January 13 @ 6:30pm – 9pm Internet Archive, 300 Funston Avenue, San Francisco Buy Tickets
This year’s LOST LANDSCAPES OF SAN FRANCISCO (the 19th!) casts an archival gaze on the lives of San Franciscans and Bay residents. Drawn from over 400 newly scanned archival films plus a few old favorites, this year’s film revels in the textures and activities of everyday life, labor and celebration, replaying known and unknown historical moments, daylighting lost and found infrastructures, revealing the scars of settlement and pointing to more hopeful futures. Highlights include intimate views of the Mission District, recently discovered BART films, coverage of Western Addition redevelopment and displacement, and much more. Almost all of the footage has not been shown before.
As always, the audience makes the soundtrack. Please come prepared to raise your voices; identify places, people and events; and ask questions of others in the audience.
By attending, you’ll directly contribute to supporting the Internet Archive. Rick Prelinger will be presenting as per usual. Don’t miss this opportunity to be a part of truly special evening!
Doors open at 6:30 pm. Film starts at 7:30 PM
No one will be turned away due to lack of funds!
January 13 @ 6:30pm – 9pm Internet Archive, 300 Funston Avenue, San Francisco Buy Tickets
On January 1, 2025, creative works from 1929 and sound recordings from 1924 will enter the public domain in the US.
1929 marked the last gasp of the roaring 20s and ushered in the Great Depression, a major economic crisis that would span the next 12 years. One thing we can see nearly a century later is that, in good times and bad, human creativity, knowledge, and culture persist. That year, Virginia Woolfe published her groundbreaking essay, “A Room of One’s Own,” advocating for female freedom of expression. The Museum of Modern Art (MoMA) opened in New York City, featuring the works of Van Gough, Cezanne, and Gauguin. Major movie studios put out not one, but two musicals starring all Black casts: “Halleluja” and “Hearts of Dixie.” Disney continued the Mickey Mouse trend with a dozen new animated shorts. And of course famous songs like “Puttin’ on the Ritz” and “Singin’ in the Rain” topped the charts.
Celebrate the public domain with us:
1. Creators: Enter the Public Domain Film Remix Contest
We invite filmmakers and artists of all skill levels to celebrate the public domain by creating and uploading 2–3 minute short films to the Internet Archive! Top entries will be awarded prizes up to $1,500. Contest details.
2. Virtual Celebration: January 22nd @ 10am PT
Join us on January 22 to get “that glorious feeling” of singin’ in the public domain! We’ll have an amazing virtual lineup of academics, librarians, musicians, artists and advocates coming together to celebrate this new class of works being free for everyone to enjoy. Register now!
3. In-Person Celebration: January 22nd @ 6pm PT
Please join us at our headquarters in San Francisco for a Celebration of the Public Domain! This year, we’re honoring 1929 — the year of the very first Academy Awards, held at the historic Roosevelt Hotel in Hollywood, CA. Put on your finest attire and get ready for an award-worthy evening. Register now!
4. Explore the public domain
Check out our recent post for links to the newly opened public domain resources at the Internet Archive.
Additional resources
Learn more about what’s moving into the public domain in 2025 from Jennifer Jenkins and James Boyle of Duke Law’s Center for the Study of the Public Domain.
Looking back at 2024 and a summary of ideas for what comes next
Photo of Campers sitting under the redwoods discussing how to decentralize DWeb.
This year marked the eighth year of DWeb – since 2016 scores of us have gathered in the redwoods, in the halls of Greco-Roman buildings, on the beaches of California and Brazil, in hackerspaces, on the Playa — and online, spanning international time zones, languages, expertise, and interests. Over these years, DWeb has become a dynamic community of dreamers and builders creating alternatives to the dominant, centralized and corporate internet. We want to build a web that manifests trust, human agency, mutual respect, and ecological awareness. And DWeb is a space for thoughtful conversation and finding the collaborators and resources to bring decentralized, distributed, and local-first networks to life.
DWeb Camp 2024
By many accounts (and feedback survey responses), DWeb Camp 2024 was our most successful camp yet. It was our fourth Camp, with more than 520 people flying from all corners of the world to meet in the redwoods of Navarro, California. We held our first Demo Night Market, where 32 projects showcased their working code, allowing campers to try out and provide meaningful feedback to builders. We held over 420 sessions and workshops over five days and this year we brought 25 DWeb Fellows from 21 countriesacross Europe, North America, South America, East Asia, South Asia, West Africa, East Africa, and the Middle East.
You can read some of the reflections about this year’s camp here, here, and here. While we are taking a break from holding Camp in 2025, stay tuned for details on DWeb Camp 2026.
As we close out 2024, let’s look back at the other highlights of the year.
Local Node Meetups — Across our local Nodes, there were over 12 in-person meetups in San Francisco, Los Angeles, Seattle, Vancouver, Hanoi, Buenos Aires, Burning Man Playa. See more below on ways we’re planning to grow the DWeb Node network next year!
What were some other notable happenings in our ecosystem?
Bluesky’s Massive User Growth — Many of the core team of leaders and developers at Bluesky have been a part of the DWeb community. The network relies on content-addressed content and is working towards making “credible exit” possible, especially in light of the major exodus from X-Twitter. So while it’s debatable whether it’s truly a decentralized social network from a technological perspective, we cannot help but feel like this is a big step forward for the DWeb movement (note: the back and forth written exchange between Christine Lemmer-Webber and Bryan Newbold is worth checking out ICYMI).
We’re sure we missed some other highlights from 2024 — tag us on our social networks so we can boost your successes from the year on Bluesky (@dweb.bsky.social) and on the Fediverse (@dweb@social.coop)!
What’s Next for DWeb in 2025
When the DWeb organizing team decided to take a year off from holding Camp in California, a big part of our decision was weighed by our desire to work towards decentralizing the movement. Our vision in 2025 is to support the growth of DWeb nodes around the world, empowering and aiding them in hosting DWeb gatherings big and small. Rather than focus on one big convening in Northern California, we will be supporting smaller regional gatherings in Vancouver, Taiwan, Healdsburg, and Brazil.
But we want to hear directly from the DWeb community and understand what you want to see happen in the coming year. So at last month’s virtual DWeb meetup, we asked: how could DWeb better support our community’s goals in building a decentralized/distributed Web? And how do we each want to contribute to help support this network?
Following a short presentation from core organizers about the events and projects we’d like to pursue next year, we opened the floor for an open discussion. Following that, the 60 or so of us present divided into small groups and discussed what we’d like to see next for DWeb. You can find the recording of the whole meetup here.
Here are the highlights of what we heard:
Let’s Walk Our Talk
Many expressed the desire for us to do more to highlight the projects and best practices for replacing the “centralized, attention hijacking, surveillance technology” of the dominant internet with “decentralized technology that supports human values including autonomy, personal data protection, privacy, etc.”
People felt that we should find ways to encourage participatory design by building bridges to communities to better map needs to solutions, and solutions to needs. A key to this (repeated by many across) was that people find it really helpful to receive feedback on their projects. They want to understand how their tools can work better, and how they can get collaborators and financial support. One of the main ways people find value in the DWeb community is to allow people to share their projects to make them more usable and viable. Offerings by people included holding branding / UX design workshops and working with the DWeb Principles to make them more robust and actualized.
DWeb has a robust website with resources on DWeb technologies and analysis, but it currently needs some brushing up and updating. One person desired specific resources for counter-surveillance measures for high-risk communities including indigenous and queer communities. These types of resources would be critical in showing how DWeb can be immediately useful for those who are in urgent need of alternatives.
DWeb Project Directory
An oft-repeated desire that we’ve heard is for a DWeb Project Directory, where people can find aligned projects, affinity groups, and potential collaborators. People want to know where the DWebbers are!
Such a curated directory could map individual people’s skills, interests, and locations for people to interact and post topics/needs/projects for them to find each other. It was particularly noted that it should include non-developers, with people skilled in communications, UX design, organizational and governance design, fundraising, community management and more. The directory could be shaped by select community members, and also be used to shape an ecosystem map to visualize the domains of decentralization happening across the network stack.
Nodes Network and In-Person Gatherings
There were calls for decentralizing the technological infrastructure of DWeb. One of the main ways we hope to achieve this is by growing our Nodes network – where people within a region can meet in-person and have regular local get-togethers. We’ve heard that a toolkit and support system would be helpful for those wanting to get their local Node off the ground. One person said that they wanted to help set up local nodes around the DWeb Principles “that go beyond the technology layers to involve social governance and way[s] of living / growing.”
On that note, there’s a growing contingent who would like to see a kind of DWeb residency, where people would go to a place for a period of time to work on a project together and co-create the experience, much like Camp. There have been Hacker Houses that have done something similar, and they tend to meet alongside related events such as Ethereum DevCon. There are a few folks in our midst who are already (or are interested in) experimenting with co-living. They said that they’d like to try a similar model with the residency using a benefactor model, where people could live somewhere for a certain period, with all their expenses paid, so they could collaborate in person on building DWeb infrastructure. This would also entail building relationships with people on the ground who live there, who want and need the kinds of tools that would be created through the residency.
Many would also like to see a DWeb Calendar, which people could add events to and subscribe to directly with their calendar app of choice. One person said “it would be incredibly supportive for dweb as an attractor of brilliance and credibility to endorse distributed events who apply for said endorsement.”
Virtual Gatherings and Communications
DWebbers want to continue to see virtual meetups happen throughout the year. Some suggested that the virtual meetups can be more experimental, with meet and greets where people can be invited to share asks and offers. But a few people suggested that in lieu of meeting at Camp, there could be a big virtual summit that takes place to bring people together virtually for a few days — much like DecentSocial from a few years back.
We could also do a better job of providing ongoing news, updates, and publications across the DWeb ecosystem. Many echoed the fact that they wanted to make sure that they didn’t miss any big updates. So people suggested a DWeb News Digest – where people could also describe their needs, request specific help, post or offer jobs and opportunities. It was noted that it would help to establish a habit amongst the community to see this as a kind of clearinghouse for DWeb news. This would likely have to interface with the Directory mentioned above.
And lastly, the topic of storytelling came up across the groups. Those new to the space don’t quite understand what DWeb is and its community’s values and approaches. DWeb regulars note that they continue to participate in DWeb because it energizes both the “heart and the head” and that they’ve come to know the community for being “rigorous intellectually and generous in openness”. A regular DWeb Blog with writings and media could help better reflect how our values can be embodied in the technologies that we build.
*~*~*~*~*
With all the challenges in the world and a shifting landscape in the U.S., we don’t know what’s in store for us in 2025. But as the DWeb Organizing Team, we truly look forward to continuing the conversation and maybe even seeing you at some of the events planned in the new year.
In 2024, the Internet Archive and Authors Alliance brought together an array of authors, scholars and thought leaders to explore critical issues at the intersection of technology, culture and information science. From the labor implications of artificial intelligence in Joanne McNeil’s Wrong Way to the evolving role of fair use in Patricia Aufderheide and Peter Jaszi’s landmark publication, Reclaiming Fair Use, these conversations covered topics shaping our information-enabled future. Here are highlights from the year’s events, offering session recordings for anyone eager to revisit—or discover for the first time—the compelling ideas shared by these influential voices.
February 29: Wrong Way
Author Joanne McNeil in conversation with author Sarah Jaffe.
McNeil & Jaffe discuss the labor implications of artificial intelligence for our first book talk about a work of fiction.
For years, Teresa has passed from one job to the next, settling into long stretches of time, struggling to build her career in any field or unstick herself from an endless cycle of labor. The dreaded move from one gig to another is starting to feel unbearable. When a recruiter connects her with a contract position at AllOver, it appears to check all her prerequisites for a “good” job. It’s a fintech corporation with progressive hiring policies and a social justice-minded mission statement. Their new service for premium members: a functional fleet of driverless cars. The future of transportation. As her new-hire orientation reveals, the distance between AllOver’s claims and its actions is wide, but the lure of financial stability and a flexible schedule is enough to keep Teresa driving forward.
Author and game designer Jordan Mechner in conversation with historian Chris Kohler.
Jordan Mechner (creator of “Prince of Persia”) shares his story as a pioneer in the fast-growing video game industry from the 1980s to today, and how his family’s back story as refugees from war-torn Europe led to his own multifaceted 4-decade creative career. Interweaving of past and present, family transmission, exile and renewal are at the heart of his award-winning graphic novel “Replay: Memoir of an Uprooted Family.”
Authors Andrea I. Copland and Kathleen DeLaurenti in conversation with musician and educator Kyoko Kitamura, facilitated by music librarian Matthew Vest.
Based on coursework developed at the Peabody Conservatory, Unlocking the Digital Age: The Musician’s Guide to Research, Copyright, and Publishing by Andrea I. Copland and Kathleen DeLaurenti serves as a crucial resource for early career musicians navigating the complexities of the digital era. This guide bridges the gap between creative practice and scholarly research, empowering musicians to confidently share and protect their work as they expand their performing lives beyond the concert stage as citizen artists. It offers a plain language resource that helps early career musicians see where creative practice and creative research intersect and how to traverse information systems to share their work. As professional musicians and researchers, the authors’ experiences on stage and in academia makes this guide an indispensable tool for musicians aiming to thrive in the digital landscape.
Authors Aram Sinnreich & Jesse Gilbert in conversation with tech scholar Laura Denardis.
In The Secret Life of Data, Aram Sinnreich and Jesse Gilbert explore the many unpredictable, and often surprising, ways in which data surveillance, AI, and the constant presence of algorithms impact our culture and society in the age of global networks. The authors build on this basic premise: no matter what form data takes, and what purpose we think it’s being used for, data will always have a secret life. How this data will be used, by other people in other times and places, has profound implications for every aspect of our lives—from our intimate relationships to our professional lives to our political systems.
Author Dan Sinykin in conversation with humanities scholar Ted Underwood.
Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry’s daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction.
Author Nathan Schneider in conversation with author Lilly Irani.
When was the last time you participated in an election for a Facebook group or sat on a jury for a dispute in a subreddit? Platforms nudge users to tolerate nearly all-powerful admins, moderators, and “benevolent dictators for life.” In Governable Spaces, Nathan Schneider argues that the internet has been plagued by a phenomenon he calls “implicit feudalism”: a bias, both cultural and technical, for building communities as fiefdoms. The consequences of this arrangement matter far beyond online spaces themselves, as feudal defaults train us to give up on our communities’ democratic potential, inclining us to be more tolerant of autocratic tech CEOs and authoritarian tendencies among politicians. But online spaces could be sites of a creative, radical, and democratic renaissance. Using media archaeology, political theory, and participant observation, Schneider shows how the internet can learn from governance legacies of the past to become a more democratic medium, responsive and inventive unlike anything that has come before.
Authors & copyright scholars Patricia Aufderheide and Peter Jaszi in conversation with Dave Hansen, executive director of Authors Alliance.
In the increasingly complex and combative arena of copyright in the digital age, record companies sue college students over peer-to-peer music sharing, YouTube removes home movies because of a song playing in the background, and filmmakers are denied a distribution deal when a permissions i proves undottable. Analyzing the dampening effect that copyright law can have on scholarship and creativity, Patricia Aufderheide and Peter Jaszi urge us to embrace in response a principle embedded in copyright law itself—fair use.
Author Barbara McQuade in conversation with Sarah Lamdan of the American Library Association’s Office for Intellectual Freedom.
American society is more polarized than ever before. We are strategically being pushed apart by disinformation—the deliberate spreading of lies disguised as truth—and it comes at us from all sides: opportunists on the far right, Russian misinformed social media influencers, among others. It’s endangering our democracy and causing havoc in our electoral system, schools, hospitals, workplaces, and in our Capitol. Advances in technology including rapid developments in artificial intelligence threaten to make the problems even worse by amplifying false claims and manufacturing credibility.
In Attack from Within, legal scholar and analyst Barbara McQuade, shows us how to identify the ways disinformation is seeping into all facets of our society and how we can fight against it.
Author James Boyle in conversation with Kate Darling of the MIT Media Lab.
Chatbots like ChatGPT have challenged human exceptionalism: we are no longer the only beings capable of generating language and ideas fluently. But is ChatGPT conscious? Or is it merely engaging in sophisticated mimicry? And what happens in the future if the claims to consciousness are more credible? In The Line, James Boyle explores what these changes might do to our concept of personhood, to “the line” we believe separates our species from the rest of the world, but also separates “persons” with legal rights from objects.
Authors Luca Messarra, Chris Freeland and Katie Livingston in a roundtable discussion.
In today’s digital landscape, corporate interests, shifting distribution models, and malicious cyber attacks are threatening public access to our shared cultural history. When digital materials are vulnerable to sudden removal—whether by design or by attack—our collective memory is compromised, and the public’s ability to access its own history is at risk.
We invite filmmakers and artists of all skill levels to celebrate Public Domain Day on January 22, 2025, by creating and uploading 2–3 minute short films to the Internet Archive!
This contest offers a chance to explore and reimagine the creative treasures entering the public domain, including works from 1929—classic literature, silent films, music, and art. Participants are encouraged to use materials from the Internet Archive’s collections to craft unique films that breathe new life into these cultural gems.
Top entries will be awarded prizes up to $1,500, with winners announced during our in-person Public Domain Day Celebration on January 22, 2025, at the Internet Archive headquarters in San Francisco. All submissions will be featured in a special Public Domain Day Collection on archive.org and highlighted in a January 2025 blog post.
Join us in this creative celebration of cultural heritage and timeless art!
Here are a few examples of some of the materials that will become public domain on January 1, 2025:
Periodicals!Black Thursday – October 24, 1929: The stock market experienced a massive drop, with panic selling beginning. Black Monday – October 28, 1929: The market fell even more sharply, accelerating the crisis. Black Tuesday – October 29, 1929: The Great Depression begins.
Make a 2–3 minute movie using at least one work published in 1929 that will become Public Domain on January 1, 2025. This could be a poem, book, film, musical composition, painting, photograph or any other work that will become Public Domain next year. The more different PD materials you use, the better!
Note: If you have a resource from 1929 that is not available on archive.org, you may upload it and then use it in your submission. (Here is how to do that).
Your submission must have a soundtrack. It can be your own voiceover or performance of a public domain musical composition, or you may use public domain or CC0 sound recordings from sources like Openverse and the Free Music Archive.
Note: Sound recordings have special status under Copyright Law, so it’s important to note that while musical compositions from 1929 will be entering the public domain, the sound recordings of those works are not. Sound recordings published in 1924 will enter the public domain.
Mix and Mash content however you like, but note that ALL of your sources must be from the public domain. They do not all have to be from 1929. Remember, U.S. government works are public domain no matter when they are published. So feel free to use those NASA images! You may include your own original work if you put a CC0 license on it.
Add a personal touch, make it yours!
Keep the videos light hearted and fun! (It is a celebration after all!)
Submission Deadline
All submissions must be in by Midnight, January 17, 2025 (PST)
Link all your sourced materials from 1929 in the upload description
Prizes
1st prize: $1500
2nd prize: $1000
3rd prize: $500
Judges will be looking for videos that are fun, interesting and use public domain materials, especially those from 1929. They will be shown at the in-person Public Domain Day party in San Francisco and should highlight the value of having cultural materials that can be reused, remixed, and re-contextualized for a new day. Winners’ pieces will be purchased with the prize money, and viewable on the Internet Archive under a Creative Commons license.
Amir Saber Esfahani (Director of Special Arts Projects, Internet Archive)
Rick Prelinger (Board Member, Internet Archive, Founder, Prelinger Archives)
BZ Petroff (Director of Admin & HR, Internet Archive)
The following interview with singer-songwriter Elliott Adkins is part of our Vanishing Culture series, highlighting the power and importance of preservation in our digital age. Read more essays online or download the full report now.
Elliott Adkins has a passion for recording old songs that have largely been forgotten. The 23-year-old musician was inspired after finding boxes of sheet music in his parents’ basement when they moved from his childhood home in Atlanta last year.
“I thought it would be cool if somebody took the time to record these obscure pieces of music that had never been recorded…so I did,” Adkins said. “I put it online really not expecting much of it, but it took on a life of its own.”
Most of the collection of more than 1,000 pieces of music, which were his late grandmother’s, are old enough to be in the public domain. That allows him to remix, record and share the music. Adkins records himself singing and playing the songs on guitar, posting the never-before recordings online. His video of the 1927 song, “Yesterday,” went viral on Instagram and propelled his social media presence.
“I feel like the public domain is often overlooked. It’s a great way to preserve our cultural legacy,” Adkins said. “There are people who had great ideas in the past, but the way our copyright system is set up, it’s hard to expand on those ideas. The public domain allows you to have a certain amount of time to make as much money as possible…then it becomes something greater than yourself. It removes the ego from art.”
Adkins said he’s drawn to these vintage tunes, in part, because he “naturally craves mystery” and likes the challenge. It’s a stretch to figure out the music, understand the lyrics, and put his own twist on the songs, he said. He unpacks the history of the songs and often shares some of their backstory in his videos.
“I feel like the public domain is often overlooked. It’s a great way to preserve our cultural legacy.”
Elliott Adkins, singer-songwriter
“I find the [old] songs to be a lot more sophisticated than popular music today, with their chord progressions and harmony,” Adkins said. “There’s a blend of genres – early jazz and forms of classical music – that’s very interesting.”
In October, Adkins was invited to perform at the Internet Archive’s annual celebration in San Francisco. He made musical history singing “Tell Her I’ll Love Her,” an English sea song from the early 1800s. It was the first time the song had ever been recorded. Adkins was the closing act for the event, playing his guitar and singing before a live audience—and getting the crowd, which surpassed 400 people, to sing along.
“It was great. I could tell the audience was primed for anything I was going to throw at them,” said Adkins. “It was nice to have such an attentive audience. There was an ideology attached to what I was performing, a mission behind it, and those people were very much ready for that.”
Tell Her I’ll Love Her (audio) The audio version of “Tell Her I’ll Love Her” is available under CC0, meaning you can “copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.” DOWNLOAD NOW
Adkins, who also writes original alternative country and Americana music, said he’s become fascinated with the community of music preservationists he’s encountered since venturing into this niche of music. He’s met people old and young, online and in the Atlanta area who are committed to reviving forgotten songs.
Staff at the Internet Archive spotted Adkins on Instagram and reached out to invite him to participate in the October event. Since much of his material he uses is in the public domain, he’s said he’s a “big fan” of the Archive and was happy to collaborate on the project.
A few songs were considered before the decision was made to go with, “Tell Her I’ll Love Her.” Adkins worked on the arrangement, wrote new lyrics, and said he practiced it for 30 minutes every day leading up to the performance in San Francisco.
The feedback after the performance has been overwhelmingly positive and Adkins said he’s picked up new followers on social media as a result of the event.
“It’s a way to get in touch with the past,” Adkins said. “Most people, especially my age, are so unaware of what music sounded like 100 years ago. It’s really cool to see what songs did make it, what songs didn’t.”
Adkins said he enjoys thinking of new ways to present the old tunes.
“I see music as something that is constantly trying to be pushed forward,” he said. “I think you can grab a lot more people if you adjust it for the modern audience.”
At the end of his Internet Archive performance, Adkins led the audience in singing additional verses to the sea song that he wrote just for the event:
Here we all are gathered to sing the same sea song A song that may be old, but is not yet gone The past isn’t dead ‘til it can’t be read So, celebrate with us, speak of days of yore Here we all are gathered to maintain what came before So, it isn’t just my ghost that can visit this sweet shore
Here we all are gathered to sing the same sea song A song that may be old, but is not yet gone The past isn’t dead ‘til it can’t be read ‘cause some will remember though the world may forget Here we all are gathered to sing the same sea song (So, thank y’all very much for singing right along)
Public event and book talk for author Nathan Schneider’s latest publication, Governable Spaces.
Libraries are a cornerstone for civic engagement. The Internet Archive is carrying on that tradition by hosting in-person gatherings at its Funston Avenue headquarters in San Francisco, including candidate forums and public interest events.
“Our goal is to connect with folks who are related to the mission: the universal access to all knowledge,” said Even Sirchuk, community and events manager for the Archive.
This fall, the Internet Archive opened its doors to the League of Women Voters, the ACLU, Mission Local, and SFGovTV to hold forums with candidates for the San Francisco District 1 Board of Supervisors, San Francisco sheriff and an event on politics and money, explaining the funders behind propositions on the California ballot in the November election.
“It’s great to have a funky building that can host us. And it introduces people to a venue or service they might not actually have been exposed to—educating people on what the Internet Archive does.”
Danielle Diebler, volunteer for the League of Women Voters of San Francisco
At a moment when the public is seeking information and connection, libraries are institutions that provide access to resources, programs and public spaces for all members of a community, according to the American Library Association (ALA). As one voter engagement PDF guide from ALA highlights, “Libraries are nonpartisan, but they are not indifferent.”
The Internet Archive wants its building to be more than space for books and servers—to also serve as a community resource, Sirchuk said. By opening its doors to nonprofits for free and providing needed tech support, organizations can host these events in person, which many could not otherwise afford to do.
Danielle Diebler, a volunteer with the League of Women Voters of San Francisco for nearly a decade, said she was pleased to find the Internet Archive as a venue. It is conveniently located, near public transportation, outfitted with the technical support needed to live stream and record—and free to the nonprofit.
“It’s great to have a funky building that can host us,” Diebler said. “And it introduces people to a venue or service they might not actually have been exposed to—educating people on what the Internet Archive does.”
Indeed, the Archive has been a resource to the League, helping digitize its historical documents.
With an in-person gathering, Diebler said, citizens have the opportunity to walk up to candidates and ask questions—something that is not possible over Zoom.
“It’s such a big election this year with so much on the ballot,” she said. “It’s even more important to have accessible resources and understand where candidates stand on important issues.”
Emily Capage, organization administrative associate with the ACLU in San Francisco, who partnered with the League on the forums, said it was important for voters to have a place to learn about the candidates.
“People don’t often get to see them face to face. It’s our right to be able to learn and be educated,” she said. “Local politics matter. It affects our day-to-day lives more than larger national policies.”
For the money and politics event in October at the Internet Archive, Joe Rivano Barros was invited to speak. He is a senior editor of Mission Local, an independent news site based in the Mission District, and has been tracking who is funding the various ballot initiatives. “People just don’t know or get information from the campaign itself,” he said. “We shine more light on money and politics.”
There’s something about an in-person event, where people make an effort to attend, that elevates the quality of the conversation, he said. “The Internet Archive is great because it’s vast and has the tech all set up,” Barros said. “They’ve been very generous.”
In the newsroom, Barros said he regularly taps into resources available through the Internet Archive, such as archived campaign websites, and he also submits materials to be preserved. “It’s a wonderful tool for journalists,” he added.
Sirchuk added that the Internet Archive is focused on preserving written knowledge, but it also values oral history. “That information doesn’t get spread if there isn’t a forum for that knowledge exchange,” he said. “And what’s cool about the forum as a format is that you can compare knowledge in real time, listen to four or five responses to see which connects with you and then do more research.”
The events at the Archive are recorded, backed up and added to the online collection for anyone to access at their convenience for free.
Anson Ho, production supervisor for SFGovTV, live streamed and recorded the fall forums at the Archive building. He appreciated the good audio, lighting and infrastructure provided.
“It’s such an amazing opportunity that they have the community space,” Ho said. “San Francisco is very dense and sometimes it’s hard to find public spaces that big to have people come and gather.”
Capage of the ACLU added that, as a nonprofit operating on a tight budget, it’s hard to find affordable venues for events. She’s grateful to partner with the Internet Archive, she said, and hopes to use the facility again in the future.
The Internet Archive hosted the celebration, “Escaping the Memory Hole,” on October 23, with leaders showing resilience—and finding support—to carry out their work, despite recent attacks.
Brewster Kahle, Internet Archive’s founder and digital librarian, praised the hard work of staff to restore services following a cyberattack in early October. That hit came on the heels of a court decision limiting the library’s ability to lend hundreds of thousands of books, while another lawsuit from the recording industry looms.
Watch the recording:
“Libraries are under attack,” Kahle said. The pushback—including book banning, defunding, and publishers’ refusal to sell ebooks to libraries—makes it difficult for the library system to evolve and serve new generations of users, he said.
“We need to assert the rights of digital libraries to do our work, to take these bad news situations and secure our support within the legislature and the judiciary,” Kahle said, encouraging audience members to get involved.
The eclectic gathering at the non-profit’s Funston Avenue headquarters, a former church converted to library and community space, expressed confidence in the organization and its vital role in providing access to knowledge.
Supervisor Connie Chan presents Brewster Kahle with a San Francisco Board of Supervisors Certificate of Honor celebrating the Internet Archive at the library’s annual event on October 23, 2024.
“Our democracy and our humanity all count on your support for Internet Archive,” said San Francisco Supervisor Connie Chan, who took the stage to make a surprise Proclamation supporting the library. “Please continue to celebrate them today and every day.”
In the recent publisher lawsuit against the Archive, author Maria Bustillos said the courts got it wrong when it protected profits over the interests of society as intended in copyright law. She is a founding editor of The Brick House, a cooperative of writers and artists who support publishers selling ebooks to libraries.
“I became a writer for the chance to be part of a literary tradition many centuries old, a literary tradition protected by libraries,” Bustillos said. “I make money by my writing, but I don’t want money that comes at the expense of the values that made me a writer in the first place.”
Editor and writer Maria Bustillos.
Attacks on the Internet Archive and other libraries are strikes against freedom of information, she said, calling on the public to fight for the future of libraries. “It falls to people with conscience and brains and a sense of history to rise up to protect libraries. That is our task now,” Bustillos told the crowd. Encouraging her fellow authors, Bustillos implored:
“Writers: RAISE HELL! Let’s work together to make sure that all publishers will sell, not rent, our ebooks to libraries. That way, libraries will stay libraries.”
The celebration included honoring the island nation of Aruba with the Internet Archive Hero Award, presented annually to individuals, organizations, or nations that have shown exceptional leadership in expanding access to knowledge and supporting the digital preservation of cultural and historical materials.
“This award is significant encouragement for us to continue preserving our cultural identity and history together. We are not only safeguarding our heritage but also empowering our community, both here and abroad.”
Xiomara Maduro, Minister of Finance and Culture, Aruba
Earlier this year, the nation launched Coleccion Aruba, a digital heritage portal that provides free global access to its historical materials and cultural treasures. Aruba was the first nation ever to partner with the Internet Archive to provide long-term preservation of its entire national archives. The digital materials are stored on a server that will be kept on the island.
Mrs. Xiomara Maduro, Aruba’s Minister of Finance and Culture, accepted the award in San Francisco, alongside librarians and archivists from the country involved with the digitization project.
From left: Peter Scholing, Edric Croes, Xiomara Maduro, Aruba’s Minister of Finance and Culture, Astrid Britten, and Raymond Hernandez.
“This award is significant encouragement for us to continue preserving our cultural identity and history together,” Maduro said. “We are not only safeguarding our heritage but also empowering our community, both here and abroad.”
The recognition serves as a spark to motivate other nearby islands to digitize their collections, she added—something that would not be possible without the technical support of the Archive.
“It means a world of difference to us,” said Peter Scholing, information specialist/researcher at BNA (the national library in Aruba), of the Internet Archive’s backing. “It is not about just giving us a digital platform but also now, with this award, people can see and read about Aruba and our history and language.”
The Internet Archive partners with several countries to preserve government materials and make them publicly available. At the event, Loren Fantin staffed a table to promote Democracy’s Library, with 700 collections from over 50 government organizations, archived by the Internet Archive since 2006 with more than half a million documents.
People were drawn to the celebration to learn more about the organization that they’ve relied on over the years in a variety of ways.
While he’d never been at the Archive’s headquarters, Joe Dummit said he is a huge fan and has spent many hours online downloading its resources—particularly its film collection. He and Emily Giddings, who recently moved to San Francisco, used vintage film clips when making music videos (including “I Can Dance”) for their Indie pop rock band, Zigtebra.
“We are happy to support it because the archive of culture is so worth preserving, the weirdness and uniqueness of people,” Giddings said.
Sage Ryan of San Francisco said he also uses archival video from the collection to make video collages, and uploads his music for preservation online. He recently toured the Funston Avenue headquarters and came back to the event to find out more for a possible documentary project on the Internet Archive—who uses it and how it affects people’s lives.
Revelers danced in the street at the annual celebration.
Robert Anderberg came from San Jose for the celebration. He’s a game developer who said he enjoys accessing old video games preserved by the Internet Archive that don’t exist anywhere else.
Anderberg said he was also motivated to attend to learn more as he’s building a decentralized social network in his spare time. “In order for people to build communities online, they have to give up all of their agency to companies,” he said. “I want to build something where people are in control of their own communities.”
The Internet Archive has been a valuable learning tool, said John Fuqua of South City, who uses it to look up old magazines, websites and other resources. He added: “The Internet Archive is an incredible place doing an incredible mission of saving things. Information wants to be free!”
Brewster Kahle, at left, guides celebrants through a tour of the Physical Archive in Richmond, California.
“Welcome to the Physical Archive!”
On a tour October 22, Brewster Kahle, founder of the Internet Archive, shared his enthusiasm for the industrial building in Richmond, California, that serves as a forever home for millions of items donated for digital preservation. He walked curious visitors through the life cycle of books and media being collected and scanned as part of the mission to provide universal access to knowledge.
“We wanted to go and digitize everything, ever, and make it as available to everybody as we possibly could. How hard could it be?” Kahle said. After setting out to get one digital copy of everything published, the Archive found donors often didn’t want the physical copies back. That meant finding a secure location to fill shipping containers with the materials including books, music, videos, periodicals, magazines, microfilm, microfiche, CD-ROMs, and interactive laser discs.
The annual tour highlighted the storage space, film preservation lab and demonstrations of sorting and scanning processes. The free event also included exhibits of rare books, vintage records and technology from the vast collection.
“I’ve always wanted to come here. It’s just mind-blowing,” said Klein Lieu, an engineering manager for a software company in Oakland who attended the event. “You walk through the shipping containers and it’s like the modern-day Library of Alexandria. You don’t want it to burn down.”
Lieu, 34, is a monthly donor who said he’s used the Internet Archive since he was 8 years old—randomly looking up old blogs and websites he made of his favorite cartoons as a kid, and later for academic purposes. In the film lab, he marveled at footage of New York City from the 1950s that was being digitized. “I’m in awe of the entire experience,” he said. “Millions and millions of these stories, art works, and code that is all preserved is actually very touching.”
Jen Mico, a film scanner, described the importance of the archival process to visitors at the event.
“It’s really important to have an actual human here being the bridge between the film, which was created 70 years ago, and creating this digital file, which will be disseminated to whoever wants to see it. It’s pretty great,” Mico said.
From left: Tanya Zeif, Sierra Watkins and Alice Tsui celebrate preservation at the annual event.
For Natalie Orenstein, the event was a chance to see up close a resource that she uses regularly as a journalist in Oakland. She said she turns to the Internet Archive for local historical information and to see whether a group has sneakily changed its website or materials. Covering the recent election and tracking campaign financing, she said it’s also been useful to watch the political TV ads the Archive has preserved.
Orenstein said it was striking to see the archive of physical materials—especially since she thinks of Internet Archives as primarily a digital organization. “I respect that they value the original product, as well as its digitized form,” she said. “It’s only worth preserving if you value what it was originally.”
Indeed, for many, seeing the tangible artifacts makes archiving more real and motivates them to explore more of the collection.
Zoli Bassoff of San Rafael said he had not heard much about the Internet Archive before coming to the event but likes the idea of having access to a variety of media. “I was interested in how they receive it, process, and get it on the internet. I wanted to learn about the process,and that was just as interesting as the actual media itself,” he said.
Party-goers watch a film from the Prelinger Archives that has been preserved and digitized.
In the special collections exhibit at the open house, Jennifer Waits, a podcaster and writer from San Francisco, was drawn to the old records and audio paraphernalia. She is involved with a project to curate a college radio collection as part of the Digital Library of Amateur Radio and Communications. Waits is reaching out to college radio stations to digitize playlists, program guides, the Journal of College Radio and other materials. Instead of going to individual campuses, this centralized digital collection will be a useful resource for historians and scholars.
“It’s amazing to be able to offer to scan materials and provide this long-term back up,” Waits said. “We have things from a number of radio stations, so you’re starting to see college radio in the context of others from the same period of time to see what they have in common. I hope the collection grows and grows.”
“I knew in principle [the Physical Archive] existed. Every time I used the Internet Archive, my mind imagined something like this. Seeing it in reality is incredible.”
John Skinner, Wikipedian and party attendee
The Wayback Machine provides a nostalgia trip for Jen Osgood of Oakland, who likes to look up old blogs and websites from when she was in college. The Internet Archive is also a good resource for art projects, too, and one of the few places she can find old botanical illustrations, she said. Touring the physical archive, she said, gave her a new appreciation of the collection. “It’s an amazing wealth of knowledge,” she said.
John Skinner said he comes from a family of librarians and works as a technologist creating websites so the event was an intersection of his interests. Spending much of his time editing Wikipedia pages, he said he frequently uses the Internet Archive for research and citations.
What was his impression of the physical archive? “It’s astonishing,” Skinner said. “I knew in principle it existed. Every time I used the Internet Archive, my mind imagined something like this. Seeing it in reality is incredible.”
In the wake of a rapid-fire cyberattack on the Internet Archive, Brewster Kahle reassured participants at the 2024 Library Leaders Forum that the organization’s data is safe, and employees are working around the clock to fully restore services.
“It’s been a little challenging,” said Kahle, the Internet Archive’s founder and digital librarian on being hit on October 8 with a distributed denial-of-service (DDoS) attack. “We’re taking a cautious, deliberate approach towards rebuilding and strengthening our defenses. Our priority is to ensure that the Internet Archive is stronger and more secure.”
The Internet Archive’s Wayback Machine is up and running, Kahle told those at the October 17 virtual forum. Other services are progressively coming back online—although some are in a read-only mode for now.
The Internet Archive is not alone in being the target of a malicious cyberattack: The British Library and Calgary Public Library have also been victims, said Chris Freeland, moderator of the forum and director of library services.
“This is a critical moment for libraries, including our own. As a library system, together, we are facing unprecedented challenges with book bans, defunding, and now cyberattacks,” Freeland said.
Still, the Internet Archive staff and community partners remain focused on digital preservation and providing access to needed materials that serve the public interest.
Even before the technical disruption last week, Elizabeth MacLeod said the digitization teams have a contingency plan in place so scanners can work offline until systems are operational again. MacLeod manages the Internet Archive’s seven regional scanning centers and digital operations in many partner libraries.
Mek Karpeles said the Internet Archive’s Open Library, a community catalog of book metadata run by staff and volunteers, thrives by being public and open.
“Because of this whole ecosystem, Open Library’s core services have been able to continue to run,” in the aftermath of the cyberattack, Mek said. “The data is all safe, and we’re taking this opportunity to prioritize security and ensure reader privacy for our patrons.”
The cyberattack was humbling, said Mark Graham, director of the Wayback Machine, and underscored the essential service the team provides.
The Wayback Machine adds more than 1 billion URLs a day, including every URL added to every Wikipedia article across 320 languages, and URLs shared on X, and Reddit. It has rescued more than 22 million broken links in 467 Wikis.
“We are weaving ourselves and being woven more integrally into the web itself—becoming part of the essential infrastructure for the web experience,” Graham said. “We’re helping to preserve the history of the web but make it relevant and accessible to people today and into the future.”
Focusing on at-risk information, Internet Archive works to preserve television news from 30 channels around the world, using artificial intelligence to perform transcription and translation.
“Making the web more useful and reliable is what we live for,” Graham said. “Team Wayback Machine and other projects at the Internet Archive are focused on doing more and doing better.”
The forum included an update on litigation involving the Internet Archive. In September, the U.S. Court of Appeals in New York affirmed the ruling in a lawsuit filed by four large publishers (Hachette Book Group, HarperCollins Publishers, John Wiley & Sons, and Penguin Random House), explained Peter Routhier, policy counsel for the Internet Archive. To date, the Internet Archive has removed over 500,000 books from lending on archive.org as a result of the lawsuit. On another front, some of the world’s largest record labels are suing the Great 78 Project, a community effort for the preservation, research and discovery of 78 rpm records.
The Archive posted an open letter to publishers in the lawsuit to restore access to the books that have been removed from the digital library. To date, more than 120,000 people have signed, adding heartfelt messages about what the impact of the loss has meant.
“We own these books,” Freeland said. “We just want to let readers read.”
To build public awareness and support on these issues, Jennie Rose Halperin is developing a coalition to lobby the U.S. Congress for a commemorative National Public Domain Day. She invited interested parties to join in the effort through Library Futures, the organization where she serves as executive director.
Some independent publishers are selling ebooks directly to libraries through BRIET, a new project of the Brick House Cooperative, David Moore, a writer and technologist, said at the forum.
Halperin is working alongside Charlie Barlow, executive director of the Boston Library Consortium, on Project ReShare to develop an open, standards-based, community-owned set of tools for digital lending.
Barlow has long been an advocate of controlled digital lending through BLC, and just released a report outlining CDL workflows and technologies for responsible sharing, he said at the forum. He also is working on a new consortium toolkit for CDL implementation. The report and resources can be downloaded at www.blc.org/cdl.
Also at this year’s LLF, Dave Hansen, executive director of Authors Alliance, encouraged authors to review the organization’s free legal resource guides on copyright and fair use so they see their work more widely disseminated.
