Amid the trials of the early pandemic, the Internet Archive’s transition to remote work in March 2020 brought the challenge of maintaining engagement for our all-staff virtual meetings. In April 2020, we devised a creative solution: biweekly performances by musicians preceding our Monday and Friday meetings. Dubbed “Essential Music Concerts from Home,” this initiative mirrored the enticement of providing donuts or snacks to draw attendees to a staff gathering. Now, as we mark its 4th anniversary, we extend our gratitude to Producer/Manager Rob Evanoff for his contributions, bringing over 50 artists to our virtual stage.
In tribute to Rob’s impact, we’d like to highlight several of the artists he represents.
Carlos Calvo
Carlos Calvo is a celebrated and versatile musician, composer, and educator. His repertoire includes contemporary and flamenco music genres. Renowned in the Los Angeles entertainment and media industry, Calvo is highly sought-after for his talents as a composer for television and film.
Joanna Pearl
Joanna Pearl exudes an unmistakable passion for music. Pearl’s powerful vocal prowess and authentic songwriting capture the essence of her musical journey. “I write from the heart and always try to relate to others by writing what I’m feeling. It’s a direct reflection of who I am.”
Afton Wolfe
Afton Wolfe has embraced various roles from philosopher to lawyer to musician. At his core, Wolfe is deeply connected to the rich heritage of rock, blues, and soul, with roots firmly planted in Mississippi.
Teni Rane
Teni Rane has a universally appealing vintage vocal style that captures the essence of everyday life. She explores her craft with a distinct fusion of Americana-folk-pop and a touch of jazz.
King Corduroy
King Corduroy is inspired by the authentic charm of American roots music. As a modern songwriter, he has been traversing the musical universe for years, crafting his unique brand of “Cosmic Southern Soul” along the way.
Ash & Eric
Ash & Eric had a musical partnership. As they played together, their musical partnership blossomed into love. Together, they have cultivated a vibrant community of supporters bound by their shared passion for music and storytelling.
If you would like to perform for one our 10 minute concerts please contact bz@archive.org.
In early March 2020, much like the rest of the United States, the staff of the Internet Archive transitioned to fully remote work in anticipation of the prolonged pandemic. This change was monumental and, like all workplaces, we discovered the challenge of sustaining a feeling of connection, morale, and joy within the team.
Recognizing this challenge, our Director of Media & Access, Alexis Rossi, came up with a creative solution. It was already part of our workplace culture to have two weekly all-staff meetings—one at 10am PT Monday morning, and another at Friday lunch. As everyone moved to joining those meetings from home, Alexis began hosting short concerts before them by performers, particularly musicians, to uplift our team’s spirits. These concerts provided not only entertainment, but also a means of keeping our team engaged and the performers booked during uncertain times.
The initiative began with a performance by Alexis’s friend, Jefferson Bergey, whose talent for musical theater and captivating stage presence set the stage. At the time, we envisioned organizing these concerts for just a few months, as none of us could predict the duration of the pandemic.
Fast forward several years and our work world has undergone a profound transformation. Encouraged by the overwhelmingly positive response from our now mostly remote staff, we decided to continue the program, thus giving birth to “Essential Music Concerts From Home.” As we approach our fourth anniversary in April, we reflect on how this simple yet impactful idea has helped sustain our remote workplace culture through the years. We thought it would be fun to offer you a glimpse into some of the unique musical encounters enjoyed by the Internet Archive staff with some exceptionally talented musicians.
Jefferson Bergey
Jefferson Bergey is a professional musician and cherished figure in the Bay Area, known as “Fun for Hire.” His musical style epitomizes versatility, adapting to any desired vibe or genre with ease. Drawing from the rich foundations of jazz, blues, pop, folk, bluegrass, and rock, his songs are crafted with a distinct flair for musical theater. He is such a popular Bay Area performer, there’s even a burger named after him.
Jeanie & Chuck Poling
Jeanie & Chuck Poling have been making music together since 1982. Their act, Jeanie and Chuck’s Country Roundup, specializes in honky tonk and bluegrass tunes played on acoustic instruments. Their performances are known for blending music, humor, and showmanship to entertain audiences. Additionally, Chuck has served as the emcee at the Rooster Stage at Hardly Strictly Bluegrass since 2012.
Joliet
Joliet, hailing from Kansas City, is an independent singer/songwriter and live music streamer. Her vocal style is both distinctive and commanding. With her bold and expansive sound, Joliet offers up heartfelt and captivating charm. She plays live on platforms such as Smule and Twitch, where she has introduced her original compositions to audiences worldwide.
Ben Cosgrove
Ben Cosgrove is a nomadic composer, pianist, and multi-instrumentalist rooted in northern New England. Across his artistic journey, Ben’s compositions and performances have been shaped by his profound fascination with landscape, geography, place, and the environment.
Cello Joe
Cello Joe, also known as Joey Chang, defies convention within the realm of cellists. Cello Joe combines the cello with beatboxing, vocals, and live looping to create a unique fusion. His performances blend classical music with hip hop elements, showcasing his ability to generate rhythmic beats using both his cello and vocal talents in real-time. He is known for being the “Wildest Beatboxing Cellist in the West”.
Glitterfox
Glitterfox is a Portland Oregon based band. At the heart of Glitterfox are the band’s songwriters and frontpersons, the married couple Solange Igoa and Andrea Walker. Drawing from their personal struggles and experiences as queer, neurodivergent individuals, they infuse their songwriting with raw emotion. They imbue their music with a passion for Americana, grunge, and dance genres.
Rob Reich
Rob Reich epitomizes the essence of the San Francisco music scene, serving as a cornerstone of its vibrant underground community. Renowned for his eclectic style, he blends robust melodic concepts, rhythmic dynamism, and a penchant for irreverence and innovation.
Please note that these recordings were conducted via Zoom, which often leads to lower fidelity audio quality. For a more immersive experience, we encourage you to explore these artists further on their respective websites.
If you would like to perform for one our 10 minute concerts please contact bz@archive.org.
“That’s how I think of it now: listening as intimacy. My shoulders dropped. The muscles in my neck and face relaxed. I breathed more deeply.”
—Donald Antrim, “How Music Can Bring Relief During These Anxious Times,” The New Yorker
Santa Cruz-based steel lap guitarist, Bill Walker, performing some “essential music,” in a virtual concert from home.
Every Monday at 9:55 a.m., the concerts begin. Lap steel guitarists. Feminist indie folk bands. Improvisational cellists. For the Internet Archive staff, spread across many continents, these ten-minute concerts that begin and end our work week create an aural bubble where listening together feels intimate, uplifting. For us this music has somehow become, yes, essential. For the artists, zooming in from makeshift home stages, the chance to perform live for our staff of 100+ creates a connection with an audience that has been severed during the pandemic. “It was so nourishing to be supported, not only emotionally, but also financially at a time when musicians are being hit incredibly hard,” said singer-songwriter, Annie Hart. “It made my art feel valued and appreciated and helped me continue to make more.”
The idea to create this impromptu concert series originated with Alexis Rossi, who heads the Internet Archive’s Collections team. Five minutes before our Monday morning and Friday lunch staff zoom meetings, Alexis and Web Archiving Program Manager, Peggy Lee, act as virtual stage managers, getting performers dialed in, audio levels tweaked. The Internet Archive pays performers a small fee and staffers “tip” the artists through paypal or Venmo. “”I have several friends who are full time performers, and shelter in place completely destroyed their ability to work and make a living,” explains Rossi. “So I jumped at the chance to help book acts because I knew that even a little bit of income would help.”
Jess Sah Bi performs original music in in French, Gouro, and English.
“The music series has been a way we bring people into our house, the place where we come together as a community, and have this shared experience together. I love those ten minutes.”
—Peggy Lee, Co-producer, Essential Music
What started as a fun idea has solidified into ESSENTIAL MUSIC: Concerts From Home, a program that we believe could be replicated anywhere, offering organizations many intangible benefits. “The Internet Archive’s live performances have been such a bright spot in my week,” says engineer, Jason Buckner. “They bring such a positive energy to our meetings and you can see it in the faces of everyone watching on Zoom.” Just ten minutes of music seems to have a magical effect on staff: inspiration. “Seeing other creatives excel at what they do helps bind me closer to my work,” agrees Isa Herico Velasco, Internet Archive engineer. “It affirms what we are actually stewarding: the preservation and celebration of humanity.”
Here are some of the Essential Music concerts, recorded and shared by permission of the artists:
Ainsley Wagoner / Silverware (6/16/20)
Ainsley Wagoner creates ethereal music as the artist, Silverware. Ainsley is also a product designer who co-created the super cool OAM project — an experiment in mixing sound, colours, and geometries on the web. “Performing is one of my favorite parts about being a musician,” says Wagoner. “Even though I have recorded music online, nothing beats playing a song live. For now, I don’t have an in-person performance outlet, so it felt really good to do that virtually with the Internet Archive.”
Alex Spoto (6/22/20)
Alex is a multi-instrumentalist who has performed and recorded with Last Good Tooth, Benjamin Booker, and many others. He is a longtime contributor for Aquarium Drunkard and the co-author of Fowre 2: Gone Country, a book of interviews with contemporary Country musicians. He got his start playing classical violin, then ‘old-time’ folk music, and then improvised “free” music. He is currently musically obsessed with cajun fiddling, old cumbia, the jazzier side of Merle Haggard, the polyrhythmic foundation of Saharan folk music, the sly and sensitive folkways of Michael Hurley, and the Internet Archive’s 78 project!
Vickie Vertiz (6/26/20)
The oldest child of an immigrant Mexican family, Vickie Vértiz was born and raised in Bell Gardens, a city in southeast Los Angeles County. Her writing is featured in the New York Times magazine, the San Francisco Chronicle, Huizache, Nepantla, the Los Angeles Review of Books, KCET Departures, and the anthologies: Open the Door (from McSweeney’s and the Poetry Foundation), and The Coiled Serpent (from Tia Chucha Press), among many others.
Vértiz’s first full collection of poetry, Palm Frond with Its Throat Cut, published in the Camino del Sol Series by The University of Arizona Press won a 2018 PEN America literary prize. Vickie is a proud member of Colectivo Miresa, a feminist cooperative speaker’s bureau, her first poetry collection, Swallows, is available from Finishing Line Press. She teaches at the University of California, Santa Barbara.
Jess Sylvester / Marinero (6/29/20)
Jess Sylvester is a Bay Area chicanx songwriter/composer, also known as Marinero. Marinero is known for his dreamy, cholo-fi signature style of taking samples of 60s latin music and adding spacey pop flavors. His newest album, Trópico de Cáncer, is rooted in bossa nova and Tropicália sounds. Watch his profile in Content Magazine.
Sylvester says: “I was actually touched by the introduction given to me right before playing a song for their team. It was a shock to hear the level of research they had done referencing my life and past projects, and in retrospect made sense considering it was the Internet Archive just living up to their name.” Thank you for listening to my music and making me feel heard and supported.”
Ivan Forde (7/6/20)
Ivan Forde is a Guyanese-born, Harlem artist. Forde (b. 1990) works across sound performance, printmaking, digital animation and installation. Using a wide variety of photo-based and print-making processes (and more recently music and performance), Ivan Forde retells stories from epic poetry casting himself as every character. His non-linear versions of these time-worn tales open the possibility of new archetypes and alternative endings. By crafting his own unique mythology and inserting himself in historical narratives, he connects the personal to the universal and offers a transformative view of prevailing narratives in the broader culture.
Zachary James Watkins (7/10/20)
Zachary James Watkins is an Oakland-based sound artist. He was one-half of the defunct duo Black Spirituals and is now part of the current duo Watkins/Peacock. Zachary has received commissions from Cornish, The Microscores Project, The Beam Foundation, Somnubutone, the sfSoundGroup and the Seattle Chamber Players. He has shared bills with Earth, the Sun Ra Arkestra, and designed the sound and composed music for the plays “I Have Loved Strangers.” His 2006 composition Suite for String Quartet was awarded the Paul Merritt Henry Prize for Composition and has subsequently been performed at the Labs 25th Anniversary Celebration, the Labor Sonor Series at Kule in Berlin Germany and in Seattle Wa, as part of the 2nd Annual Town Hall New Music Marathon. Zachary has been an artist in residence at the Espy Foundation, Djerassi and the Headlands Center for The Arts.
Bill Walker (7/13/20)
A gifted composer and instrumentalist, Bill Walker’s music has been described as cinematic, adventurous, and innovative. His solo performances create a rich tapestry of layered sounds, blending electric and acoustic guitars, lap steel guitars, and percussive guit-boxing with state of the art live looping techniques and sound design.
This Santa Cruz, CA-based musician was featured in Guitar Player Magazine for his collaboration with Erdem Helvacioglu on the critically acclaimed CD, “Fields and Fences”. To hear more tune in to his YouTube channel.
Jennifer Cheng (7/17/20)
Jennifer S. Cheng’s work includes poetry, lyric essay, and image-text forms exploring immigrant home-building, shadow poetics, and the feminine monstrous. She is the author of MOON: LETTERS, MAPS, POEMS, selected by Bhanu Kapil for the Tarpaulin Sky Award, and HOUSE A, selected by Claudia Rankine for the Omnidawn Poetry Prize. She is a 2019 NEA Literature Fellow and graduated from Brown University, the University of Iowa, and San Francisco State University.
Jess Sah Bi (7/17/20)
Jess Sah Bi, with his musical partner, Peter One, is one of the most popular musical acts in West Africa, performing to stadium-sized audiences at home in the Ivory Coast and throughout Benin, Burkina Faso, and Togo. Their album, Our Garden Needs Its Flowers, originally thrust them into stardom in the late ’80s. The album was inspired both by classic American country and folk music and the traditions of Ivorian village songs, but it focused thematically on the political turmoil of the region. Songs are sung in French, Gouro, and English.
Theresa Wong (7/24/20)
Theresa Wong is a Berkeley-based composer, cellist and vocalist active at the intersection of music, experimentation, improvisation and the synergy of multiple disciplines. Bridging sound, movement, theater and visual art, her primary interest lies in finding the potential for transformation for both the artist and receiver alike. Her works include The Unlearning (Tzadik), 21 songs for violin, cello and 2 voices inspired by Goya’s Disasters of War etchings, O Sleep, an improvised opera for an 8 piece ensemble exploring the conundrum of sleep and dream life. In 2018, Theresa founded fo’c’sle, a record label dedicated to adventurous music from the Bay Area and beyond. Theresa has shared her work internationally at venues including Fondation Cartier in Paris, Yerba Buena Center for the Arts in San Francisco, Cafe Oto in London, Festival de Arte y Ópera Contemporánea in Morelia, Mexico and The Stone and Roulette in New York City.
After her performance, the artist wrote, ““I could sense the spirit reaching out beyond glass and pixels, sparking back to life that basic need of connecting with others.”
It’s quite tempting to visit Internet Archive’s Live Music Archive and be drawn to the bands you’re familiar with and adore. Grateful Dead, Smashing Pumpkins, Jason Mraz, Yonder Mountain String Band, and Guster all beg you to choose their name, boasting 300+ shows and countless downloads. Don’t get me wrong, I can click on some of those bands all day and get completely wrapped up in their myriad of live shows. One of the joys of the Archive, however, is to get exposed to those smaller bands that either are on the brink of making it big or have met their demise years ago with only the Archive paying them homage.
Here’s a teaser list of what you can find in the LMA with just a few clicks of the mouse:
Charlie Parr is a supremely talented folk/bluegrass artist hailing from Minneapolis. You’ll hear washboards backing up Parr’s strong voice.
Madgrass offers a collection of covers with their own twangy spin. Covers include songs by Neil Young, Grateful Dead, and Old Crow Medicine Show.
The Microphones, fronted by Phil Elvrum and later renamed Mount Eerie, is an indie-rock band. The good, genuine kind of indie-rock with unique sounds and heartfelt lyrics.
The Strawberry Allstars, a pop electronic band from Maine, will surprise you with their creative use of fast techno sounds infused with a strong beat and interesting vocals.
Of course, there are valid reasons that some bands only have a couple shows uploaded and zero downloads, but, sometimes, those are just as much fun to find.
