Tag Archives: controlled digital lending

Access to Rare Historical Materials Makes an Ocean of Difference for Stanford Professor

The kind of materials that Stanford English professor Margaret Cohen uses in her work, including the history of ocean travel in the period known as the “Age of Sail,” can be difficult to find.

Professor Margaret Cohen, Andrew B. Hammond Professor of French Language, Literature, and Civilization and Director, Center for the Study of the Novel at Stanford University.

Books and illustrations from the 18th and 19th centuries needed in her research and teaching are often tucked away in rare book collections. For about five years, Cohen has been turning to the Internet Archive for help. And that access was even more critical during the pandemic when physical libraries were closed.

“It’s really enriched the arguments I can make about cultural history,” Cohen said. “The availability of documents and the very intensive work of tracking these down has become so much easier. The Internet Archive is a very user-friendly tool.”

The Biodiversity Heritage Library has been a resource to Cohen in teaching her English class, Imagining the Ocean. She has discovered manuals from Philip Henry Gosse, who created the first public aquarium, envisioning them as beautiful ocean gardens.  Cohen also shares her screen with students to discuss drawings of the sails, seashore and sea-anemones from the Victorian Age that she accesses through the Archive.

Actinologia britannica, 1860, Plate V.

“Access to the history of science is useful to me. I’m a literature professor, but the imagination spans across different areas,” said Cohen, the Andrew B. Hammond Professor of French Language, Literature, and Civilization and Director, Center for the Study of the Novel.

In her own research of oceanic studies, Cohen explores the importance of diversity and reality in marine environments. She tapped into the Internet Archive to fact-check information for A Cultural History of the Sea, (Bloomsbury, April 2021), a six-volume series that she edited chronicling the vital role oceans have played over time.

In researching her upcoming book, The Underwater Eye: How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy to be published by Princeton University Press, Cohen said the Wayback Machine was critical in confirming sources on websites that were no longer live.

Punch, 1879, Vol 76

The Sci-Fi/Horror collection of the Internet Archive has been useful to Cohen in teaching a course on Gothic film—especially since YouTube recently took down many of its films in that genre, she said.

Much of the material Cohen is looking for is in the public domain (such as Punch, a satirical British magazine that dates back to the mid-1800s ) but the documents are fragile because of their age. She has also  appreciated being able to borrow classic books of literary criticism, such as the collection on novel studies that supports her graduate course, Genres of the Novel. 

 “People’s time is limited and having access to this material facilitates scholarship,” Cohen said of the benefits of digitized documents. “I understand why publishers need to make money and I publish myself, but free access to information, particularly for nonprofit use, is a gift.”

Graduate Student: Internet Archive an “absolutely indispensable resource”

Although Casey Patterson spent much of the COVID-19 lockdown in a dank San Francisco basement apartment, he says he felt lucky in many ways.

The graduate student in English from Stanford University stayed healthy and—despite not having physical access to a library—was able to research his dissertation, teach classes, and prepare for job interviews. This was possible because of online access to materials through the Internet Archive.

Graduate student and educator, Casey Patterson

Patterson, who is entering the sixth year of his doctoral program, offered to teach an online African American literature class to undergraduates as soon as COVID-19 shut down the campus and the university shifted to virtual instruction.

“I just felt a degree of duty to sign up for a lot of teaching. I wanted to be able to support students and knew the transition to online education was going to be rocky,” said Patterson, who also taught an Intro to Black Studies course during the pandemic. “It was chaotic. Obviously, we had a really tough time trying to figure out how to keep students engaged and make education a humane process.”

Instead of expecting students to buy several books, and without the ability for them to check out books in a library, Patterson turned to the Internet Archive. Patterson found works of Black critics such as Toni Morrison and C.L.R. James and their writings about 19th century authors Edgar Allen Poe and Herman Melville to use in class. He downloaded classics including Moby Dick and Huckleberry Finn to the Canvas learning management system and made them immediately available to students.

“Using the Internet Archive, I could lay hands on basically everything I needed. It was an absolutely indispensable resource at the time.”

Casey Patterson, graduate student

“It’s super helpful when you’re asking students to read 10 short passages from three different novels,” Patterson said of using the Internet Archive. “It would be cruel to ask them to buy all of the books or track them down to the library. This way you put them right at the students’ fingertips.”

Patterson also relied on text from the Internet Archive for his own research. For his dissertation, he is examining the role of educational history as a way of understanding African American literary studies and the institutionalization of Black studies as a discipline.

This spring, he interviewed for an academic job in which he was asked to prepare a lesson plan syllabus for a teaching demonstration. Having access to The Book of American Negro Poetry, works of African-American poet Phillis Wheatley, and essays by Alice Walker enabled Patterson to put together materials from the convenience of his apartment on a tight deadline.

Selection of poems by Georgia Douglas Johnson from “The Book of American Negro Poetry” (1922).

“Using the Internet Archive, I could lay hands on basically everything I needed,” Patterson said. “It was an absolutely indispensable resource at the time,” he says.

In the summer of 2019, Patterson had used the Internet Archive in his Fandom research, another area of interest. He’d run across a citation to a website that was no longer available online and was able to track it down through the Wayback Machine. But since the pandemic, Patterson says he’s come to value the Internet Archive for its collection of primary sources.

“Knowledge is for everybody. The more we can do to break down the barriers that make it inaccessible, the better off everyone is,” said Patterson. “The Internet Archive is one great example of how we can do that almost with a click of a button.”

Reading Online Books a “Highlight” for Students During Pandemic

Motivating students to stay engaged with online instruction can take some creativity.

Working at a special education learning center in Los Angeles, Luca Messarra found the promise of choosing a book to read for fun after a lesson kept his 9- to 11-year-old kids going. Although access to physical books was limited during the pandemic, he found digital versions in the Internet Archive that made all the difference.

Educator and graduate student Luca Messarra.

Messarra’s individual work with students moved online in March 2020, in the early days of the pandemic. He continued to help them learn to read and write by doing drills remotely, using online instruction materials provided by the learning center. It did not have access to digital works of fiction, but Messarra says those were the books that most excited the students.

“That was the most fun because it was an opportunity for them to see the fruits of their labor. They could read a book, finally,” says the 25-year-old who lives in Palo Alto. “It’s far more entertaining to read a book than to do drills over and over again. That was the highlight for a lot of students—to finally be able to read a book of their own choosing.”

Since wrapping up his job at the learning center, Messarra has been enrolled in a graduate English program at Stanford University where he is specializing in digital humanities and postcolonialism.

Looking back on his teaching experience during the pandemic, Messarra says he values the resources from the Internet Archive. “It was incredibly helpful and quite essential to boost the morale of students. They were bored and frustrated because of the pandemic,” he says. “For one of my students, it was his goal to read Harry Potter. Once he was able to read it, he was super excited and eventually bought the book because he was having such a good time.”

Internet Archive Can Provide a New Home for your Beloved Books & Media: Details on Making a Physical Donation

When Marygrove College closed, they donated the entire library to the Internet Archive for preservation & digitization.

During the pandemic, perhaps you have been cleaning out some bookshelves in your house. Or maybe you are a librarian, planning to be back in your building for the first time in more than a year and restarting collection management activities.

If you are wondering what to do with your excess materials, the Internet Archive can help. The nonprofit library accepts donation books, records (CDs, LPs, 45rpm, 78rpm, cylinders), films, and microforms that it does not already have in its collection. The Archive preserves one copy of everything it receives and tries to find good homes for duplicates. Then, as funding allows, the Archive digitizes the materials and helps them reach a wider audience online.

“No donation is too far away or small to be considered by the Internet Archive.”

Liz Rosenberg, donations manager, Internet Archive

At a recent webinar, staff from the Archive explained the process for donating and  encouraged the public’s help as it works to provide universal access to everything ever published.

“No donation is too far away or small to be considered by the Internet Archive,” said Liz Rosenberg, donations manager. She has helped coordinate donations of entire libraries, including collections from Marygrove College in Detroit and Bay State College’s Boston Campus.

Donation Process

To find out more about what’s involved with physical donations, Rosenberg suggests going to the Help page for details about shipping instructions or dropping off donations smaller than about 20 boxes. All others are asked to complete a physical item donation form to provide all the information to make a larger donation happen, including where the items are located, an accurate count, and other special considerations for the offer.

Part of the donation of 18,000 records from a collector in Washington D.C.

Once submitted, staff begin the planning process to determine if the collection is in a format that can be accepted, if there are duplicates, and the project timeline. Arrangements then can be made for packing and shipping. In the case of larger collections, the Archive typically is able to provide assistance with transportation costs.

Sometimes donors pack their own items and then the Archive pays for the shipping. That was the case for a recent donation of 18,000 records from a music enthusiast in Washington D.C. The donor was looking for a “forever home” for his beloved vinyl and the Archive was happy to schedule a pickup and preserve the rare collection, Rosenberg said.

Why Donate?

For donations of 50 or more items, the Archive can create a collection to both honor the donor and make their donation accessible all in one place. “The ability to access all of their media in one place really reassures our donors that they will still have access to their items even once they’re no longer in their physical possession,” said Rosenberg. Some stories behind major contributions are covered by the Archive in its blog.

Better World Books, a socially responsible bookstore that has a longstanding relationship with the Internet Archive, regularly donates books for preservation and digitization. It receives many of its books from library partners around the world. The Archive accepts many materials that BWB will not.

Internet Archive team members having fun with the task of packing & shipping an entire library collection from Bay State College.

“We love more than anything to get large collections—entire intellectual units, such as a reference collection that is curated,” said Chris Freeland, a librarian who works at the Archive. “It helps us round out our collection, and helps our patrons. If someone has a collection that no longer fits their collection development priorities, think of Better World Book or the Internet Archive for those materials.”

The Archive is open to over-sized items, such as maps, and books that do not have to have an ISBN number. What about loose periodicals? The Archive does not want a few scattered issues but does have interest in long runs of a magazine.

Once digitized, patrons with print disabilities can access the materials and some are selected to be accessible via Controlled Digital Lending and for machine learning research. Together, we can achieve long term preservation and access to our collective cultural legacy.

Why CDL Now? Digital Libraries Past, Present & Future

Register now: https://us02web.zoom.us/webinar/register/WN_b4R4ayfzSj2-GIvbpabumA

Libraries have historically been trusted hubs to equalize access to credible information, a crucial role that they should continue to fill in the digital age. However, as more information is born-digital, digitized, or digital-first, libraries must build new policy, legal and public understandings about how advances in technology impact our preservation, community, and collection development practices.

This panel will bring together legal scholars Ariel Katz (University of Toronto) and Argyri Panezi (IE University Madrid/Stanford University) to discuss their work on library digital exhaustion and public service roles for digital libraries. They will be joined by Lisa Radha Weaver, Director of Collections and Program Development at Hamilton Public Library, who will discuss how library services have been transformed by digital delivery and innovation and Kyle Courtney of Library Futures/Harvard University, a lawyer/librarian who wrote the influential Statement on Controlled Digital Lending, signed by over 50 institutions. The panel will be moderated by Lila Bailey of Internet Archive.

August 3 @ 10am PT / 1pm ET
Register now: https://us02web.zoom.us/webinar/register/WN_b4R4ayfzSj2-GIvbpabumA

Background reading

One Writer on Libraries

Guest post by author Fran Moreland Johns.

Whenever I’ve had a book published I have celebrated every sale. But the biggest cause for celebration – the sale that always made me most proud – was when a library acquired a copy or two. Individuals may purchase a book, shelve it or pass it along to a friend, and thereafter it disappears. Libraries are forever.

Fran Moreland Johns

This is the belief that underscores my enthusiasm for the Internet Archive. While the Atlanta Public Library may one day cull my book to make room for someone else’s, those words I labored over and so treasure, whether anyone else ever treasures them or not, are safe with the Internet Archive. And may it thrive and prosper.

Johns writing cutlines under the rapt gaze of Richmond Times-Dispatch photographers. Disclaimer: Johns quit smoking in 1964.

This is all a very long way from my literary beginnings on a Royal portable typewriter. I wrote for newspapers and magazines – the Richmond Times-Dispatch, USA Today, National Real Estate Investor to cite just a few of the wildly different multiple dozens – from the early 1950s into the technologically bewildering 2020s. Eventually I added an MFA in short fiction to my BA in Art and veered into short stories, with a few tiny publication successes, including Dying unafraid (1999) and Perilous Times: An inside look at abortion before – and after – Roe v Wade (2013). When the internet came along, I tiptoed in via a blog for news aggregate site True/Slant.com which eventually morphed into today’s franjohns.net. With a little luck my short story collection, Marshallville Stories, will be published in 2022; the Internet Archive will get one of the first copies.

I’ve been following the conflict between U.S. publishers and the Internet Archive with some degree of horror and dismay. Publishers, I realize, are in business to make money and thereby stay in business. Do they not want people, as many people as possible, to read the books they publish? After the first flurry of sales (perhaps excluding the blockbuster books that will make big bucks for authors and publishers alike, may they also thrive and prosper) does it not follow that publishers would want their books to enjoy long and successful lives? That, at least, is the hope I believe most authors harbor. I can’t claim to speak for other authors, but this I know is personally true: I write for the joy of writing, and in the hope of being read. I’d be surprised if there were many writers out there who don’t feel the same.

So let’s hear it for libraries. And for the one that’s unique among all others, the Internet Archive.

***

Fran Moreland Johns has been writing (for newspapers, magazines, online sites) since the 1950s, and blogging since she was introduced to the idea via a paid blog for news aggregate site True/Slant in 2009. Her roots are in small town Virginia and her heart is in hometown San Francisco. She currently blogs on Medium.com and www.franjohns.net. You can read Dying unafraid (1999) online through the Internet Archive’s lending library.

Registration Now Open For Two New Workshops on Controlled Digital Lending

In an effort to help more people understand how Controlled Digital Lending works, the Internet Archive is helping coordinate two sessions in July. Both sessions are free, virtual, and open to the public.

Empowering Libraries Through Controlled Digital Lending – July 13

The Internet Archive’s Open Libraries program empowers libraries to lend digital books to patrons using Controlled Digital Lending. Attendees will learn how CDL works, the benefits of the Open Libraries program, and the impact that the program is having for partner libraries and the communities they serve.

Watch video from the event

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Implementation & Integration: CDL for All Libraries – July 14

For the second event in a summer series about the innovative library practice of Controlled Digital Lending, we’ll hear from libraries, consortia, and librarians who are exploring CDL implementations at their institutions and communities with hands on learning around potential and existing solutions. Learn about building institutional CDL policies, user experience for patrons and staff, technological platforms, and how you can get involved with the CDL community. Bring your questions, ideas, and be prepared to dig in!

Co-hosted by Library Futures, Internet Archive, Project Reshare, Open Library Foundation, and CDL Implementers

Watch video from the event

International Federation of Library Associations (IFLA) backs Controlled Digital Lending

Last week, the International Federation of Library Associations (IFLA) voiced its strong support for the longstanding and widespread library practice of Controlled Digital Lending (CDL). In doing so, they join a host of libraries and library associations in asserting the right of libraries to own, digitize and lend materials online.

IFLA is the leading international body representing the interests of library and information services and their users. It is the global voice of the library and information profession. The COVID-19 pandemic has underlined the need to be able to provide digital access to library collections and CDL provides an effective, lawful tool for doing so. IFLA writes that CDL helps “to fulfill the mission of libraries to support research, education and cultural participation within the limits of existing copyright laws.”

IFLA’s Statement on Controlled Digital Lending, which was approved by IFLA’s Governing Board in May 2021, builds on the U.S.-oriented Position Statement on Controlled Digital Lending, which has been endorsed by 55 institutions and 120 individual copyright experts and librarians, bringing the discussion into the international context. IFLA’s Statement makes a powerful economic and legal case for supporting CDL in all countries around the world.

According to the Statement:

“Licensed eBooks have opened the door to a radical undermining of the traditional public interest functions and freedoms of libraries. These still exist for paper books, but with the advent of licensed eBooks, libraries are no longer free to decide when or what to purchase, with some publishers even refusing to sell to libraries. Controlled digital lending provides an alternative to a licensing approach, and so a means of redressing the balance.”

The Internet Archive’s Open Libraries program is powered by CDL and we welcome the continued and growing support of other libraries. As many libraries remain closed across the globe, millions of digitized books are still available for free to be borrowed by learn-at-home students and readers everywhere.

The Librarian’s Copyright Companion Goes Open Access

As a law librarian and author, Ben Keele wants to share his expertise on copyright with as many people as possible.

His book, The Librarian’s Copyright Companion, 2nd edition (William S. Hein, 2012), coauthored with James Heller and Paul Hellyer, covers restrictions on use of copyrighted materials, library exemptions, fair use, and licensing issues for digital media.  (Heller wrote the first edition in 2004.) The authors recently regained rights to the book in order to make it open access. So after years of being available through controlled digital lending (CDL) at the Internet Archive, the book is now available under the Creative Commons Attribution license (CC BY 4.0), which means that anyone is free to share and adapt the work, as long as they provide attribution, link to the license, and indicate if changes were made.

“Nearly 10 years had passed. It’s probably been commercially exploited to the point that it will be,” Keele said. “This is what I would suggest to any faculty member. It’s sold what it will, and the publisher got the money it deserved, so we asked for the copyright back.”

To arrange the transfer of rights, Keele followed the Author’s Alliance’s advice. The California-based nonprofit provided a guide to rights reversions that he said made the process smooth and involved simple signatures by all parties. His publisher, William S. Hein & Co., was in agreement, as long as the authors were willing to give it first right of refusal for a 3rd edition.

The Librarian’s Copyright Companion, 2nd Edition, now available via CC BY license.

Keele said he believes copyright is overly protective and he would advise others to do the same and make their works openly available.

“In academia, the currency is attention,” Keele said. “For me, it’s a very small statement. Copyright did for me what it needed to do: it provided an incentive for the publisher to be willing to market and produce the book. I think we achieved the monetary value we were looking for. At that point, I feel like the bargain that I’m getting from copyright has been fulfilled. We don’t need to wait until 70 years after I die for people to be able to read it freely.”

To balance the pervasive messaging from publishers about authors’ rights, this book emphasizes the aspect of copyright law that favors users’ interests, said coauthor Paul Hellyer, reference librarian at William & Mary Law Library.

“There aren’t many people who are advocating for users’ rights and a more robust interpretation of fair use,” Hellyer said. “Librarians are one of the few groups of people who can do that in an organized way. That was our main motivation for writing this book. With that in mind, we are very excited to now have an open source book that anyone can just download. That’s very much in line with our view of how we should think about copyright protection—it should be for a limited period.”

The authors have also uploaded the book into the institutional repositories at their home institutions, where it is also being offered for free.

Keele has long been a fan of the Internet Archive. In his work as a librarian at the Indiana University Robert H. McKinney School of Law, he often uses the Wayback Machine to verify citations and check to see how websites have changed over time—frequently saving him research time. He says he was pleased to be able to contribute his work to the Internet Archive to be accessible more broadly.

Added Keele: “There’s so much bad information out there that’s free. Having some good information that is also free, I think is important.”