Join us for a conversation with Author and Program Director Peter B. Kaufman, led by archivist and filmmaker Rick Prelinger:
6:30 PM: Doors open
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6:45 PM: Book Talk: The Moving Image
Please note that this event will be held in person at the Internet Archive.
About “The Moving Image: A User’s Manual”
The Moving Image: A User’s Manual by Peter B. Kaufman examines the powerful role of video—television, film, and online media—in shaping politics, law, education, and entertainment. It explores how moving images have influenced global leaders and deepened societal divides. Kaufman also provides practical guidance on producing, distributing, authenticating, and preserving video, equipping readers with tools to navigate its growing impact on media, knowledge, and culture. Modeled in part on The Elements of Style, it offers both an authoritative analysis and an engaging read. Purchase the book from The Booksmith, our local San Francisco Bookstore.
Rick Prelinger is an archivist, filmmaker, and educator. He founded the Prelinger Archives, a collection of 60,000 films acquired by the Library of Congress in 2002, and continues to expand his archive. He has collaborated with the Internet Archive to make over 9,000 films freely accessible. His participatory urban history projects, including Lost Landscapes, have been showcased in cities across the U.S. Prelinger co-founded the Prelinger Library and serves as a board member of the Internet Archive. He is Emeritus Professor of Film & Digital Media at UC Santa Cruz.
In 2024, the Internet Archive and Authors Alliance brought together an array of authors, scholars and thought leaders to explore critical issues at the intersection of technology, culture and information science. From the labor implications of artificial intelligence in Joanne McNeil’s Wrong Way to the evolving role of fair use in Patricia Aufderheide and Peter Jaszi’s landmark publication, Reclaiming Fair Use, these conversations covered topics shaping our information-enabled future. Here are highlights from the year’s events, offering session recordings for anyone eager to revisit—or discover for the first time—the compelling ideas shared by these influential voices.
February 29: Wrong Way
Author Joanne McNeil in conversation with author Sarah Jaffe.
McNeil & Jaffe discuss the labor implications of artificial intelligence for our first book talk about a work of fiction.
For years, Teresa has passed from one job to the next, settling into long stretches of time, struggling to build her career in any field or unstick herself from an endless cycle of labor. The dreaded move from one gig to another is starting to feel unbearable. When a recruiter connects her with a contract position at AllOver, it appears to check all her prerequisites for a “good” job. It’s a fintech corporation with progressive hiring policies and a social justice-minded mission statement. Their new service for premium members: a functional fleet of driverless cars. The future of transportation. As her new-hire orientation reveals, the distance between AllOver’s claims and its actions is wide, but the lure of financial stability and a flexible schedule is enough to keep Teresa driving forward.
Author and game designer Jordan Mechner in conversation with historian Chris Kohler.
Jordan Mechner (creator of “Prince of Persia”) shares his story as a pioneer in the fast-growing video game industry from the 1980s to today, and how his family’s back story as refugees from war-torn Europe led to his own multifaceted 4-decade creative career. Interweaving of past and present, family transmission, exile and renewal are at the heart of his award-winning graphic novel “Replay: Memoir of an Uprooted Family.”
Authors Andrea I. Copland and Kathleen DeLaurenti in conversation with musician and educator Kyoko Kitamura, facilitated by music librarian Matthew Vest.
Based on coursework developed at the Peabody Conservatory, Unlocking the Digital Age: The Musician’s Guide to Research, Copyright, and Publishing by Andrea I. Copland and Kathleen DeLaurenti serves as a crucial resource for early career musicians navigating the complexities of the digital era. This guide bridges the gap between creative practice and scholarly research, empowering musicians to confidently share and protect their work as they expand their performing lives beyond the concert stage as citizen artists. It offers a plain language resource that helps early career musicians see where creative practice and creative research intersect and how to traverse information systems to share their work. As professional musicians and researchers, the authors’ experiences on stage and in academia makes this guide an indispensable tool for musicians aiming to thrive in the digital landscape.
Authors Aram Sinnreich & Jesse Gilbert in conversation with tech scholar Laura Denardis.
In The Secret Life of Data, Aram Sinnreich and Jesse Gilbert explore the many unpredictable, and often surprising, ways in which data surveillance, AI, and the constant presence of algorithms impact our culture and society in the age of global networks. The authors build on this basic premise: no matter what form data takes, and what purpose we think it’s being used for, data will always have a secret life. How this data will be used, by other people in other times and places, has profound implications for every aspect of our lives—from our intimate relationships to our professional lives to our political systems.
Author Dan Sinykin in conversation with humanities scholar Ted Underwood.
Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry’s daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction.
Author Nathan Schneider in conversation with author Lilly Irani.
When was the last time you participated in an election for a Facebook group or sat on a jury for a dispute in a subreddit? Platforms nudge users to tolerate nearly all-powerful admins, moderators, and “benevolent dictators for life.” In Governable Spaces, Nathan Schneider argues that the internet has been plagued by a phenomenon he calls “implicit feudalism”: a bias, both cultural and technical, for building communities as fiefdoms. The consequences of this arrangement matter far beyond online spaces themselves, as feudal defaults train us to give up on our communities’ democratic potential, inclining us to be more tolerant of autocratic tech CEOs and authoritarian tendencies among politicians. But online spaces could be sites of a creative, radical, and democratic renaissance. Using media archaeology, political theory, and participant observation, Schneider shows how the internet can learn from governance legacies of the past to become a more democratic medium, responsive and inventive unlike anything that has come before.
Authors & copyright scholars Patricia Aufderheide and Peter Jaszi in conversation with Dave Hansen, executive director of Authors Alliance.
In the increasingly complex and combative arena of copyright in the digital age, record companies sue college students over peer-to-peer music sharing, YouTube removes home movies because of a song playing in the background, and filmmakers are denied a distribution deal when a permissions i proves undottable. Analyzing the dampening effect that copyright law can have on scholarship and creativity, Patricia Aufderheide and Peter Jaszi urge us to embrace in response a principle embedded in copyright law itself—fair use.
Author Barbara McQuade in conversation with Sarah Lamdan of the American Library Association’s Office for Intellectual Freedom.
American society is more polarized than ever before. We are strategically being pushed apart by disinformation—the deliberate spreading of lies disguised as truth—and it comes at us from all sides: opportunists on the far right, Russian misinformed social media influencers, among others. It’s endangering our democracy and causing havoc in our electoral system, schools, hospitals, workplaces, and in our Capitol. Advances in technology including rapid developments in artificial intelligence threaten to make the problems even worse by amplifying false claims and manufacturing credibility.
In Attack from Within, legal scholar and analyst Barbara McQuade, shows us how to identify the ways disinformation is seeping into all facets of our society and how we can fight against it.
Author James Boyle in conversation with Kate Darling of the MIT Media Lab.
Chatbots like ChatGPT have challenged human exceptionalism: we are no longer the only beings capable of generating language and ideas fluently. But is ChatGPT conscious? Or is it merely engaging in sophisticated mimicry? And what happens in the future if the claims to consciousness are more credible? In The Line, James Boyle explores what these changes might do to our concept of personhood, to “the line” we believe separates our species from the rest of the world, but also separates “persons” with legal rights from objects.
Authors Luca Messarra, Chris Freeland and Katie Livingston in a roundtable discussion.
In today’s digital landscape, corporate interests, shifting distribution models, and malicious cyber attacks are threatening public access to our shared cultural history. When digital materials are vulnerable to sudden removal—whether by design or by attack—our collective memory is compromised, and the public’s ability to access its own history is at risk.
Join us for a book talk with author NATHAN SCHNEIDER. Discover how we can transform digital spaces into more democratic and creative environments, inspired by governance legacies of the past. UCSD professor and author LILLY IRANI will lead our discussion.
Book Talk: Governable Spaces Thursday, August 22 @ 10am PT / 1pm ET Register now for the free, virtual event
“A prescient analysis of how we create democratic spaces for engagement in the age of polarization. Governable Spaces is new, impeccably researched, and imaginative.” —Zizi Papacharissi, Professor of Communication and Political Science, University of Illinois at Chicago
When was the last time you participated in an election for a Facebook group or sat on a jury for a dispute in a subreddit? Platforms nudge users to tolerate nearly all-powerful admins, moderators, and “benevolent dictators for life.” In Governable Spaces, Nathan Schneider argues that the internet has been plagued by a phenomenon he calls “implicit feudalism”: a bias, both cultural and technical, for building communities as fiefdoms. The consequences of this arrangement matter far beyond online spaces themselves, as feudal defaults train us to give up on our communities’ democratic potential, inclining us to be more tolerant of autocratic tech CEOs and authoritarian tendencies among politicians. But online spaces could be sites of a creative, radical, and democratic renaissance. Using media archaeology, political theory, and participant observation, Schneider shows how the internet can learn from governance legacies of the past to become a more democratic medium, responsive and inventive unlike anything that has come before.
LILLY IRANI is an Associate Professor of Communication & Science Studies at University of California, San Diego where she is Faculty Director of the UC San Diego Labor Center. She is author of Chasing Innovation: Making Entrepreneurial Citizens in Modern India (Princeton University Press, 2019) and Redacted (with Jesse Marx) (Taller California, 2021). She organizes with Tech Workers Coalition San Diego. She serves on the steering committee of the Transparent and Responsible Use of Surveillance Technology (TRUST) SD Coalition and the board of United Taxi Workers San Diego. She is co-founder of data worker organizing project and activism tool Turkopticon.
Book Talk: Governable Spaces Thursday, August 22 @ 10am PT / 1pm ET Register now for the free, virtual event
Join us for a VIRTUAL book talk with legal scholar BARBARA McQUADE on her New York Times bestseller, ATTACK FROM WITHIN, about disinformation’s impact on democracy. NYU professor and author CHARLTON McILWAIN will facilitate our discussion.
“A comprehensive guide to the dynamics of disinformation and a necessary call to the ethical commitment to truth that all democracies require.”
—Timothy Snyder, author of the New York Times bestseller On Tyranny
American society is more polarized than ever before. We are strategically being pushed apart by disinformation—the deliberate spreading of lies disguised as truth—and it comes at us from all sides: opportunists on the far right, Russian misinformed social media influencers, among others. It’s endangering our democracy and causing havoc in our electoral system, schools, hospitals, workplaces, and in our Capitol. Advances in technology including rapid developments in artificial intelligence threaten to make the problems even worse by amplifying false claims and manufacturing credibility.
In Attack from Within, legal scholar and analyst Barbara McQuade, shows us how to identify the ways disinformation is seeping into all facets of our society and how we can fight against it. The book includes:
The authoritarian playbook: a brief history of disinformation from Mussolini and Hitler to Bolsonaro and Trump, chronicles the ways in which authoritarians have used disinformation to seize and retain power.
Disinformation tactics—like demonizing the other, seducing with nostalgia, silencing critics, muzzling the media, condemning the courts; stoking violence—and why they work.
An explanation of why America is particularly vulnerable to disinformation and how it exploits our First Amendment Freedoms, sparks threats and violence, and destabilizes social structures.
Real, accessible solutions for countering disinformation and maintaining the rule of law such as making domestic terrorism a federal crime, increasing media literacy in schools, criminalizing doxxing, and much more.
Disinformation is designed to evoke a strong emotional response to push us toward more extreme views, unable to find common ground with others. The false claims that led to the breathtaking attack on our Capitol in 2021 may have been only a dress rehearsal. Attack from Within shows us how to prevent it from happening again, thus preserving our country’s hard-won democracy.
ABOUT OUR SPEAKERS
BARBARA McQUADE is a professor at the University of Michigan Law School, where she teaches criminal law and national security law. She is also a legal analyst for NBC News and MSNBC. From 2010 to 2017, McQuade served as the U.S Attorney for the Eastern District of Michigan. She was appointed by President Barack Obama, and was the first woman to serve in her position. McQuade also served as vice chair of the Attorney General’s Advisory Committee and co-chaired its Terrorism and National Security Subcommittee.
Before her appointment as U.S. Attorney, McQuade served as an Assistant U.S. Attorney in Detroit for 12 years, including service as Deputy Chief of the National Security Unit. In that role, she prosecuted cases involving terrorism financing, foreign agents, threats, and export violations. McQuade serves on a number of non-profit boards, and served on the Biden-Harris Transition Team in 2020-2021. She has been recognized by The Detroit News with the Michiganian of the Year Award, the Detroit Free Press with the Neal Shine Award for Exemplary Regional Leadership, Crain’s Detroit Business as a Newsmaker of the Year and one of Detroit’s Most Influential Women, and the Detroit Branch NAACP and Arab American Civil Rights League with their Tribute to Justice Award. McQuade is a graduate of the University of Michigan and its law school. She and her husband live in Ann Arbor, Michigan, and have four children.s an assistant professor of English at Emory University with a courtesy appointment in quantitative theory and methods. He is the author of American Literature and the Long Downturn: Neoliberal Apocalypse (2020). His writing has appeared in the New York Times, the Washington Post, the Los Angeles Review of Books, The Rumpus, Dissent, and other publications.
CHARLTON McILWAIN Author of the recent book, Black Software: The Internet & Racial Justice, From the Afronet to Black Lives Matter, Dr. Charlton McIlwain is Vice Provost for Faculty Development, Pathways & Public Interest Technology at New York University, where he is also Professor of Media, Culture, and Communication at NYU Steinhardt. He works at the intersections of computing technology, race, inequality, and racial justice activism. He has served as an expert witness in landmark U.S. Federal Court cases on reverse redlining/racial targeting in mortgage lending and recently testified before the U.S. House Committee on Financial Services about the impacts of automation and artificial intelligence on the financial services sector. He is the author of the recent PolicyLink report Algorithmic Discrimination: A Framework and Approach to Auditing & Measuring the Impact of Race-Targeted Digital Advertising. He writes regularly for outlets such as The Guardian, Slate’s Future Tense, MIT Technology Review and other outlets about the intersection of race and technology. McIlwain is the founder of the Center for Critical Race & Digital Studies, and is Board President at Data & Society Research Institute. He leads NYU’s Alliance for Public Interest Technology, is NYU’s Designee to the Public Interest Technology University Network, and serves on the executive committee as co-chair of the ethics panel for the International Panel on the Information Environment.
Book Talk: Attack from Within by Barbara McQuade Thursday, June 6 @ 10am PT / 1pm ET Register now for the virtual event!
“Sinykin’s Big Fiction is a book of major ambition and many satisfactions. Come for the comprehensive reframing of a key phase in U.S. literary history, stay for the parade of interesting people, the fascinating backstories of bestsellers, the electrically entertaining prose. The story of literary publishing in the postwar period has never been told with such verve.” – Mark McGurl, author of Everything and Less: The Novel in the Age of Amazon
Book Talk: Big Fiction Thursday, May 9 @ 10am PT / 1pm ET Register now for the virtual event!
In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks in his office. By the 1970s, editors were poring over profit-and-loss statements. The electronics company RCA bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature—and literature itself—transformed.
Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry’s daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction.
Big Fiction features dazzling readings of a vast range of novelists—including E. L. Doctorow, Judith Krantz, Renata Adler, Stephen King, Joan Didion, Cormac McCarthy, Chuck Palahniuk, Patrick O’Brian, and Walter Mosley—as well as vivid portraits of industry figures. Written in gripping and lively prose, this deeply original book recasts the past six decades of American fiction.
DAN SINYKIN is an assistant professor of English at Emory University with a courtesy appointment in quantitative theory and methods. He is the author of American Literature and the Long Downturn: Neoliberal Apocalypse (2020). His writing has appeared in the New York Times, the Washington Post, the Los Angeles Review of Books, The Rumpus, Dissent, and other publications.
TED UNDERWOOD is a professor in the School of Information Sciences and also holds an appointment with the Department of English in the College of Liberal Arts and Sciences. After writing two books that describe eighteenth- and nineteenth-century literature using familiar critical methods, he turned to new opportunities created by large digital libraries, using machine learning to explore patterns of literary change that become visible across centuries and thousands of books. His most recent project moves in the opposite direction, using theories of historical interpretation to guide the development of large language models.
He has authored three books about literary history, Distant Horizons (The University of Chicago Press Books, 2019), Why Literary Periods Mattered: Historical Contrast and the Prestige of English Studies (Stanford University Press, 2013), and The Work of the Sun: Literature, Science and Political Economy 1760-1860 (New York: Palgrave, 2005).
Book Talk: Big Fiction Thursday, May 9 @ 10am PT / 1pm ET Register now for the virtual event!
Join us for a book talk with ANDREA I. COPLAND & KATHLEEN DeLAURENTI about UNLOCKING THE DIGITAL AGE, a crucial resource for early career musicians navigating the complexities of the digital era.
“[Musicians,] Use this book as a tool to enhance your understanding, protect your creations, and confidently step into the world of digital music. Embrace the journey with the same fervor you bring to your music and let this guide be a catalyst in shaping a fulfilling and sustainable musical career.” – Dean Fred Bronstein, THE PEABODY INSTITUTE OF THE JOHNS HOPKINS UNIVERSITY
Based on coursework developed at the Peabody Conservatory, Unlocking the Digital Age: The Musician’s Guide to Research, Copyright, and Publishingby Andrea I. Copland and Kathleen DeLaurenti [READ NOW] serves as a crucial resource for early career musicians navigating the complexities of the digital era. This guide bridges the gap between creative practice and scholarly research, empowering musicians to confidently share and protect their work as they expand their performing lives beyond the concert stage as citizen artists. It offers a plain language resource that helps early career musicians see where creative practice and creative research intersect and how to traverse information systems to share their work. As professional musicians and researchers, the authors’ experiences on stage and in academia makes this guide an indispensable tool for musicians aiming to thrive in the digital landscape.
Copland and DeLaurenti will be in conversation with musician and educator, Kyoko Kitamura. Music librarian Matthew Vest will facilitate our discussion.
Unlocking the Digital Age: The Musician’s Guide to Research, Copyright, and Publishing is available to read & download.
ANDREA I. COPLAND is an oboist, music historian, and librarian based in Baltimore, MD. Andrea has dual master’s of music degrees in oboe performance and music history from the Peabody Institute of the Johns Hopkins University and is currently Research Coordinator at the Répertoire International de la Presse Musicale (RIPM) database. She is also a teaching artist with the Baltimore Symphony Orchestra’s OrchKids program and writes a public musicology blog, Outward Sound, on substack.
KATHLEEN DeLAURENTI is the Director of the Arthur Friedheim Library at the Peabody Institute of The Johns Hopkins University where she also teaches Foundations of Music Research in the graduate program. Previously, she served as scholarly communication librarian at the College of William and Mary where she participated in establishing state-wide open educational resources (OER) initiatives. She is co-chair of the Music Library Association (MLA) Legislation Committee as well as a member of the Copyright Education sub-committee of the American Library Association (ALA) and is past winner of the ALA Robert Oakley Memorial Scholarship for copyright research. DeLaurenti is passionate about copyright education, especially for musicians. She is active in communities of practice working on music copyright education, sustainable economic models for artists and musicians, and policy for a balanced copyright system. DeLaurenti served as the inaugural Open Access Editor of MLA and continues to serve on the MLA Open Access Editorial Board. She holds an MLIS from the University of Washington and a BFA in vocal performance from Carnegie Mellon University.
KYOKO KITAMURA is a Brookyn-based vocal improviser, bandleader, composer and educator, currently co-leading the quartet Geometry (with cornetist Taylor Ho Bynum, guitarist Joe Morris and cellist Tomeka Reid) and the trio Siren Xypher (with violist Melanie Dyer and pianist Mara Rosenbloom). A long-time collaborator of legendary composer Anthony Braxton, Kitamura appears on many of his releases and is the creator of the acclaimed 2023 documentary Introduction to Syntactical Ghost Trance Music which DownBeat Magazine calls “an invaluable resource for Braxton-philes.” Active in interdisciplinary performances, Kitamura recently provided vocals for, and appeared in, artist Matthew Barney’s 2023 five-channel installation Secondary.
MATTHEW VEST is the Music Inquiry and Research Librarian at UCLA. His research interests include change leadership in higher education, digital projects and publishing for music and the humanities, and composers working at the margins of the second Viennese School. He has also worked in the music libraries at the University of Virginia, Davidson College, and Indiana University and is the Open Access Editor for the Music Library Association.
Book Talk: UNLOCKING THE DIGITAL AGE April 3 @ 10am PT / 1pm ET VIRTUAL Register now!
From Prince of Persia to Replay: A video game creator’s family odyssey
Jordan Mechner (creator of “Prince of Persia”) shares his story as a pioneer in the fast-growing video game industry from the 1980s to today, and how his family’s back story as refugees from war-torn Europe led to his own multifaceted 4-decade creative career. Interweaving of past and present, family transmission, exile and renewal are at the heart of his award-winning graphic novel “Replay: Memoir of an Uprooted Family.”
For general audiences, including anyone interested in video game development, graphic novels, transmedia, or multigenerational family stories.
Book Talk: REPLAY March 27 @ 10am PT / 1pm ET Register now for the virtual event!
About REPLAY
1914. A teenage romantic heads to the enlistment ofice when his idyllic life in a Jewish enclave of the Austro-Hungarian Empire is shattered by World War I.
1938. A seven-year-old refugee begins a desperate odyssey through France, struggling to outrun the rapidly expanding Nazi regime and reunite with his family on the other side of the Atlantic.
2015. e creator of a world-famous video game franchise weighs the costs of uprooting his family and moving to France as the cracks in his marriage begin to grow.
Prince of Persia creator Jordan Mechner calls on the voices of his father and grandfather to weave a powerful story about the enduring challenge of holding a family together in the face of an ever-changing world.
JORDAN MECHNER is an author, graphic novelist, game designer, and screenwriter. He created the video game Prince of Persia in 1989, rebooted it with Ubisot in 2003, and wrote the first screenplay for Disney’s 2010 film adaptation, Prince of Persia: The Sands of Time. His other games include Karateka and The Last Express. In 2017, he received the Pioneer Award from the International Game Developers Association. Jordan’s graphic novels as writer include the New York Times bestseller Templar (from First Second, with LeUyen Pham and Alex Puvilland), Monte Cristo (Mario Alberti), and Liberty (Etienne LeRoux). Replay is his first book as writer/artist.
Book Talk: REPLAY March 27 @ 10am PT / 1pm ET Register now for the virtual event!
How data surveillance, digital forensics, and generative AI pose new long-term threats and opportunities—and how we can use them to make better decisions in the face of technological uncertainty.
Book Talk: The Secret Life of Data April 18 @ 10am PT / 1pm ET ONLINE Register now!
“I have been waiting a long time for a clearly written book that cuts through the hype and describes how data—big and small, old and new—actually operate in our lives. Neither utopian nor dystopian, The Secret Life of Data just tells it like it is.” —Siva Vaidhyanathan, Professor of Media Studies, The University of Virginia; author of Antisocial Media and The Googlization of Everything (And Why We Should Worry)
In The Secret Life of Data, Aram Sinnreich and Jesse Gilbert explore the many unpredictable, and often surprising, ways in which data surveillance, AI, and the constant presence of algorithms impact our culture and society in the age of global networks. The authors build on this basic premise: no matter what form data takes, and what purpose we think it’s being used for, data will always have a secret life. How this data will be used, by other people in other times and places, has profound implications for every aspect of our lives—from our intimate relationships to our professional lives to our political systems.
ARAM SINNREICH is an author, professor, and musician. He is Chair of Communication Studies at American University. His books include Mashed Up,The Piracy Crusade, The Essential Guide to Intellectual Property, and A Second Chance for Yesterday(published as R. A. Sinn).
JESSE GILBERT is an interdisciplinary artist exploring the intersection of visual art, sound, and software design at his firm Dark Matter Media. He was the founding Chair of the Media Technology department at Woodbury University, and he has taught interactive software design at both CalArts and UC San Diego.
DR. LAURA DENARDIS is Professor and Endowed Chair in Technology, Ethics, and Society and Director of the Center for Digital Ethics at Georgetown University in Washington, DC. Her book The Internet in Everything: Freedom and Security in a World with No Off Switch (Yale University Press) was recognized as a Financial Times Top Technology Book of 2020. Among her seven books, The Global War for Internet Governance (Yale University Press) is considered a definitive source for understanding cyber governance debates and solutions. Professor DeNardis is an affiliated Fellow of the Yale Information Society Project, where she previously served as Executive Director, and is a life Member of the Council on Foreign Relations. She holds engineering degrees and a PhD in Science and Technology Studies, and was awarded a postdoctoral fellowship from Yale Law School.
Book Talk: The Secret Life of Data April 18 @ 10am PT / 1pm ET ONLINE Register now!
Last month, we hosted Laine Nooney and Finn Brunton for an in-person discussion at the Internet Archive. We had considerable interest from people who couldn’t make it to the discussion, so we’re pleased to host the conversation again, this time virtually, so that anyone can join in!
Join us for an engrossing origin story of the personal computer—showing how the Apple II’s software helped a machine transcend from hobbyists’ plaything to essential home appliance. Author LAINE NOONEY will read a selection from their new book, then discuss the importance of the Apple II with historian FINN BRUNTON.
If you want to understand how Apple Inc. became an industry behemoth, look no further than the 1977 Apple II. It was a versatile piece of hardware, but its most compelling story isn’t found in the feat of its engineering, the personalities of Apple’s founders, or the way it set the stage for the company’s multibillion-dollar future. Instead, historian Laine Nooney shows, what made the Apple II iconic was its software. The story of personal computing in the United States is not about the evolution of hackers—it’s about the rise of everyday users.
Recounting a constellation of software creation stories, Nooney offers a new understanding of how the hobbyists’ microcomputers of the 1970s became the personal computer we know today. From iconic software products like VisiCalc and The Print Shop to historic games like Mystery House and Snooper Troops to long-forgotten disk-cracking utilities, The Apple II Age offers an unprecedented look at the people, the industry, and the money that built the microcomputing milieu—and why so much of it converged around the pioneering Apple II.
About our speakers:
Laine Nooney is assistant professor of media and information industries at New York University. Their research has been featured by outlets such as The Atlantic, Motherboard, and NPR. They live in New York City, where their hobbies include motorcycles, tugboats, and Texas hold ’em.
Finn Brunton (finnb.net) is a professor at UC Davis with appointments in Science and Technology Studies and Cinema and Digital Media. He is the author of Spam: A Shadow History of the Internet, Digital Cash: The Unknown History of the Anarchists, Technologists, and Utopians Who Created Cryptocurrency, and the co-author of Obfuscation: A User’s Guide for Privacy and Protest.
Book Talk: The Apple II Age July 13th @ 10am PT / 1pm ET Register now for the virtual discussion!
Join Kyle K. Courtney & Juliya Ziskina of Library Futures for a review of how publisher interests have attempted to hinder the library mission.
Watch recording:
FROM THE ABSTRACT: Libraries have continuously evolved their ability to provide access to collections in innovative ways. Many of these advancements in access, however, were not achieved without overcoming serious resistance and obstruction from the rightsholder and publishing industry. The struggle to maintain the library’s access-based mission and serve the public interest began as early as the late 1800s and continues through today. We call these tactics the “publishers’ playbook.” Libraries and their readers have routinely engaged in lengthy battles to defend the ability for libraries to fulfill their mission and serve the public good. The following is a brief review of the times and methods that publishers and rightsholder interests have attempted to hinder the library mission. This pattern of conduct, as reflected in ongoing controlled digital lending litigation, is not unexpected and belies a historical playbook on the part of publishers and rightsholders to maximize their own profits and control over the public’s informational needs. Thankfully, as outlined in this paper, Congress and the courts have historically upheld libraries’ attempts to expand access to information for the public’s benefit.
Read the full article, “The Publisher Playbook: A Brief History of the Publishing Industry’s Obstruction of the Library Mission.”
ABOUT THE AUTHORS
KYLE K. COURTNEY is a lawyer and librarian dedicated to issues surrounding copyright, access, and preservation. He serves as Copyright Advisor and Program Manager at the Harvard Library Office for Scholarly Communication. His “Copyright First Responders” initiative is in its seventh year, spreading from Harvard to libraries, archives, and other cultural institutions in Alaska, Arizona, California, Colorado, Massachusetts, Oregon, Rhode Island, Washington, and soon, internationally. He is the co-author of the White Paper on Controlled Digital Lending of Library Books (with David Hansen). He serves as an Advisor to ALI, helping to draft the first Restatement of Copyright. He co-founded Fair Use Week, now an international celebration sponsored annually by over 100+ universities, libraries, and other institutions, and won a Knight Foundation Grant to test technology for crowdsourcing copyright and fair use decisions. He also currently maintains a dual appointment at Northeastern University: teaching “Cyberlaw: Privacy, Ethics, and Digital Rights” for the interdisciplinary Information Assurance and Cybersecurity program at the Khoury College of Computer Science and teaching both “Legal Research and Writing for LLM’s” and the “Advanced Legal Writing Workshop” at the Northeastern University School of Law. He holds a J.D. with distinction in Intellectual Property Law and an MSLIS. He is a published author and nationally recognized speaker on the topic of copyright, technology, libraries, and the law. His blog is at http://kylecourtney.com and he can be found on Twitter @KyleKCourtney.
JULIYA ZISKINA is an attorney, artist, photographer, and open access advocate based out of Brooklyn, New York. A forever curious jack-of-all-trades, she believes strongly in a vibrant, collaborative global commons. She completed her JD at the University of Washington in Seattle and served as a graduate student representative on the Faculty Council on University Libraries. As a law student, Juliya co-founded an initiative for an institutional open access policy at the University of Washington, which was successful as of June 2018. Previously, she advocated for the Fair Access to Science and Technology Research Act (FASTR) in Washington, DC with the Student Advocates for Graduate Education, representing over 150,000 graduate students. In 2015, she attended OpenCon in Brussels, Belgium, where she co-led a workshop on grassroots mobilization. Later that year, she presented on a panel at the American Libraries Association Annual Conference on advancing open access through library partnerships with students and early career researchers. A lifelong grassroots rabble-rouser, she started her career by co-founding an underground student newspaper at her high school that was acclaimed by the American Civil Liberties Union and the Student Press Law Center. Juliya’s work has strengthened her belief in the importance of the free flow of information and the human side of the law.
