Author Archives: Caitlin Olson

Highlights from the Tribute to Cyberspace Philosopher, John Perry Barlow

by Lisa Rein

On April 7, 2018, more than 500 people gathered at the Internet Archive for a symposium on the life and work of John Perry Barlow. The program included talks, discussions and Q & A sessions with many of Barlow’s closest friends and collaborators. Speakers included: Edward Snowden, Cindy Cohn, Executive Director of the EFF, Cory Doctorow, science fiction author and activist, Mitch Kapor, Lotus 123 creator and EFF co-founder, Pam Samuelson, the Richard M. Sherman Distinguished Professor of Law at the Berkeley Law School and co-director of the Berkeley Center for Law and Technology, John Gilmore, co-founder of EFF, Shari Steele, Executive Director of Tor, Joi Ito, Director of the MIT Media Lab and Steven Levy, journalist and author of “Hackers.”

The complete video and transcript is located here.

Here are some highlights from each speaker:

Edward Snowden:

“What happens when we cast votes for politicians who claim certain campaign promises, and then, not only do they not deliver on them, they actually expand the surveillance programs that they pledged to terminate. And this, because I’ve gone on for a while here, is that part of John Perry Barlow’s sincerity that I admired. And this is the reason, ultimately, that led me to many of the choices in life that I have made.

When I was a young man. I was reading his “Declaration of Independence of Cyberspace,” and perhaps that may have been that first seed of radicalization. I’ve said before that I used to work for the government and now I work for the public. I’m not sure JPB ever had any other allegiance. His love was for all of us. This is why he spent that long life could have been so comfortable, so frictionless, constantly searching for the next battle. Constantly searching for the next struggle…

John Perry Barlow woke me up. He raised a message, sounded an alarm, that I think we all heard. He did not save the world. None of us can, but maybe he started the movement that will. I want to thank him for everything that he did for me, for us, for the United States, and for this world.”

Anna Barlow:

“…he felt it was important to stand up for what they were doing, but more importantly to stand up for the people’s right to know the truth. To have access to that truth; to protect the availability that the Internet offered in a way that was more raw and accessible to information than ever before. He knew that this was an imperative thing to fight for, and it was second nature for him to fight as hard as he could…The right to access it and the pioneering of the Internet as we know it. So thank you, dad, for all of those important things of vital importance now more than ever to my generation, as well as to every generation to come.”
 
 
 
Cindy Cohn:

“To me, what Barlow did for the Internet was to articulate more, and more beautifully than almost anyone, that this new network had the possibility of connecting us all. He saw that the Internet would not be just a geeky hobby or a toy or only a place of the military or of the academics, which is what a lot of people at that time believed…Barlow saw the Internet as a chance for all of us to kind of start over with a clean slate and use this moment of evolution to build the layer of the mind and through that build the kind of world we wanted to live in, as opposed to the one that we had all inherited. That fit well in the mindset of the 1960s where, in the midst of terrible strife and death and war, a set of people including Barlow, were actively searching for a better way.”

Mitch Kapor:

“We were invited into the CIA, this is early days, to just talk about the issues that we were working on…I’d never been there. I don’t think John had ever been at that point. And it’s this big fortress, and there are lots of signs about no recording devices and turn everything in. And John and I conferred and we devised a plan. We said, “well, can we bring in our laptops?” This is in the early 1990s. Yes, actually if you check the laptop, (they said), you can bring your laptop.

Our laptops were recording devices. This was brand new at that point that our Macs had mics in them an audio capture software and this wasn’t a common thing, and we said to each other “I wonder if the CIA knows this?”

Steven Levy:

“Barlow used cyberspace as a metaphor that wound up becoming the way we all thought of the Internet, and as a matter of fact, the way we did all of our digital activities. Not just in the VR world, where you make up a world like Gibson wrote about, though that too, but occurring in a venue where you went somewhere, everywhere. Every time you made a phone call. Made an ATM transaction, or did an online chat.

So when Barlow wrote about it, he took cyberspace and our digital activities from something you did – what you did online – to where you were online. And we needed this.”

Pam Samuelson:

“Barlow’s major contribution in the field of copyright, and he really did, was “The Economy of Ideas” article that was published in 1994 in Wired magazine. And honestly, it’s been cited 742 times in the law review literature. Which, I’m telling you; there are people in my field who would just die to get that many citations, ok? So, Barlow made an impact on my field, but the wider impact of that article was really to galvanize a lot of people in the community who kind of came to understand that copyright – this obscure thing that we didn’t really like to think about – actually had some impact on our lives, especially on the Internet.”

John Gilmore:

“Now, as we build and use the Internet, Barlow cautioned us to distinguish “data,” “information,” and “experience” in ways that are often forgotten today. And he had a 1990s conversation with John Brockman that later Brockman put in a book, and he explained, “data differs from information.” You can gather infinite sets of data with machines. But in order to convert data into information, the human mind has to process that dataset and find it meaningful.

That’s the important difference between information and other kinds of products. Products of the physical world are generally themselves regardless of the context. A toaster is a toaster is a toaster. In the informational world, however, each piece of information draws value from its direct relevance to the area of mind that is finding it meaningful or not meaningful. So then the next layer is “experience,” which also differs from “information.” Experience is the real-time interactive relationship between the sensorium and all the phenomena that the sensorium has available to it.”

Joi Ito:
“But one of the things that for me was really important was the “Declaration of Independence for Cyberspace.” That was like a battle cry for us to rally around and it took this kind of fashion movement of the cyberpunks and turned it into a political, social movement that tied a bunch of things together. But today we look around, and it seems like kind of a distant dream…

And I still remember in the early days when we thought “we just connect everybody together and we’d have world peace” ya know, and the Internet would just solve everything. And that technology can be political. We can design it in a way that the bad guys couldn’t use it. Well turns out; it’s wrong. But I think he was aware. He was aware of this winding path, and I think the manifesto was a compass heading. This is where we’re going.”

Amelia Barlow:

“I want to say thank you for embodying these ideas that were shared today; Continuing his legacy in the way that you work, in the way that you live your lives. Also, thank you for being the immune system, and protecting us from tyranny.

When he passed he entrusted us with the most valuable asset that I could possibly imagine, which is you. All of the people in this room. All of the people around the world who he cared about and cared about him.

This vast web of infinitely interesting and radical human beings he gave to us, and I really appreciate that.”

Cory Doctorow:

“There’s a moment at which your tactics change, if you’re an activist. It’s the “moment of peak indifference.” When the number of people who care about your issue only goes up forever more. I mean, yeah, we spectacularly failed to get people to care about privacy and the destiny of the Internet for 25 years, and that is a catastrophe. We have carbonized our atmosphere with personal information that will never go away and whose effects will be felt for decades to come and the only thing worse than that, would be to let it go to waste. To let this moment in which people realize that there’s a problem slip away from us, instead of saying not only did we know this stuff was going to happen but we can do something about it.

And so for EFF, for Barlow, for the people I see here today, old friends and people who I recognize from so many different contexts, I feel like this is our mission. It’s to make the world safe for technology but more importantly to make the technology safe for the world. To seize the means of information the way Barlow taught us to.”

To view photos from the event click here.

To watch the video and for a full speaker transcript, click here.

Artificial General Intelligences & Corporations — April 8, 2018

Check out the Live Stream Here

Even if we don’t know yet how to align Artificial General Intelligences with our goals, we do have experience in aligning organizations with our goals. Some argue corporations are in fact Artificial Intelligences – legally at least we treat them as persons already.

The Foresight Institute, along with the Internet Archive, invite you to spend an afternoon examining AI alignment, especially whether our interactions with different types of organizations, e.g. our treatment of corporations as persons, allow insights into how to align AI goals with human goals.

While this meeting focuses on AI safety, it merges AI safety, philosophy, computer security, and law and should be highly relevant for anyone working in or interested in those areas.

Buy Tickets Here

Discussions on the day include:

Overview of AI Safety & definitions by Allison Duettmann, AI Safety Researcher at Foresight Institute, Advisor to EthicsNet

Corporations as Artificial General Intelligences (based on this literature review for a grant given by Paul Christiano on the legal aspects of AGI as corporations) by Peter Scheyer, Foresight Institute Fellow in Cybersecurity & Corporate AGI, Cybersecurity Veteran

Overview of the traditional field of AI alignment, with focus on CHAI’s approach to AI alignment, by Mark Nitzberg, Executive Director of the UC Berkeley Center for Human Compatible AI

Aligning long-term projects with incentives in governmental institutions, by Tom Kalil, former Deputy Director for Policy for the White House Office of Science & Technology Policy, Senior Advisor at the Eric & Wendy Schmidt Group

Building a 501c3 organization and similarities to AI alignment, by Brewster Kahle, Founder of the Internet Archive, Digital Librarian, and Philanthropist

Civilizations as relevant superintelligence (based on this paper co-authored with Christine Peterson, and Allison Duettmann for the First UCLA Risk Colloquium), by Mark Miller, Senior Fellow of the Foresight Institute, pioneer of agoric computing, designer of several object-capability programming languages

This seminar will be highly interactive – we welcome your engagement throughout the session. If you have something valuable to add to the discussion contact Allison at a@foresight.org.

John Perry Barlow Symposium — Saturday, April 7

Watch The Video Here

Please join us for a celebration of the life and leadership of the recently departed founder of EFF, John Perry Barlow. His friends and compatriots in the fight for civil liberties, a fair and open internet, and voices for open culture will discuss what his ideas mean to them, and how we can follow his example as we continue our fight.

Speakers Lineup:

Edward Snowden, noted whistleblower and President of Freedom of the Press Foundation
Cindy Cohn, Executive Director of the Electronic Frontier Foundation
Cory Doctorow, celebrated scifi author and Editor in Chief of Boing Boing
Joi Ito, Director of the MIT Media Lab
John Gilmore, EFF Co-founder, Board Member, entrepreneur and technologist
Trevor Timm, Executive Director of Freedom of the Press
Shari Steele, Executive Director of the Tor Foundation and former EFF Executive Director
Mitch Kapor, Co-founder of EFF and Co-chair of the Kapor Center for Social Impact
Pam Samuelson, Richard M. Sherman Distinguished Professor of Law and Information at the University of California, Berkeley
Steven Levy, Wired Senior Writer, and author of Hackers, In the Plex, and other books
Amelia Barlow, daughter of John Perry Barlow

 

We suggest a $20 donation for admission to the Symposium, but no one will be turned away for lack of funds. All ticket proceeds will benefit the Electronic Frontier Foundation and the Freedom of the Press Foundation.

John Perry Barlow Symposium
Saturday, April 7, 2018
2 PM to 6 PM

Internet Archive
300 Funston Avenue
San Francisco, CA 94118

RSVP Here

The Lost Landscapes of San Francisco: A Benefit for the Internet Archive — Monday, January 29

by Rick Prelinger

Internet Archive presents the movie 12th annual Lost Landscapes of San Francisco on Monday, January 29 at 7:30 pm at our headquarters in San Francisco. The show will be preceded by a small reception at 6:30 pm, when doors will also open.

Buy Tickets Here

I’ve been collecting historical footage of San Francisco and the Bay Area in earnest since 1993, when we acquired the collection assembled by noted local historian and film preservationist Bert Gould. Since that time I’ve worked to collect film material showing the history of this dynamic and complex region. Much of it is online for free viewing, downloading and reuse as part of the Prelinger Collection. Many great things have happened at the Archive showings: people have recognized their relatives in the films, and many have seen their own streets and neighborhoods as they’ve never before seen them.

Combining favorites from past years with this year’s footage discoveries, this feature-length program shows San Francisco’s neighborhoods, infrastructures, celebrations and people from the early 20th century through the 1970s. New sequences this year include North Beach clubs and nightlife, colorful New Deal labor graphics, early BART footage, a scooters’ rights demonstration (!), unbuilt sand dunes in the Sunset, Barbra Streisand and Ryan O’Neal shooting WHAT’S UP DOC? on location in the Richmond District, more footage of the mysterious Running Man in Chinatown and on Nob Hill, Bay Area activism, birthdays and Thanksgiving in the Outer Mission in the late 1940s, Latino families dancing on Ocean Beach, and much, much more.

As always, the audience makes the soundtrack! This is an excellent venue for the show, as the shape of the Great Room makes it easy for participants to hear one another’s comments. Come prepared to identify places, people and events, to ask questions and to engage in spirited real-time repartee with fellow audience members, and look for hints of San Francisco’s future in the shape of its lost past.

Monday, January 29th
6:30 pm Reception
7:30 pm Interactive Film Program

Internet Archive
300 Funston Avenue
San Francisco, CA 94118

Buy Tickets Here!

bitcoin accepted then email

Internet Archive’s Annual Bash this Wednesday! — Get your tickets now before we run out!

UPDATE: Tickets for the 20th Century Time Machine are officially Sold Out! If you would like to join our waitlist, we’ll release tickets as they become available and let you know via email.

Click here to join the waitlist


Limited tickets left for 20th Century Time Machine — the Internet Archive’s Annual Bash – happening this Wednesday at the Internet Archive from 5pm-9:30pm. In case you missed it, here’s our original announcement.

Tickets start at $15 here.

Once tickets sell out, you’ll have the opportunity to join the waitlist. We’ll release tickets as spaces free up and let you know via email.

We’d love to celebrate with you!

Internet Archive Artist in Residence Exhibition — August 5–26

By Amir Esfahani

Ever Gold [Projects] is pleased to present The Internet Archive’s 2017 Artist in Residence Exhibition, an exhibition conceived in collaboration with the Internet Archive presenting the culmination of the first year of the Internet Archive’s visual arts residency program, featuring work by artists Laura Hyunjhee Kim, Jeremiah Jenkins, and Jenny Odell.

The Internet Archive visual arts residency is organized by Amir Saber Esfahani, and is designed to connect emerging and mid-career artists with the archive’s collections and to show what is possible when open access to information meets the arts. The residency is one year in length during which time each artist will develop a body of work that culminates in an exhibition utilizing the resource of the archive’s collection in their own practice.

During the residency Kim, Jenkins, and Odell worked with specific aspects of the Internet Archive, both at its Bay Area facilities and remotely in their studios, producing multi-media responses that employ various new media as well as more traditional materials and practices.

Public Programming: Saturday, August 5th, 4-5pmBrewster Kahle, Founder & Digital Librarian, Internet Archive, in conversation with Laura Hyunjhee Kim and Jeremiah Jenkins. Moderated by Andrew McClintock, Owner/Director of Ever Gold [Projects].
Opening Reception: Saturday, August 5th, 5-8pm
Location: Ever Gold [Projects] 1275 Minnesota St
Exhibit Dates: Aug 5–26, 2017

Jenny Odell: “For my projects, I’m extracting “specimens” from 1980s Byte magazines and animation demo reels—specimens being objects or scenes that are intentionally or unintentionally surreal. These collected and isolated images inadvertently speak volumes about some of the stranger and more sinister aspects that technology has come to embody.”

Jeremiah Jenkins: “Browser History is a project is about preserving the Internet for the very distant future. I will be transferring webpages from the Internet Archive and elsewhere onto clay tablets by creating stamps with the text and images, then pressing them into wet clay. After being fired, the slabs will be hidden in caves, buried strategically, and submerged in the sea to await discovery in the distant future. The oldest known clay tablet is a little over 4,000 years old. The cave paintings in Lascaux are around 14,000 years old. The oldest known petroglyphs are near 46,000 years old. It’s conceivable that these fired clay tablets could last for 50,000 years or more. The tablets will be pages from websites that document trade, lifestyle, art, government, and other aspects of our society that are similar to the kinds of information we have about ancient civilizations.”

Laura Hyunjhee Kim: “The Hyper Future Wave Machine is a project that positions the years 2017 and beyond as a speculative future based on audiovisual ephemera published in the years 1987 to 1991. Born in the late ’80s, I wanted to explore the technological advancements and innovations that were popularized during the nascent years of the World Wide Web. Utilizing the Internet Archive as a time machine, I searched through the archived commercial and educational media representations of networked technology, personalized computers, and information systems. Often hyperbolic with a heightened emphasis on speed, power, and the future, slogans from those past years are still relevant and surface aspirations that continue to introduce the “next big thing” to the present generation: “REALIZE THE FUTURE, YOU ALREADY LIVE IN.” As the title of the project suggests, the work revolves around an imaginary media access system, namely the Hyper Future Wave Machine (HFWM). Described as a three-way-cross-hybrid existing/nonexistent/and-yet-to-exist metaphysical machine, the concept came from contemplating data portability and the trajectory of human-machine interface technology that seamlessly minimizes physical interaction. From buttons to touchscreens to speech, would the next ubiquitously applied interface operate using some sort of nonverbal neural command?”

Film Screening: Lost Landscapes of LA on August 7

By Rick Prelinger

Lost Landscapes of Los Angeles (2016, 83 minutes) is an experimental documentary tracing the changing city of Los Angeles (1920s-1960s), showing how its landscape expresses an almost infinite collection of mythologies. Made from home movies and studio-produced “process plates” — background images of the city shot by studio cinematographers for rear projection in feature films — Lost Landscapes depicts places, people, work and daily life during a period of rapid urban development. While audience  members are encouraged to comment, discuss and ask questions during the screening of this silent film, it is also a contemplative film that shows the life and growth of the U.S.’s preeminent Western metropolis as the sum of countless individual acts.

Lost Landscapes of Los Angeles is the latest of Rick Prelinger’s “urban history film events,” featuring rediscovered and largely-unseen archival film footage arranged into feature-length programs. Unlike most screenings, the audience makes the soundtrack — viewers are encouraged to identify places, people and events; ask questions; and engage with fellow audience members. While the films show Los Angeles as it was, the event encourages viewers to think about (and share) their ideas for the city’s future. What kind of a city do we want to live in?

Rick Prelinger is an archivist, filmmaker, and educator. He teaches at UC Santa Cruz and is a board member of Internet Archive. His films made from archival material have played at festivals, museums, theaters, and educational institutions around the world. Lost Landscapes of San Francisco (11 episodes, 2006-2016) plays every autumn in San Francisco. He has also made urban history films in Oakland and Detroit, and is currently producing a New York film for an autumn premiere. He thanks Internet Archive and its staff for making this film possible.

Get Tickets Here

Monday, August 7th, 2017
6:30 pm Reception
7:30 pm Interactive Film Program

Internet Archive
300 Funston Ave.
San Francisco, CA 94118

Join us for Ted Nelson’s birthday: OCTOTHORP — 80 AND STILL S#ARP

You’re invited to a birthday celebration for Ted Nelson on July 11th at 6 p.m. at Internet Archive headquarters,
featuring Lauren Sarno.

TED NELSON
Internet Archive Fellow
author of the highly-influential book “Computer Lib”
first to imagine world-wide hypertext
coiner of many words and an inspiration to many people.

THE PROGRAM
Ted and Lauren will give a presentation,
including Songs and Poem by Ted Nelson:
song, “Machiavelli”
poem, “Homing” (originally published in The Oxford Magazine, 2008)
song, “Today Is Yesterday’s Tomorrow”

FOLLOWED BY a Q&A session, moderated by Jason Scott and Mark Graham.

FOLLOWED BY refreshments and schmoozing.
Drink Ted’s Kool-Aid! (Lemon-lime, his favorite as a boy, now sugar free.)

In order to say hello to everybody, Ted will be rationed and steered.

Ted’s statue at the Internet Archive has been scanned for 3D printing—the data to make your own Desktop Ted is now at https://archive.org/details/3DScanOfTedNelsonSculpture 

Copies of “Computer Lib” will be available for autographing
at $100 a piece, cash or check only
(bounced checks will be amusingly publicized).

When: Tuesday, July 11th, 6 p.m.-9 p.m.
Where: Internet Archive Headquarters
300 Funston Ave
SF, CA 94118

Get Free Tickets Here

Film Screening: Normal Is Over on July 17 at 7 p.m.

…”An unusual, visually rich portrait of some of the world’s brightest and most innovative ideas.”- Daily Maverick S.A.

You’re invited to a screening of Normal Is Over The Movie, an award-winning documentary that looks for SOLUTIONS to climate change, species extinction, resource depletion, and the widening gap between rich and poor.

The screening will start at 7 p.m.  and will be introduced by Brewster Kahle, founder of Internet Archive, followed by a Q & A session, with Renée Scheltema, filmmaker, investigative journalist, and two other panelists to be announced.

Watch the Trailer: https://vimeo.com/168486528

Get Tickets Here

Your $10 ticket donations will support the artist, but no one will be turned away for lack of funds.

When: Monday, July 17, 2017
Time: Doors open at 6:30 p.m. and screening starts at 7 p.m.
Where: Internet Archive Headquarters
300 Funston Ave. San Francisco, CA 94118

If you like Normal Is Over, you can ‘captain’ theatrical and community screenings all over the US, & fundraise for your non-profit organization via Cinema-On-Demand.

“And the Webby Award for Lifetime Achievement Goes to….”

“The Internet Archive…is building a home for Universal Access to All Knowledge, open to everyone, everywhere, to use as they like. Open to all societies of the future that care to build on our triumphs and learn from our mistakes.”

                                                                  – Lawrence Lessig

Last night in New York City, we put on our best duds and donned our fanciest archivist hats for a once in a lifetime event. The Internet Archive was honored with a Lifetime Achievement Award at the 21st annual Webbys, hailed by the New York Times as “one of the Internet’s highest honors.” The Webby Awards lauded the Internet Archive for being “the web’s most knowledgeable historian.”

Three of our veteran staff members, Tracey Jaquith, TV Archive Architect, Internet Archive founder and Digital Librarian, Brewster Kahle, and Alexis Rossi, Director of Media and Access, accepted the award. Kahle delivered the five-word acceptance speech with panache:  “Universal Access to All Knowledge.”

Perhaps the greatest honor of the evening came in the form of a video narrated by Open Knowledge champion, Lawrence Lessig.  He said, “Creativity and innovation built on the past.  The Internet Archive is the foundation preserving that past, so that perhaps, one can at least hope that our children and their children can shape a future that knows our joys and learns from our many mistakes.”

The award was presented by Nancy Lublin, CEO of the Crisis Text Line and DoSomething.org, who pointed out that in this chaotic political year, the Internet Archive has saved “200 terabytes of government data that could have otherwise been lost in the transition from blue light saber to red light saber.”

The award reads:

Webby Lifetime Achievement: Archive.org for its commitment to making the world’s knowledge available online and preserving the history of the Internet itself. With a vast collection of digitized materials and tools like the Wayback Machine, Archive.org has become a vital resource not only to catalogue an ever-changing medium, but to safeguard a free and open Internet for everyone.

The complete list of Webby Award winners is available here.