Category Archives: News

The Wonderful Public Domain of Oz

Colorful illustrated map titled “Map of the Marvelous Land of Oz,” divided into four large regions surrounding a central green area labeled the Emerald City. The northern area is shaded purple as Gillikin Country, the eastern bright yellow as Winkie Country, the southern vivid red as Quadling Country, and the western blue as Munchkin Country.
Map of Oz; John R. Neill – Tik-Tok of Oz, first published in the United States in 1914.

The Wonderful Wizard of Oz is the American fairy tale. Like other fairy tales that resonate across time and cultures, this story has seen retellings time and again that morph, recontextualize, and expand the story. This phenomena continues with the second half of the Wicked film duology releasing this November with Wicked: For Good. Let’s explore some of the stories and lore of this American fairy tale that now live in the public domain. All these different stories crafted the lore and world of Oz in the imaginations of audiences around the world. 

Books and Literature

Green and read cover image with the Cowardly Lion. The text reads: The Wonderful Wizard of Oz by L. Frank Baum
Pictures by W. W. Denslow
Cover to the original 1900 Oz novel

Oz originates in L. Frank Baum’s The Wonderful Wizard of Oz, published in 1900. Its basic plot is well known: Dorothy of Kansas is swept away to Oz via cyclone. There she meets an exotic cast of characters including the Scarecrow, Tin Woodman, and the Cowardly Lion. Along her journey she faces many challenges in an episodic style as she seeks to return home with the Wizard’s help. 

Many fans might believe the Wicked Witch is the novel’s central antagonist, but in fact she appears in just one chapter in the original text. Her larger role in the plot is an association with the 1939 film, an interpretation that became highly influential, as nearly every later Oz story riffs on this idea, including Wicked. Baum would not reuse the Wicked Witch in later novels.

Beyond this original tale are numerous other novels, including another 13 by Baum and 19 by his immediate successor, Ruth Plumly Thompson. Of these 32 tales, 23 were published by the end of 1929 and are in the public domain, including all of Baum’s output. On January 1, 2026,  another Plumly Thompson novel, The Yellow Knight of Oz, will join that group. Plumly Thompson’s output ultimately surpassed Baum’s, though her imaginative contributions, including introducing a new main focal character—Peter Brown—remain underappreciated today.

A mostly red cover featuring the Scarecrow and Tin Man shaking hands. The text reads: The Marvelous Land of Oz by L. Frank Baum.
Cover to the first sequel Oz novel

Among Baum’s sequels, The Marvelous Land of Oz (1904), his first sequel, stands out for introducing Princess Ozma and expanding the mythology of Oz. It is the only one of Baum’s works to not feature Dorothy as a character in the story. Due to popular demand, she would return in Ozma of Oz (1907). In this tale she would be referred to as Dorothy Gale for the first time in the novels, although the name originated in the 1902 musical revue.

Check out all of the Oz books in the public domain in our collections!

Musicals and Sound Recordings

Colorful theatrical poster for the stage musical The Wizard of Oz, featuring the scene “Under the Spell of the Poppies.” In a lush field of giant red poppies, Dorothy lies on the ground in a white dress with red trim, appearing drowsy as the Tin Woodman and Scarecrow try to help her. The Cowardly Lion lies asleep on the left, his head resting on his paws, while on the right a woman in a pale dress and green cape sleeps beside Imogen the Cow.
Promotional image for the 1902 musical

Part of Baum’s core campaign in expanding Oz’s reach was his ability to spread it into multi-media. In 1902, he penned the book for a musical revue that differed from his original text and introduced many more characters, including Imogen the Cow. Notable among the work are the plethora of songs created for it that were cycled in and out as the production shifted locations. 

By 1913, Baum had penned another two successful stage productions: The Woggle-Bug (1905), and The Tik-Tok Man of Oz (1913). This latter work exhibits Baum’s multi-media synergy as the play was based on prior Oz novels, Ozma of Oz (1907) and The Road to Oz (1909). He then adapted this musical into his 1914 book, Tik-Tok of Oz.

Tiling showing off the various items related to Oz musicals in the Internet Archive's collection.
A selection of items related to the Oz musicals

While these original Oz musical productions are unable to be viewed now, due to the impermanent nature of theatre, we can still connect to them through sound recordings. While not recordings of the actual shows, these auditory oddities act as gateways to the past. They unlock a direct link to tangible creative expression that also reflects the artistic and performing sensibilities of the time. Surviving from the time is a 1913 recording from The Tik-Tok Man of Oz: My Wonderful Dream Girl.

Explore the many elements of these productions, including sheet music, visual imagery, and sound recordings in our collections

Film

Rightly remembered for its masterful execution and translation of the fairytale Oz to the big screen, MGM’s The Wizard of Oz (1939) remains the primary association with Oz for most audiences. However, despite its iconic status, that version was preceded by multiple filmed adaptations. Between 1908 and 1925, at least six silent adaptations brought Oz to life, some now lost, others surviving in fragments that reveal inventive visual interpretations often drawn from the stage musicals of the era.

The first—in 1910—acts as a loose adaptation of the stage musical featuring Imogen the cow. In 1914, under Baum’s own supervision, His Majesty, the Scarecrow of Oz stands out for recycling narrative elements and characters that Baum later reshaped into his book The Scarecrow of Oz. A 1925 film, The Wizard of Oz, went feature-length with slapstick sensibility and large deviations from the source material. It was directed by and starred Larry Semon and featured Oliver Hardy in a pre-Laurel and Hardy role as the Tin Man.

Title card of the 1933 cartoon

Deviation from the source material was common into the 1930s with a 1933 short cartoon aptly titled The Wizard of Oz. Directed by Ted Eshbaugh, this cartoon is the first instance of an Oz film in sound and color. Building on the adaptation oddities, this film includes no dialogue, sans a simple song refrain, and it trades out a plot for lively 1930s animation and fantastical moments that fit into the inventive world of Oz. The short features an element inspired by the first book by having Kansas be monochromatic before Oz radiates with color. This shift in color would again be utilized in the 1939 Oz film. Oddly, the short does not end with Dorothy returning to Kansas, similarly to the end of the 1902 musical. Rather it ends on an inconclusive button with a giant egg hatching a tiny chicken for comedic effect. A charming oddity, it shows just how wildly Oz’s world could be reinterpreted even then. Learn more about its history and restoration process over at Cartoon Research.

Check out the extant films in our collection!

Conclusion

Oz is ingrained in American culture and remains a global icon. Today, most audiences encounter it through the 1939 film, contemporary interpretations like Wicked, or by revisiting Baum’s original 1900 classic. But beyond those familiar touchstones lies a much broader creative and cultural legacy. We hope this brief journey into the roots of Oz inspires you to explore its forgotten corners and rediscover the wonder that made it timeless in the first place.

Grant Award Will Support Digitization of Diverse Local History Collections

Internet Archive’s Community Webs program has received a grant from the Council on Library and Information Resources (CLIR) and their Digitizing Hidden Collections program to digitize and provide open access to thirty local history collections from six partner organizations across the US and Canada.

“This grant lets us expand access outside of our building and really showcase the stories and lived experience of people and organizations that have been fighting for equality and doing important work throughout Atlanta,” said Derek T. Mosley, Archives Division Manager of the Auburn Avenue Research Library (AARL) on African American History and Culture in Atlanta, Georgia. AARL will receive digitization support for collections documenting leaders, artists, scholars, and advocacy groups in Atlanta. The personal papers of scholars and community leaders Duncan E. Teague, Craig Washington, Anthony “Tony” Daniels, and Dr. Shirlene Holmes will also be digitized.

The Pomo Afro Homos Records from the San Francisco Public Library will be digitized with support from CLIR

Four collections will be digitized from Colorado’s Pikes Peak Library District including the records of the Colorado Springs Pride Center, The Citizens Project, and the Pikes Peak Lavender Film Festival. A selection of related photographs from the Colorado Springs Gazette will also be made available digitally.

Invisible Histories will partner with the Birmingham Public Library to complete digitization of the papers of prominent leaders in the lesbian communities of Mississippi and Alabama. “Invisible Histories is thrilled to be able to make these very rare and important examples of Southern Lesbian history available for everyone,” Invisible Histories Co-Executive Director Joshua Burford stated.

The Marge Ragona Papers from the holdings of Invisible Histories/Birmingham Public Library will be digitized

Collections to be digitized from the San Francisco Public Library include the papers of local authors and activists Barbara M. Cameron and Christopher Hewitt as well as the records of the local theater group Pomo Afro Homos. The ArQuives, based in Canada, will digitize the personal papers of early figures in Canada’s gay liberation movement. 

Photograph from the Gerald Hannon fonds from project partner The ArQuives

The Rochester Public Library will digitize the personal papers of Rochester-based gay rights communities and the records of related cultural organizations.  “The eight collections chosen for digitization as part of this grant are a treasure trove for researchers seeking to understand how LGBTQIA+ life and activism has evolved outside of major centers such as New York City and San Francisco,” explained Shalis Worthy, Historical Services Coordinator for the Rochester Public Library.

Once digitized, these collections will be accessible to local communities and researchers  all over the world, providing valuable evidence of community history and culture.

Voices Celebrating 1 Trillion Pages: Vint Cerf, Internet Pioneer

Vint Cerf, Vice President and Chief Internet Evangelist at Google, recognizes the Internet Archive’s achievement of preserving 1 trillion web pages as an essential act of cultural memory. In his message, Cerf emphasizes that without the Archive’s work, “the 22nd century will have no clue what the 21st century was all about.” He offers deep gratitude to founder Brewster Kahle and the Archive’s “amazing crew of talented engineers” for ensuring that the story of our digital age endures.

In the absence of what [Internet Archive has] done, the 22nd century will have no clue what the 21st century was all about.

Vint Cerf, Internet Pioneer
Hello. My name is Vint Cerf and I'm Vice President and Chief Internet Evangelist at Google, and I've just learned about the incredible milestone of the Internet Archive: 1 trillion webpages. 

It has preserved an enormous amount of history over the course of their data collection, something which I feel is absolutely essential. In the absence of what they have done, the 22nd century will have no clue what the 21st century was all about.

And so we owe them an enormous debt of gratitude for having created and executed on this collection. And Brewster Kale, of course, being the founder, deserves enormous credit for that, as does his amazing crew of talented engineers. So congratulations on reaching that milestone. Keep at it. There's more coming.

Looking Back on Our Shared Digital History: “The Web We’ve Built” Mini-Doc

To help people connect with the Internet Archive’s celebration of 1 trillion web pages preserved, we created The Web We’ve Built,” a cinematic reflection on how humanity came together to build, shape, and now safeguard the web. From the crackle of a dial-up modem to the galaxy of pages preserved in the Wayback Machine, the film traces our shared journey online—the creativity, connection, challenges, and triumph of building the largest digital library in history, together.

Credits:
Written by Chris Freeland
Animated and Edited by Freya Morgan
Research support by Sterling Dudley

Voices Celebrating 1 Trillion Pages: Peter Gabriel, Musician

Musician Peter Gabriel reflects on the Internet Archive preserving 1 trillion web pages—a milestone he calls “an extraordinary achievement.” In his message, Gabriel celebrates the Archive’s role in safeguarding humanity’s collective memory and offers congratulations to Sir Tim Berners-Lee, recipient of this year’s Internet Archive Hero Award.

“Humanity is not going to forget…”

Peter Gabriel, musician
Hi, this is Peter Gabriel in London.

What you've achieved with the Internet Archive is a means of recording so many of our memories, now 1 trillion web pages. And so humanity is not going to forget and lose memory and lose themselves in the way that we might've done had you not been there.

It's an extraordinary achievement, and congratulations also to the
internet hero, Tim Berners-Lee. Have a brilliant night.Thank you so much for what you do.

Celebrating Sir Tim Berners-Lee, 2025 Internet Archive Hero Award Recipient

Brewster Kahle (left), Internet Archive’s founder and digital librarian, presents Sir Tim Berners-Lee (right), inventor of the World Wide Web, with the Internet Archive Hero Award during a discussion hosted by the Commonwealth Club of California.

In celebrating 1 trillion web pages archived, the Internet Archive is proud to honor the visionary who made it all possible. As announced in The New Yorker, the 2025 Internet Archive Hero Award was presented to Sir Tim Berners-Lee, the inventor of the World Wide Web. Sir Tim’s groundbreaking work opened the door to a connected world and laid the foundation for our shared digital history.

Sir Tim was presented the award during a discussion at the Commonwealth Club of California on October 9. The conversation, “Building and Preserving the Web: A Conversation with Sir Tim Berners-Lee and Brewster Kahle,” was guided by Lauren Goode (Wired), and is now available for listening & download as an episode of the Future Knowledge podcast.

Listen to Sir Tim Berners-Lee and Brewster Kahle:

Sir Tim’s invention transformed how humanity shares knowledge, and his ongoing advocacy for an open and accessible web that empowers individuals continues to inspire us. We’re thrilled to recognize his enduring contributions as we mark this historic achievement for the web.

Watch the video from our celebration on October 22:

The Internet Archive Hero Award is an annual award that recognizes those who have exhibited leadership in making information available for digital learners all over the world. Previous recipients have included the island nation of Aruba, public information advocate Carl Malamud, copyright expert Michelle Wu, and the Grateful Dead.

Supervisor Connie Chan Recognizes ‘Internet Archive Day’ in San Francisco

On October 21, 2025, the San Francisco Board of Supervisors passed a unanimous resolution from Supervisor Connie Chan celebrating 1 trillion web pages archived, and declaring October 22, 2025, as Internet Archive Day in the City and County of San Francisco.

Watch Supervisor Chan’s speech designating Internet Archive Day at the Board of Supervisors meeting:

Mark Graham (Internet Archive), Supervisor Connie Chan (Board of Supervisors, District 1), and Brewster Kahle (Internet Archive) at the Board of Supervisors public meeting, October 21, 2025.

Before the Board meeting, Internet Archive supporters gathered on the steps of City Hall for a rally, which included remarks from:

Watch rally remarks:

As the Internet Archive celebrates the milestone of 1 trillion web pages preserved, the City’s recognition underscores a shared commitment to safeguarding knowledge for future generations. From the steps of City Hall to the vast reaches of the digital web, Internet Archive Day honors the collective effort to build — and preserve — a library for all.

View more images

One Trillion Web Pages Archived: Internet Archive Celebrates a Civilization-Scale Milestone

Photo by Ruben Rodriguez, October 22, 2025.

One trillion! There was no mistaking the number that was center stage at the Internet Archive in San Francisco on October 22.

“We are celebrating a major goal of one trillion web pages…shared by people all over the world, wanting to make sure that what they know is passed on,” said Brewster Kahle, Internet Archive’s founder and digital librarian. “It’s a fantastic, phenomenal success story.”

Watch the livestream:

Since 1996, the Wayback Machine has been saving the digital history of the internet. In October, it surpassed the threshold of preserving one trillion web pages—a fact that was met with enthusiastic applause each time it was mentioned at the party held at the non-profit research library’s Funston Avenue headquarters in San Francisco.

People should not take for granted the important role that libraries, including the Internet Archive, have played in compiling accurate information and making it accessible to all, said California State Senator Scott Weiner, who presented a Certificate of Recognition from the State of California Senate to the Internet Archive. “We’re seeing now in this country people trying to rewrite history and come up with alternative facts,” he said at the event. “What the Internet Archive and the Wayback Machine does is to make clear that everything is there. I am so deeply grateful.” [watch remarks]

California State Senator Scott Weiner. Photos by Brad Shirakawa, October 22, 2025.

In a video message, Vint Cerf, creator of the Internet and vice president and chief internet evangelist at Google, said the one-trillion-page mark is an incredible milestone. “[The Internet Archive] has preserved an enormous amount of history over the course of their data collection, something which I feel is absolutely essential,” he said. “In the absence of what they have done, the 22nd century will have no clue what the 21st Century was all about.”

Looking Back, Looking Ahead

The program included a glimpse back at early days of the web and a hopeful vision for the future.

“There was this dream of an internet that was made for us, by us, to be able to make us better people,” Kahle said. “Yes, using technology. Yes, having games with lots of different players and winners—a fun and interesting world, and that is very much still within our grasp.”

Audrey Witters, creator and community builder

Audrey Witters, a veteran of the early web, brought the audience back to 1994—when all existing websites could still fit on a single “What’s New” page. Reflecting on her early days at NCSA and her creative experiments on GeoCities, Witters shared the story of how a small animated alien GIF she helped create became an unlikely icon of the early web. “It’s so important for us to remember that context, that spirit, that joy of creation—what happens when you give people the tools and invitation to publicly and exuberantly celebrate themselves,” she said. Thanking the Internet Archive for preserving that era’s spirit of discovery and collaboration, Witters urged the next generation of creators “to look for new opportunities to promote exploration, collaboration, and joyful expression. Here’s to the next trillion!”

Lily Jamali, BBC News

Lily Jamali, an investigative journalist with BBC News, said she appreciates the Archive’s public service mission and tools that are “absolutely fundamental” to hold the powerful to account. “They help us journalists fact check claims,” she said from the Great Room stage. “They help us see how companies and governments may have selectively edited online materials, or even deleted statements or social media posted that they would rather that the public didn’t see.” [watch remarks]

Journalists can no longer rely on their news outlets to store their work, Jamali said, so many turn to the Wayback Machine to access past articles and inform their reporting.

In a highly entertaining segment full of Wikipedia screen shots and laughs, Annie Rauwerda, creator of Depths of Wikipedia, spoke about the crucial partnership between Wikipedia and the Wayback Machine. She highlighted how archived pages make citations stronger and more durable by ensuring that even when the original source disappears, the evidence remains. “If Wikipedia is worth anything at all, it’s because of the citations,” Rauwerda said.

Annie Rauwerda, Depths of Wikipedia

CEO of National Public Radio Katherine Maher offered her congratulations via video for the event. “One trillion web pages. That’s one trillion artifacts and snapshots of our interconnected world,” she said. “It’s a testament to the Internet Archives’ unwavering commitment to safeguarding the integrity of the open web and its history, ensuring that this vast digital record remains free and open for everyone.”

NPR and the Internet Archive share a deep commitment to providing access to information, a dedication to public service and a belief in strengthening societies through information and dialog, Maher said. “We live today in an era in which information is unstable. It emerges suddenly, decays rapidly, disappears instantly,” she said. “In this moment, the Archive’s role in preserving news, public discourse and our shared stories is more critical than ever.”

With Wayback Machine, ‘Knowledge Will Not Be Lost’

Mark Graham, director of the Wayback Machine

When the U.S. government websites started going offline after the change in presidential administrations earlier this year, Mark Graham, director of the Wayback Machine, said he wasn’t panicking. Why? Because since 2004 the Internet Archive has collaborated with many partners to save federal web pages, through the End of Term Web Archive effort. Since last fall, Graham described efforts to preserve more than 400 million web pages, 2 million videos and hundreds of thousands of data sets—all published by the U.S. government, and therefore available to the public. [watch remarks]

With the Wikimedia Foundation, the Archive has identified and fixed more than 28 million broken links from Wikipedia. It also added more than 4.2 million links to books and papers available from www.archive.org. Graham announced the new partnership with Automattic Inc. to make it easy for WordPress operators to automatically find and repair broken links with the Internet Archive Wayback Machine Link Fixer.

The Internet Archive faces challenges with the advent of AI. More services are blocking access, Graham said, making it harder for memory institutions, like the Internet Archive, to do their  jobs—yet, the team remains diligent in its efforts.

“We’re going to keep on building the library that the world deserves, one that remembers, one that connects us, and one that ensures no matter how much the web changes, that knowledge will not be lost,” Graham said.

The Path Forward

Luca Messarra, cultural historian, Stanford University

Luca Messarra, a humanities scholar and educator at Stanford University, said preserving webpages is important because the past is always shaping the present moment. “History is essential because it helps us understand how our own lives came to be. But more importantly, for me, history helps us understand how our lives can be made different,” he said. “The past tells us that the present does not need to be the way that it is.” [watch remarks]

Messarra said he has used resources from the Internet Archive to write conference papers, recover his old chat messaging history and recover a favorite family biscuit recipe.

“The Wayback Machine has tended to one trillion seeds that will nourish our future. All that remains is for us to harvest and use them,” Messarra said. “One trillion pages are one trillion opportunities to change our present moment. That requires that we look at the past not with nostalgia, but with initiative.”

The largest repository of internet history ever assembled is possible thanks to thousands of donations to the Internet Archive and 200,000 unique donors, said Joy Chesbrough, director of philanthropy. At the event, she announced a new campaign that encourages individuals to create their own fundraising teams to support the Internet Archive. See https://donate.archive.org/1t [watch remarks]

It was the largest gathering for the Archive’s annual party in years, said Chris Freeland, director of library services, and he hoped the gathering fostered a sense of connection.

“It was a nostalgic throwback, but it also showed people a path forward for a web that we want,” Freeland said. “I hope people come away with this sense of optimism and a thought that this is our web, and we can be in control of it again.”

A Peek Inside the Physical Archive: Where the Past Finds a Future

Jeremy Modell (right) explains how library materials are packed and shipped. Photos by Brad Shirakawa, October 21, 2025.

The Physical Archive in Richmond, California, turned into a festive venue October 21, welcoming the public to one of the places where millions of donated items are preserved.  

Nearly 350 people filled the Physical Archive to see the collection and learn how the organization processes donated materials for access and preservation.

Brewster Kahle gives a tour at the Physical Archive.

On a tour of the facility, Brewster Kahle, Internet Archive’s founder and digital librarian, shows an area where donated items are separated by media type on pallets. “Can somebody read off one?” he asks the group. They shout out: “Yearbooks! Sheet music! Microfiche! Laser discs! Audio books! Manuals!” Kahle explains the “Ephemera” label includes posters and pamphlets.

“This is just part of our way of trying to find the great things that should be saved for another generation,” Kahle said.

Liz Rosenberg, physical donations manager, describes how an app can be used to scan a book’s bar code and determine if it’s a duplicate or something needed in the collection. The app is available for anyone to download and use.

“Our mission is to preserve and digitize one copy of every unique item we can find,” said Rosenberg, who arranges for the shipment of donations of all sizes and types from books to vinyl record collections.

Learn about donating physical items

Decluttering his East Bay home in the last few years, musician Klaus Flouride (bassist for the Dead Kennedys) has given the Archive several boxes of records he accumulated on his own, from his parents and estate sales—some dating back to 1901. “I didn’t want them to go in the trash bin. I know they are preserved here,” said Flouride, who looks forward to having access to the music online and attended the event to learn more about where his donation ended up.  

Elizabeth MacLeod demos the Scribe book scanning station.

At another station, Elizabeth MacLeod demonstrates the Scribe software used to capture images of books being digitized for the Archive.

“How many pages do you do in an hour?” asks Susie Kameny, a public school teacher in San Francisco. MacLeod said she can finish over 200 pages an hour, then answers questions about scanning books in foreign languages and shares the steps of proofing the digitized version before it’s uploaded.

Kameny had been to Internet Archive’s headquarters on Funston Avenue for a professional development session for educators, but was curious to learn more at the Physical Archive. In her classes, Kameny said she shows students how to use the Archive, and finds it’s useful for locating primary resources and various materials to incorporate into her lessons.

“Every time I turn around, there’s a new collection or a new thing that they’re working on—and I think of a new way to teach about that,” said Kameny, who values the Archive as a trusted “anti-deep fake” source at a time when AI is emerging. “It’s very thoughtful, the way the Archive has [preserved materials]. We’re so lucky to have this.”

Learn about donating physical items

Christian Wignall said he’s found old books, newspapers articles, and photographs on cycling through the Internet Archive, which have been helpful as he prepared papers for the International Cycling History Conference. After having recently driven several carloads of academic books to the Archive to donate for a friend who was moving, Wignall said it was interesting to see where everything is processed at the Physical Archive.

“I’m just amazed at the scale of it,” Wignall said. “It’s just an enormous endeavor and an enormous place.”

Autumn Armstrong (seated), film prepaper and metadata creator, talks with a guest at the Prelinger Archives stop on the Physical Archive tour.

Upstairs at the Prelinger Archive, Rick Prelinger describes the “magic process” that his team undertake to repair and preserve motion picture film, including documentaries and industrial advertising.

Steve Crawford came to the event to explore the possibility of donating some of his family’s  collections of film, maps and books to the Archive. His great grandfather had newsreel footage with aircraft from his factory in Southern California, along with aviation maps and magazines from the 1920s. His father had a hobby of recording above-ground nuclear bomb tests near where he grew up in the Mojavie desert, and Crawford thinks the film might be of interest to the broader community.

“I have miscellaneous things that have accumulated, so for me, this is like ‘wow’ I can get some of this out of my garage,” said Crawford, who is excited to connect with the Archive and begin the donation process.

Maeve Iwasaki demonstrates microfiche digitization.

With the new microfiche digitization center, Louis Brizuela said visitors were interested in how the operation works – the camera, the process and the science behind it. “It’s nice to see the faces that are actually reading and looking at the material,” he said.

Brian McNeilly, a volunteer who worked to improve the digital accessibility of Open Library when he was in graduate school for library science, said he was impressed by the size of the Physical Archive and the scope of materials – including microfiche.

“I haven’t thought much about microfiche since I was probably in middle school when I had to use it for research projects,” said McNeilly, who now works with the University of California Office of the President on digital accessibility. “There’s a reason we adopted microfiche way back when. And, of course, it’s still relevant and we’re starting to preserve and digitize it.”

Sandy Chu, a Google Summer of Code volunteer who worked on an open source translation project with the Archive, said she enjoyed looking at all the media on display at the event from iPods to VHS tapes. 

“There are just so many formats that exist,” she said. “It makes you appreciate there are people putting in the effort to figure out how we can convert these forms of media for future generations.”

Celebrate 1 Trillion Web Pages with Original Net.Art Works: Internet Archive x Gray Area

Pretty Guardian Shrine (2025) by Ophira Horwitz

Internet Archive x Gray Area: Trillionth Webpage Net.Art Commissions
Date: Saturday, November 1
Time: 5:00 to 8:00pm
Location: Internet Archive, 300 Funston Avenue, San Francisco
Admission: Free
REGISTER NOW!

The Internet Archive has reached an extraordinary milestone: one trillion web pages archived. This civilization-scale achievement marks decades of dedication to preserving the ephemeral nature of digital culture and ensuring universal access to human knowledge.

To commemorate this historic moment, San Francisco interdisciplinary arts and technology non-profit Gray Area has partnered with the Internet Archive to commission a series of original net.art works that engage with the vast holdings of the Internet Archive and explore what it means to create, preserve, and access culture online.

REGISTER NOW

Commissioned Artists

  • Chia Amisola
  • Spencer Chang
  • Sarah Friend & Arkadiy Kukarkin
  • Ophira Horwitz
  • Mai Ishikawa-Sutton & Raúl Feliz
  • Olivia McKayla Ross
  • Jesse Walton
  • Rodell Warner

The commissioned artists have drawn from the Internet Archive’s expansive collections to create web-based artworks that reflect on themes of memory, digital archaeology, and the human stories embedded within preserved data. These works exist as both online experiences and physical installations at the Internet Archive, bridging the digital and material worlds in ways that honor the Archive’s dual nature as both a technological achievement and a profoundly human endeavor.

Curated by Amir Esfahani (Internet Archive) and Wade Wallerstein (Gray Area)