Tag Archives: public domain day

Weird Tales from the Public Domain: Freeing Culture from Corporate Captivity

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The mouse that became Mickey will finally be free of his corporate captivity as the copyright term of the 1928 animated Disney film, Steamboat Willie, expires along with that of thousands of other cultural works on the first day of 2024.

The year 1928 brought us a host of still relevant, oft-revived and remixed culture, from H.P. Lovecraft’s classic horror story, “Call of Cthulhu” (originally published in Weird Tales; now currently a popular video game), to the Threepenny Opera, a critique of income inequality and the excesses of capitalism that is surprisingly on point for our current era.

And further, classic works of literature such as Orlando by Virginia Woolfe, Well of Loneliness by Radclyffe Hall, and Black Magic by Paul Mourad; children’s literature like House on Pooh Corner by A. A. Milne, which introduced the character Tigger, and Millions of Cats by Wanda Gág; movies like Charlie Chaplin’s The Circus, and Buster Keaton’s The Cameraman; and music like Dorothy Field’s “I Can’t Give You Anything But Love, Baby” and Cole Porter’s “Let’s Do It, Let’s Fall in Love” will grow the rich set of materials that are freely available to all of us as part of the public domain.  

Join us for a virtual celebration at 10am PT / 1pm ET on January 25, 2024, with an amazing lineup of academics, librarians, musicians, artists and advocates coming together to help illuminate the significance of this new class of works entering the public domain!

Of course our program wouldn’t be complete without a discussion of Generative AI, which to some has become a new kind of Eldritch God unleashed upon humanity—a Chtulhu of sorts—out to alter or control human reality. New AI technologies have raised all kinds of questions about human creativity, and the various monsters we must vanquish in order to preserve it. We’ll get into all that and more in our panel discussion of AI, Creativity and the Public Domain.

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This event is co-hosted by Internet Archive, Creative Commons, Authors Alliance, Public Knowledge, Library Futures, SPARC and the Duke Center for the Study of the Public Domain.

More ways to celebrate the public domain!

In addition to our virtual event on January 25th, we are also hosting an in-person party & film screening at the Internet Archive on January 24th for our Public Domain Remix Contest.

Public Domain Day Party in San Francisco! Celebrate 1928

Step into a time capsule of creativity on January 24, 2024, at the Internet Archive, as we celebrate the release of new cultural treasures into the public domain. Join us for an unforgettable evening filled with period tunes, classic cocktails, and a cinematic journey into the past. These works, once bound by copyright restrictions, will be released into the wild, opening up new opportunities for artistic expression, adaptation, and innovation.

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Discover the enchantment of animation with a special screening of Steamboat Willie on the large screen. Come together to witness the beloved icon, Mickey Mouse, as he enters the public domain. Let’s rejoice in this moment that commemorates the lasting legacy of a cultural gem that has captivated hearts across generations. Film Historian Eric Smoodin will explore the history of Steamboat Willie and how a mouse changed the entertainment world.

Be captivated by the cinematic brilliance of our annual short film contest winners. These films, inspired by the vast public domain materials on the Internet Archive, showcase the boundless possibilities of reimagining classic works.

Embrace the spirit of 1928 by dressing in your finest flapper dresses, dapper suits, and don’t forget the feathered headbands. You’re not just attending an event; you’re stepping into a world where every outfit tells a story. Be the “Bee’s Knees” and the “Cat’s Pajamas” as you immerse yourself in the glamour of a bygone era.

No celebration from the Jazz Age is complete without a classic cocktail. Let the clink of glasses echo the liberation of creative works now set free in the public domain.

Come share an evening of revelry, inspiration, and artistic freedom with us. Be part of a celebration where the past becomes the canvas for the future. Let the reimagining begin, and together, let’s toast to a world of boundless creativity in the public domain. See you there in your finest attire!

Where: Internet Archive – 300 Funston
When: 6pm to 8 pm
Cost: $15
Register now!

More ways to celebrate the public domain

In addition to our in-person event on January 24th & our film remix contest, we are also hosting a virtual celebration on January 25th, “Weird Tales from the Public Domain: Freeing Culture from Corporate Captivity”—register now!

Public Domain Day 2024 Remix Contest: The Internet Archive is Looking For Creative Short Films Made By You!

The Cameraman – 1928 – Buster Keaton

We are looking for filmmakers and artists of all levels to create and upload short films of 2–3 minutes to the Internet Archive to help us celebrate Public Domain Day at our celebrations on January 24 (in-person screening & party) & January 25 (virtual celebration), 2024!

Our short film contest serves as a platform for filmmakers to explore, remix, and breathe new life into the timeless gems that have entered the public domain. From classic literature and silent films to musical compositions and visual art, the contest winners draw inspiration from the vast archive of cultural heritage from 1928. We want artists to use this newly available content to create short films using resources from the Internet Archive’s collections from 1928. The uploaded videos will be judged and prizes of up to $1500 awarded!! (see details below)

Winners will be announced and shown at the in-person Public Domain Day Celebration at the Internet Archive headquarters in San Francisco on January 24, 2024, as well as our virtual celebration on January 25. All other participating videos will be added to a Public Domain Day Collection on archive.org and featured in a blog entry in January of 2024.

Here are a few examples of some of the materials that will become public domain on January 1, 2024:

Possible themes include, but are not limited to:  

  • Weird Tales of 1928
  • Sleuthing the Public Domain
  • What can 1928 teach us about 2024?
  • Steamboat Willie re-imagined

Guidelines

  • Make a 2–3 minute movie using at least one work published in 1928 that will become Public Domain on January 1, 2024. This could be a poem, book, film, musical composition, painting, photograph or any other work that will become Public Domain next year. The more different PD materials you use, the better!
    • Note: If you have a resource from 1928 that is not available on archive.org, you may upload it and then use it in your submission. (Here is how to do that). 
  • Your submission must have a soundtrack. It can be your own voiceover or performance of a public domain musical composition, or you may use public domain or CC0 sound recordings from sources like Openverse and the Free Music Archive.
    • Note: Music copyright is TRICKY! Currently sound recordings published up to December 31, 1922 are public domain; on the upcoming January 1 that will change to sound recordings published up to December 31, 1923.  Sound recordings published later than that are NOT public domain, even if the underlying musical composition is, so watch out for this!
  • Mix and Mash content however you like, but note that ALL of your sources must be from the public domain. They do not all have to be from 1928. Remember, U.S. government works are public domain no matter when they are published. So feel free to use those NASA images! You may include your own original work if you put a CC0 license on it.
  • Add a personal touch, make it yours!
  • Keep the videos light hearted and fun! (It is a celebration after all!)

Submission Deadline

All submissions must be in by Midnight, January 19, 2024 (PST) by loading it into this collection on the Internet Archive.

How to Submit

Prizes

  • 1st prize: $1500
  • 2nd prize: $1000
  • 3rd prize: $500

*All prizes sponsored by the Kahle/Austin Foundation

Judges:

Judges will be looking for videos that are fun, interesting and use public domain materials, especially those from 1928. They will be shown at the in-person Public Domain Day party in San Francisco and should highlight the value of having cultural materials that can be reused, remixed, and re-contextualized for a new day. Winners’ pieces will be purchased with the prize money, and viewable  on the Internet Archive under a Creative Commons license.

  • Amir Saber Esfahani (Director of Special Arts Projects, Internet Archive)
  • Rick Prelinger (Board Member, Internet Archive, Founder, Prelinger Archives)
  • BZ Petroff (Director of Admin & HR, Internet Archive)
  • Special guest judges

For reference, check out the 2023 Entrants

Welcoming 1927 to the Public Domain

This year we are welcoming works from 1927 into the public domain in the United States, including books, periodicals, sheet music, and movies

Big events of 1927 include the first transatlantic phone call from New York to London, the formation of The Academy of Motion Picture Arts and Sciences, the first successful long distance demonstration of television, the release of the first popular “talkie,” The Jazz Singer, and the first nonstop transatlantic solo airplane flight, from New York to Paris, by Charles Lindbergh.

Movies

Despite the popularity of The Jazz Singer, movies were still mostly silent in 1927, including the gorgeous Metropolis by Fritz Lang. Laurel and Hardy’s first film, Putting Pants on Phillip, was released that year, along with an early Gary Cooper Western, Nevada, Joan Crawford in Spring Fever, Mary Pickford in My Best Girl, Clara Bow in Get Your Man, and Cecil B. DeMille’s King of Kings.

I was particularly taken with No Man’s Land, which gives top billing to a horse (Rex the Wonder Horse, in case you were wondering – if you’d like to follow his career he also starred in The King of Wild Horses and Black Cyclone). 

Or we can time travel with Koko the Clown in Koko in 1999 where they apparently thought that at the turn of the last century everything would happen via automation and you’d get a wife from a vending machine for 25 cents.  

Music

No new recorded music enters the public domain in the US this year — the next group of recorded music becomes available in 4 years, due to how the music modernization act is written — but we do have some fun new sheet music to explore. The biggies that are most remembered today are probably The Best Things in Life Are Free and I Scream, You Scream, We All Scream For Ice Cream. But you should also take some time to play Dream Kisses, The Desert Song, My Ohio Home, and Girl of My Dreams.

Periodicals

Thousands of issues of periodicals from 1927 are entering the public domain, some from titles that are still well known today like:

You may also want to check out copies of The American Girl (published by the Girl Scouts), check up on the financial markets leading up to the Great Depression in the The Financial Times, or research bling in The Jewelers Circular.

Books

The Sherlock Holmes books came to an end in 1927, and with it the release of The Complete Sherlock Holmes by Arthur Conan-Doyle (vol I and vol II). Other biggies include Death Comes for the Archbishop by Willa Cather and Mosquitoes by William Faulkner.

But as always, the most fun is to be had perusing the books from 1927 for hidden gems. Enjoy the gorgeous art deco designs in Ideas & studies in stencilling & decorating, for instance.

Some other fun titles include

Celebrate Public Domain Day

You can join us to celebrate public domain day two ways this year, virtually or in person.

We are having a virtual party on January 19, 2023 at 1pm Pacific/4pm Eastern. REGISTER FOR THE VIRTUAL EVENT HERE!

And the next day we will have an in-person Film Remix Contest Screening Party on January 20, 2023 at 6pm at 300 Funston Ave in San Francisco, to watch this year’s Public Domain Day Remix Contest winning entries. REGISTER FOR THE IN-PERSON PARTY IN SAN FRANCISCO HERE!

Virtual Gathering Welcomes Creative Works from 1926 into the Public Domain

Free from copyright restrictions, the public can now enjoy unlimited access to creative works from 1926 including A.A. Milne’s Winnie-the-Pooh, classic silent films with Buster Keaton, and jazz standards by Jelly Roll Morton.

A virtual party hosted by the Internet Archive, Creative Commons, and many other community co-sponsors on January 20 celebrated the availability of the newly released material. This year’s festivities also welcomed nearly 400,000 sound recordings from the pre-1923 era into the public domain as a result of the Music Modernization Act passed by the U.S. Congress.

“What a big win for our country, especially for libraries and archives that preserve our cultural history,” said U.S. Senator Ron Wyden (D-Ore.) of the newest crop of creative work entering the public domain, including the early sound recordings. “It’s also a big win for our artists, who can now freely use these classic recordings and transform them into new works.” [WATCH the segment with Senator Wyden.]

Wyden has supported groups that advocate for balanced copyright laws that support public access. In the recent federal legislation addressing compensation in the music industry, he pushed back against a provision that would have locked up older recordings for almost 150 years from their publication.

“These restrictions defied common sense, and they would have been a major disadvantage for historians, academics and American cultural heritage,” said Wyden, who helped secure a better deal that allowed sound recordings to be public property each year. “The Music Modernization Act was not our first rodeo, and I’m certain it is not going to be our last. I look forward to working with all of you closely in the days ahead, continuing the fight for balanced IP laws that work for all Americans.”

Meredith Rose, senior policy counsel with Public Knowledge, a consumer advocacy organization based in Washington, D.C., said the new federal legislation is a “huge game changer” for libraries. For the first time, sound recordings before 1972 can be made available for noncommercial and educational uses with no restrictions or threat of statutory damages. [WATCH this segment.]

Also speaking at the event was Jennifer Jenkins of Center for the Study of the Public Domain at Duke Law School. She shared a video highlighting the range of work becoming open this year from Ernest Hemingway’s first novel, The Sun Also Rises to the film “For Heaven’s Sake” with Harold Lloyd and poetry by Langston Hughes. [WATCH this segment.]

“Public domain enables both creativity and access to preservation,” Jenkins said, noting some classic works have been lost to history. “For those that have survived, it’s time to discover or rediscover and breathe new life into them.”

A musical part of the program featured performances by Citizen DJ and Roochie Toochie and the Ragtime Shepard Kings.  There was also an interview with Colin Hancock, a musician and historian who has built his career playing early jazz, blues and ragtime music and using period technology to record it. [WATCH this segment.]

Professor Jason Luther of Rowan University explained how his students research 78rpm records from the early 20th century through the Internet Archive’s Great 78 Project to create podcasts. Two of his students shared their excitement in being able to access these vintage recordings and make connections to artists’ work of today. (Read more about Luther’s project in this blog post.) [WATCH this segment.]

The work of writers, musicians, filmmakers, scientists, painters should be consumed, built upon and enjoyed, said Catherine Stihler, chief executive officer of Creative Commons: “I see the public domain as a gift. A package of time, wrapped in excitement of discovery and revitalization that sheds light on the past and enriches the present.” [WATCH this segment.]

The Public Domain Day event was organized by the Internet Archive and co-sponsored by SPARC, Creative Commons, Library Futures, Authors Alliance, the Bioheritage Diversity Library, Public Knowledge, ARSC, the Duke Center for the Study of the Public Domain, and the Music Library Association.

[Cross-posted blog with SPARC]