TV News Archive, too.

At the TV News Archive, we’ve got historical footage of some past State of the Union addresses, listed below. Last year we annotated Trump’s address to Congress – not officially a State of the Union, since he was newly inaugurated – with fact-checks from our fact-checking partners, FactCheck.org, PolitiFact, and The Washington Post’s Fact Checker. Fact-checks are noted with a red check mark on the TV News Archive filmstrip screen.

For example, the above segment of Trump’s 2017 speech, marked with a red check mark, was fact-checked by both PolitiFact and The Washington Post’s Fact Checker. Trump said, “According to data provided by the Department of Justice, the vast majority of individuals convicted of terrorism and terrorism related offenses since 9/11 came here from outside of our country.”

PolitiFact’s Miriam Valverde rated this claim as “mostly false”: “Trump’s statement contains an element of truth but ignores critical facts that would give a different impression. We rate it Mostly False.” Michelle Ye Hee Lee, writing for The Washington Post’s Fact Checker gave the claim “four Pinocchios,” stating it relied on “a grossly exaggerated misuse of federal data.”

Past State of the Union addresses

2016: Barack Obama

2015: Barack Obama

2014: Barack Obama

2013: Barack Obama

2012: Barack Obama

2011: Barack Obama

2010: Barack Obama

1995: Bill Clinton

1988: Ronald Reagan (no closed captioning)

1980: Jimmy Carter  (no closed captioning)

1975:  Gerald Ford

1969: Lyndon Johnson

1965: Lyndon Johnson

1963: John F. Kennedy (no closed captioning)

1961: John F. Kennedy (no closed captioning)

1942: Franklin D. Roosevelt (no closed captioning)

Posted in Announcements, News, Television Archive | Tagged , , , , , , , , , , | 4 Comments

Digital Books on archive.org

Many people think of the Internet Archive as just the Wayback Machine or just one collection or another, but there is much more.  For instance, books!

As a nonprofit library we buy and lend books to the public, but we do even more than that. Working with hundreds of libraries, we buy ebooks, digitize physical books, offer them to the print-disabled, and lend books to one reader at a time, all for free via archive.org and openlibrary.org.

Archive.org is the website that offers free public access to all sorts of materials uploaded by users, collected by the Internet Archive, and digitized by the Internet Archive.  Archive.org includes books, music, video, webpages, and software.  OpenLibrary.org, a site that is maintained by the Internet Archive, is a catalog of books with the mission to offer “One webpage for every book.”  This open source catalog site, started in 2005, is editable by its users and has many code contributors. It links to various resources about that book, for instance, links to amazon.com and betterworldbooks.org to buy the book, to local libraries that own the book, to archive.org for print-disabled access or to borrow a digitized version of the book, and to other sites that have digital versions.

The goals of libraries are preservation and access. For physical books, we buy and receive donations of hundreds of thousands of books that we preserve for the long term in archival, non-circulating stacks. Support for this comes from libraries, used book vendors, foundations, and tens of thousands of individual donors to the Internet Archive, a public charity.

We also work with more than 500 libraries to help digitize their books, now more than 3 million of them, to preserve them digitally and offer online access. These libraries make their older books (mostly pre-1923)  available for free public downloading, and fantastically over 25 million older books are viewed every month.

Unfortunately, the books of the 20th century are largely not available either physically or digitally. These graphs show how the 20th century’s books are not available through Amazon for purchase, or from the Internet Archive. Some have reasoned this is because of copyright. 1923 is a special date in US copyright law because works published before this date are in the  Public Domain, while afterwards copyright status can be very complicated. Unfortunately, 1923 in these graphs also demarks a sharp drop in commercial availability of many books. These books are often only available through libraries.

Starting 10 years ago the Internet Archive began digitizing modern books, mostly from the 20th century,  for access by the blind and dyslexic. Those that are certified disabled by the Library of Congress get a decryption key for accessing Library of Congress scanned books. This key can also decrypt digitized books available on archive.org. This combined with special formats for the blind and dyslexic of the older books has brought millions of books to people that have had difficulty in the past. We are working to make these books more available to these communities in other special formats.

Publishers have been using digital protection technologies for years for ebooks sold to retail customers, often referred to as DRM (digital rights management).  Libraries lend ebooks using the same DRM, and the Internet Archive has followed that lead, using Adobe Digital Editions.

The digital protection allows books to be lent via downloads that disappear (or become inaccessible) when the loan period ends (e.g. two weeks).  For users who prefer to read their ebooks directly in a browser, the same thing happens. The book becomes inaccessible at the end of the loan period, and the next reader in line has a chance to borrow it.

While it is technically possible to break the digital protections of these technologies, it is illegal to do so. Moreover, the typical user does not do this, allowing for a flourishing ebook marketplace for current books. The Internet Archive is able to make available for loan older books that are not available in ebook format. In every case, an authorized print copy has been acquired and made unavailable for simultaneous loan.

Many of the books in our collection are books that libraries believe to be of historical importance such that they do not want to throw them away, but are not worth keeping on their physical shelves. The digitized versions are therefore made available to a single user at a time, while the physical book no longer circulates. Since the books which are lent using the controlled digital lending technologies are limited to one reader at a time, it works best for “long tail” books, books that are not available in other ways. Fortunately, many of these books are wonderful and important and we are proud to bring them to a generation of digital learners who may not have physical access to major public libraries.

We hope many more libraries start controlled digital lending of their books as this is a way to bring public access to the purchases and collections they have built over centuries.

We have recently made available a small number of books (currently 61 books) published between 1923 and 1941 under a provision of US Copyright law that was written to permit libraries to copy and lend titles that are no longer subject to commercial exploitation, and selection is currently overseen by  lawyers expert in US copyright law.

As a completely separate service from buying ebooks and loaning to users with controlled digital lending, the Internet Archive offers free hosting for cultural works (texts, audio, moving images) that are uploaded by the general public. Millions of documents from court cases, and digitized books from other projects such as the Google book program and the Digital Library of India have been uploaded over the years.

When a rights holder wants a work that was uploaded by a user taken down, a well known “Notice and Takedown” procedure is in place. The Internet Archive takes prompt action and follows the procedure, generally resulting in the work being taken down.

Where is this all going?  We are looking for partners and ideas to help bring more books to more people in more ways. More books (and more accessible books) for the print disabled, complete collections of books from the 20th century online and available, clickable footnotes for books cited in Wikipedia to bring up the full text on the right page, and many more books in bookstores and libraries. This generation of digital learners is looking for this, is expecting this. Collectively, libraries, booksellers, publishers, and authors– old and new– share these same interests.  The good news is the technologies are now available– we all have to do our parts to do to serve digital learners everywhere.

As a library, we strive to provide “Universal Access to All Knowledge.” The digital technologies make this a feasible dream.  We are working with publishers, booksellers, authors, other libraries, and most of all digital learners to find balanced and respectful ways to try to achieve this goal. If you want to help, or have ideas on what we can do to get there, please let us know.

 

Posted in Announcements, News | 1 Comment

Building Digital 78rpm Record Collections Together with Minimal Duplication

78_mama-yo-quiero_joaquin-garay-al-wallace-orchestra-e-b-marks_gbia0034720aBy working together, libraries who are digitizing their collections can minimize duplication of effort in order to save time and money to preserve other things.  This month we made progress with 78rpm record collections.

The goal is to bring many collections online as cost effectively as possible. Ideally, we want to show each online collection as complete but only digitize any particular item once. Therefore one digitized item may belong virtually to several collections. We are now doing this with 78rpm records in the Great 78 Project.

It starts with great collections of 78s (18 contributors so far). For each record, we look up the record label, catalog number, and title/performer, to see if we have it already digitized. If we have it already, then we check the condition of the digitized one against the new one– if we would improve the collection, we digitize the new one. If we do not need to digitize it, we add a note to the existing item that it now also belongs to another collection, as well as note where the duplicate physical item can be found.

For instance, the KUSF collection we are digitizing has many fabulous records we have never seen before including sound effect records.  But about half are records we have digitized better copies of before, so we are not digitizing most of those. We still attribute the existing digital files to the KUSF collection so it will have a digital file in the online collection for each of their physical discs.

It takes about half the time to find a record is a duplicate than to fully digitize it, and given that we are now seeing about half of our records not needing to be digitized, we are looking for ways to speed this up.

OCLC has many techniques to help with deduplication of books and we are starting to work with them on this, but for 78s we are making progress in this way. Please enjoy the 78s.

Thank you to GeorgeBlood L.P., Jake Johnson, B. George, and others.

Posted in 78rpm, Announcements, Audio Archive, News | Comments Off on Building Digital 78rpm Record Collections Together with Minimal Duplication

The Lost Landscapes of San Francisco: A Benefit for the Internet Archive — Monday, January 29

by Rick Prelinger

Internet Archive presents the movie 12th annual Lost Landscapes of San Francisco on Monday, January 29 at 7:30 pm at our headquarters in San Francisco. The show will be preceded by a small reception at 6:30 pm, when doors will also open.

Buy Tickets Here

I’ve been collecting historical footage of San Francisco and the Bay Area in earnest since 1993, when we acquired the collection assembled by noted local historian and film preservationist Bert Gould. Since that time I’ve worked to collect film material showing the history of this dynamic and complex region. Much of it is online for free viewing, downloading and reuse as part of the Prelinger Collection. Many great things have happened at the Archive showings: people have recognized their relatives in the films, and many have seen their own streets and neighborhoods as they’ve never before seen them.

Combining favorites from past years with this year’s footage discoveries, this feature-length program shows San Francisco’s neighborhoods, infrastructures, celebrations and people from the early 20th century through the 1970s. New sequences this year include North Beach clubs and nightlife, colorful New Deal labor graphics, early BART footage, a scooters’ rights demonstration (!), unbuilt sand dunes in the Sunset, Barbra Streisand and Ryan O’Neal shooting WHAT’S UP DOC? on location in the Richmond District, more footage of the mysterious Running Man in Chinatown and on Nob Hill, Bay Area activism, birthdays and Thanksgiving in the Outer Mission in the late 1940s, Latino families dancing on Ocean Beach, and much, much more.

As always, the audience makes the soundtrack! This is an excellent venue for the show, as the shape of the Great Room makes it easy for participants to hear one another’s comments. Come prepared to identify places, people and events, to ask questions and to engage in spirited real-time repartee with fellow audience members, and look for hints of San Francisco’s future in the shape of its lost past.

Monday, January 29th
6:30 pm Reception
7:30 pm Interactive Film Program

Internet Archive
300 Funston Avenue
San Francisco, CA 94118

Buy Tickets Here!

bitcoin accepted then email

Posted in Announcements, Event | 5 Comments