Author Archives: Caralee Adams

Weaving Together the Story of Historic Lace Using the Internet Archive

Mary Mangan, making Ipswitch lace at her home in Massachusetts.

Lace signified wealth in America’s early years. In colonial times, people who wore it improperly could face punishment (both men and women wore lace). During the Revolutionary War, women made lace to supplement their income while the men were away fighting.

Mary Mangan is fascinated by the history of lace in the United States. The Somerville, Massachusetts, resident makes lace herself and is on a mission to raise the profile of lace more broadly. Looking for a project that could be done with other lace enthusiasts remotely during the COVID-19 pandemic, they started to research the lace community in Ipswich, Massachusetts, during the 18th century.

Although European nations had many important centers of lace production as economic drivers, only one community in the American colonies developed a bobbin lace industry. Hundreds of people in Ipswich became skilled lace makers and their unusual activity was captured in the papers of Alexander Hamilton who was seeking to understand America’s capacity for production. This unique style of lace adorned fashionable people in the early Republic, including Martha Washington. The origins of this activity and the identities of the lace makers are still being actively sought, and that’s where library collections like the Internet Archive fit in.

“We discovered important social and economic data about the lace and the people who made it. We have identified new names for further research leads.”

Lacemaker Mary Mangan, on using the Internet Archive for her research

Mangan said the Internet Archive proved to be a valuable resource for the project of the New England Lace Group. “The quirkiness of the collection is really interesting,” she said. “With a quick search of a few key words, I came across some really unusual things that I would not have unearthed otherwise.”

Detail of a bobbin lace pattern from Torchon Lace Company Patterns, 1902.

For instance, Mangan found court records detailing the prosecution of people wearing lace in Puritan times. The Internet Archive had links to agricultural pamphlets from Massachusetts about a woman winning a prize for her lace at a fair in 1832, and information that led the research group to a box from Newbury, Massachusetts, in a local museum with lace making artifacts. There were also anecdotes in a 1884 book about individual women, such as Betty B., who made black silk lace.

“We discovered important social and economic data about the lace and the people who made it,” said Mangan, who is a volunteer for her local historical society. “We have identified new names for further research leads.”

Mangan said while the lace society is dedicated to keeping the knowledge of lace alive, its resources are limited. Much of the history of lace is not written down because it was largely women’s work and it can be hard to find information in physical places.

Materials through the Internet Archive allowed her group to access books online that are often out of print, rare and expensive. “The ease of researching from home is a huge benefit,” she said. “It makes the work easy to share with others on the team and saved us from purchasing used books we don’t need.”

Mobile educational exhibit on Ipswitch Lace, featuring materials from the Internet Archive.

As Mangan’s group pieced together the puzzle of the Ipswich lace community, the information was compiled into a poster presentation complete with references and images downloaded from tine Internet Archive. The  mobile educational exhibit is being displayed at libraries, fiber fairs and historical sites throughout New England. For more information, click here.

Live Music Archive Collection Now Tops 250,000 Recordings

For fans wanting to relive an epic concert or discover upcoming bands, there are now more than 250,000 recordings in the Live Music Archive to enjoy. 

The collection has steadily grown over the past 20 years as a collaborative effort between Internet Archive staff and dedicated, music-loving volunteers. At a pace of uploading nearly 30 items a day, the Live Music Archive reached the one-quarter million recording mark in June, and now takes up more than 250 terabytes of data on Internet Archive servers.

“It’s a huge victory for the open web,” said founder of the Internet Archive Brewster Kahle, about the Live Music Archive, which he describes as “fantastically popular” with the public. “Fans have helped build it. Bands have supported it. And the Internet Archive has continued to scale it to be able to meet the demand.”

For years, concert-goers recorded and traded tapes, but in 2002, the Internet Archive offered a reliable infrastructure to preserve performances files. Partnering with the etree music community, the Live Music Archive was established to provide ongoing, free access to lossless and MP3-encoded audio recordings. 

(For more on its history, see https://blog.archive.org/2022/08/12/celebrating-20-years-of-the-live-music-archive/.)

“It shouldn’t cost to give something away,” said Kahle, lamenting fees that can be charged to host items online. “We wanted to make it possible for people to make things permanently available without having to sell their souls to a platform that is going to exploit it for advertising. That just seemed like the world that should exist, and we thought we could play a role.”

Since its launch two decades ago, more than 8,000 artists have given permission to have recordings of their shows archived on the Live Music Archive, and users from around the world have listened to files more than 600 million times. The collection includes the iconic Grateful Dead, as well as aspiring musicians trying to garner attention from the free outlet that spans jambands, folk singers, bluegrass, rock, pop, jazz, classical and experimental music.

The 250,000th item was a Dead and Company show from June 18, 2023.

In 2002, Jonathan Aizen, a technology entrepreneur who helped build the Live Music Archive, said having a free, non-profit, forever host for concert recordings was embraced by music fans. “Until working with the Internet Archive, there were no coordinated and reliable means to preserve and distribute the recordings,” Aizen said. “The only way that these things were being preserved was by copying them — and that was very haphazard, so the music community was very excited.”

Over time, Aizen said it’s been impressive just how many artists have allowed their concerts to be recorded and the organic way the Live Music Archive has grown. “When we started, I had no sense it would last two decades,” he said. “I think it’s really compelling that these recordings are being preserved for posterity. I also didn’t expect the breadth of artists. It’s fair to say that it’s exceeded my expectations by quite a bit.”

In addition to being a resource for fans, the Live Music Archive has been a way for musicians to be discovered. “There’s no doubt in my mind that the accessibility of the recordings on the Internet Archive is exposing bands and drawing people in who then go to the show,” he said. Devoted listeners can track the progress of a band’s career and follow the way songs are played differently on different nights, noting the improvisational element of live recordings, Aizen added.

The passion of the volunteers to curate the collection has been at the heart of the Live Music Archive and is a testament to the strength of the live music community supporting bands. 

David Mallick began uploading to the Live Music Archive in the early days and then came on board as a volunteer curator for about 10 years. He helped recruit bands to participate and helped troubleshoot recordings that others had uploaded. Mallick said free unlimited bandwidth and storage is appealing to musicians, especially for smaller bands just getting started and those who don’t mind sharing their unvarnished recordings. 

“It’s a ‘no ego’ project for the band,” Mallick said. “These are bands that are comfortable enough with their live performances to just say ‘Yeah, put up whatever’ – even if they flubbed a note, screwed up a song, or a fan grabbed a mic.”

Every time Mallick added a recording to the Live Music Archive, he said it was rewarding to know it would always be there for others to hear. “It’s so well organized. Archivists are hosting it, making it uniform, searchable and easy to find things,” he said. 

Added Aizen: “Music is universal — it’s cross cultural and across time,” Aizen said. “To be able to create access, in a world where everything is so commercialized, and just having music be freely accessible, with no ads — that is also something that’s really just special.”

Empowering Anthropological Research in the Digital Age

As a doctoral student in anthropology at Yale University, Spencer Kaplan often relies on the Internet Archive for his research. He is an anthropologist of technology who studies virtual communities. Kaplan said he uses the Wayback Machine to create a living archive of data that he can analyze.

Doctoral student Spencer Kaplan

Last summer, Kaplan studied the blockchain community, which is active on Twitter and constantly changing. As people were sharing their views of the market and helping one another, he needed a way to save the data before their accounts disappeared. A failed project might have prompted the users to take down the information, but Kaplan used the Wayback Machine to preserve the social media exchanges.

In his research, Kaplan said he discovered an environment of mistrust online in the blockchain community and an abundance of scams. He followed how people were navigating the scams, warning one another online to be careful, and actually building trust in some cases. While blockchain is trying to build technologies that avoid trust in social interaction, Kaplan said it was interesting to observe blockchain enthusiasts engaging in trusting connections. He takes the texts of tweets to build a corpus that he can then code and analyze the data to track or show trends.

The Wayback Machine can be helpful, Kaplan said, in finding preserved discussions on Twitter, early versions of company websites or pages that have been taken down altogether—a start-up company that went out of business, for example. “It’s important to be able to hold on to that [information] because our research takes place at a very specific moment in time and we want to be able to capture that specific moment,” Kaplan said.

The Internet Archive’s Open Library has also been essential in Kaplan’s work. When he was recently researching the invention of the “corporate culture” concept, he had trouble finding the first editions of many business books written in the late 80s and early 90s. His campus library often bought updated volumes, but Kaplan needed the originals. “I needed the first edition because I needed to know exactly what they said first and I was able to find that on the Internet Archive,” Kaplan said.

Book Talk: Moving Theory Into Practice

Join Internet Archive’s Chris Freeland for a discussion with Oya Y. Rieger about ‘Moving Theory Into Practice,’ the landmark digitization guide & workshop that sparked a revolution in digital libraries.
Thursday, August 24 @ 10am PT / 1pm ET

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As the digital library field emerged in the mid- to late-1990s, librarians faced numerous challenges in building the skills necessary to provide digital access to their collections. That changed in the summer of 2000, when Anne R. Kenney and Oya Y. Rieger (Cornell University Library) produced “Moving Theory Into Practice,” a groundbreaking week-long workshop & digitization guide that offered hands-on, immersive training in digitization and preservation.

The purpose of “Moving Theory Into Practice” was to skill-build librarians, archivists, curators, administrators, technologists, and other professionals who were either contemplating or already implementing digital imaging programs. Its objective was to equip participants with practical strategies that surpassed theoretical concepts, grounded in the latest standards, best practices and informed decision-making.

In our upcoming webinar, we are delighted to talk with Oya Y. Rieger, co-author of “Moving Theory Into Practice.” During the discussion, we will explore the impacts of hosting these training sessions, shedding light on their significance within the digital library community and the broader library community at the time. We will also explore related training such as Rare Book School, and reflect on large-scale digitization projects like Making of America and state-based efforts to understand the context in which this workshop occurred. Additionally, we will touch upon the evolution of digitization training since the original workshop, providing insights into how the field has matured.

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About our speakers

Oya Y. Rieger is a senior strategist on Ithaka S+R’s Libraries, Scholarly Communication, and Museums team. She spearheads projects that reexamine the nature of collections within the research library, help secure access to and preservation of the scholarly record, and explore the possibilities of open source software and open science.

Prior to joining Ithaka S+R, Oya worked at Cornell University for 25 years. For the past ten years she served as Associate University Librarian, leading strategic initiatives, building partnerships, and facilitating sustainable and user-centered projects. During her tenure at Cornell, her program areas included digital scholarship, collection development, digitization, preservation, user experience, scholarly publishing, learning technologies, research data management, digital humanities, and special collections. She spearheaded projects funded by the Institute of Museum and Library Studies (IMLS), the Henry Luce Foundation, The Andrew W. Mellon Foundation, National Endowment for the Humanities (NEH), Simons Foundation, and Sloan Foundation to develop ejournal preservation strategies, conduct research on new media archiving, implement preservation programs in Asia, design digital curation curriculums, and create sustainability models for alternative publishing models to advance science communication.

Chris Freeland is the Director of Library Services at the Internet Archive, working in support of our mission to provide “Universal access to all knowledge.” Before joining the Internet Archive, Chris was an Associate University Librarian at Washington University in St. Louis, managing Washington University Libraries’ digital initiatives and related services. He holds an M.S. in Biological Sciences from Eastern Illinois University and an M.S. in Library and Information Science from University of Missouri-Columbia. His research explores the intersections of science and technology in a cultural heritage context, having published and presented on a variety of topics relating to the use of new media and emerging technologies in libraries and museums.

Book Talk: Moving Theory Into Practice
Thursday, August 24 @ 10am PT / 1pm ET
Register now for the virtual discussion!

Preserving the Past, Empowering the Future: Unveiling the Wayback Machine’s Vital Role in Investigative Work

A precious tool. That’s how Laura Ranca describes the Wayback Machine in her work.

As a researcher at the Berlin-based organization Tactical Tech and its Exposing the Invisible Project, she helps people use technology to inform, educate and advance causes. Ranca trains journalists, human rights activists, scholars and everyday citizens to use the internet to investigate and gather evidence.

The Wayback Machine has been particularly useful in finding and retrieving lost websites, said Ranca. She also makes sure materials she produces are preserved online so future researchers can build on her work. As people try to document how the public is interacting with technology, the material stored by the Internet Archive has been essential to investigators, Ranca said.

“We face the challenge of websites and webpages being modified, altered or intentionally taken down. Sometimes it’s to hide something that was previously published, but is no longer relevant, or it now has maybe a different connotation than was intended,” Ranca said. “For us, this is very valuable to access historical records and to save different web pages and resources online using the Wayback Machine.”

When researching environmental issues, Ranca has discovered material that reflects missed early warning signs. Finding 20-year-old mining reports, video footage or other documentation affecting the climate can be important evidence in making the case for climate action. These items need to be protected, Ranca said, and the Wayback Machine provides that security. Ranca and the team at Exposing the Invisible conduct workshops on how to navigate the Wayback Machine, as well as train-the-trainer sessions on investigative skills more broadly. She also created guides on how to use Internet Archive content, available as open source through Creative Commons.

Canadian Musician Relies on Wayback Machine for Immigration Documentation

This post is part of our ongoing series highlighting how our patrons and partners use the Internet Archive to further their own research and programs.

David Samuel, a Canadian-born viola player, has lived all over the world working as a professional musician. A graduate of The Juilliard School, he lived in Europe and New Zealand before settling in San Francisco two years ago.

As Samuel works through the U.S. immigration process to get his permanent residence (green) card, he has turned to the Internet Archive for help in gathering documentation. He’s applying for residency under the “extraordinary ability” category. To make the case, he needs to put together an extensive resume of his accomplishments, awards and reviews in the arts.

Samuel performs and teaches in the Bay Area, as a member of the Alexander String Quartet and a lecturer at San Francisco State University. Using the Wayback Machine, he was able to track down website postings and programs about his past concerts to use in his application. “It was quite remarkable to find the exact dates and times of past performances,” said Samuel. “It would have been really tough otherwise, because I only have a limited number of actual physical documents with me.”

The application process is grueling, Samuel said, but being able to freely search for supporting evidence on the Wayback Machine has made it easier. “It’s been an important tool for me,” said Samuel, who heard about the Internet Archive years ago. “It’s like an encyclopedia for the history of the internet.”

David Samuel
http://violistdavidsamuel.com

Unveiling the Hidden Truth: UCSF Industry Documents Library Empowers Research Into Tobacco, Drug and Related Industries

Whether you are a teacher, filmmaker, journalist, scientist or historian, having access to recordings about the tobacco, drug and other industries can be invaluable.

Still frames from a Marlboro commercial compilation.

For more than fifteen years, archivists at the University of California, San Francisco (UCSF) Industry Documents Library (IDL) have curated a collection of more than 5,000 video and audio files documenting the marketing, manufacturing, sales, and scientific research of tobacco, chemical, drug, and food products, as well as materials produced by public health advocates. As of 2023, the collection has received more than 300,000 views.

This wealth of information is available to the public through the UCSF Industry Archives Videos on the Internet Archive. The recordings include commercials, focus groups, internal corporate meetings and communications, depositions of tobacco industry employees, and government hearings.

Most of the files were made public beginning in 1998, following a lawsuit involving 46 states against tobacco manufacturers. In the settlement, the court ordered the companies to restrict advertising and release internal documents. “The industry put out misinformation for years to hold off on regulations,” said Rachel Taketa, IDL processing and reference archivist at UCSF. Having access to these materials provides new insight into marketing strategies that can help the public be on the lookout for future industry activities.

“It provides transparency and accountability,” said Kate Tasker, IDL managing archivist at UCSF. Examples from the collection are marketing campaigns and materials that targeted marginalized groups, in particular women and the African American and LGBTQ+ communities. “We talk to community advocacy organizations that often say it is powerful to show these videos to a group where it lays out clearly what the industry was doing to their community. It empowers people and inspires them to take action.”

Senate hearings in regards to S1883 The Tobacco Education Control Act of 1990.

UCSF archivists say the partnership with the Internet Archive provides users with two different access points and expands the audience for the collection beyond academics.  The Medical Heritage Library  has also added videos and audio files from UCSF into its larger collection on the Internet Archive, spreading the materials’ reach even further.

Next, the UCSF archivists are looking to develop new ways of working with and accessing the collection, using automated transcription to enable data scientists to analyze the recordings in new ways. The IDL is also adding opioid industry recordings to the collection as part of its work on the Opioid Industry Documents Archive, a collaboration with Johns Hopkins University. These new recordings will enable the public to learn more about the circumstances leading to the opioid crisis.

“It’s exciting to be connected to such an innovative organization as the Internet Archive,” Tasker said. “It’s out in front of a lot of big issues that most digital archives are facing. Whenever we’re looking to do something with a new media type, format, or a new way of distributing content to people, archivists and librarians look to what the Internet Archive is doing as a guide.”

National Library Week 2023: Brenton, user experience

To celebrate National Library Week 2023, we are introducing readers to four staff members who work behind the scenes at the Internet Archive, helping connect patrons with our collections, services and programs.

Brenton Cheng learned to program in BASIC on an Apple II Plus at age 9. His mother was one of the earliest computer programmers and his dad was a marketing consultant for technology products in Portola Valley, California. By age 12, Cheng had written a series of animated games that he put together in a hand-assembled software package. It sold about four copies.

Now, Cheng is a senior engineer at the Internet Archive, where he leads the user experience (UX) team. “Our goal is to give our patrons a great experience on the Archive.org website while making sure that under the hood, our technologies are as simple, robust and maintainable as possible,” said Cheng, who has been at the organization for seven years.

Despite his early computer exposure, Cheng wanted to study something more tangible in college. He pursued mechanical engineering and earned a bachelor’s degree from Princeton University and a master’s from Stanford University. Along the way, he developed a love of contemporary dance and improvisation. Inspired by the creativity of movement, he veered toward biomechanical engineering in graduate school. 

Entering the job market, Cheng said he wanted a flexible schedule so he would be able to take workshops and occasionally go on tour with dance companies. He was a freelance computer programmer for about a decade, then worked at Astrology.com and NBCUniversal for another 10 years. 

In 2016, Cheng said he was drawn to the Internet Archive by its mission, reputation and people. “Being in the dance world, I was constantly surrounded with all kinds of eclectic, eccentric, fascinating, brilliant people,” he said. “There were certain common elements in the way the Archive embraces and benefits from diversity. I found many artists and engineers working in novel ways. That felt very much at home.”

From his experience working with improvisation in dance, Cheng said he loves trying to create the conditions within which people contribute their best work and feel good about what they’re doing. His team is focused on fighting for users and constantly making the website better for the public. “I also serve the digital librarians who are collecting and providing content for our patrons,” Cheng said. “I am giving them the tools, platform and environment to do their magic.” 

Tell us something about your role at the Internet Archive that most people wouldn’t know about.
Simultaneously with supporting the Archive’s mission and helping our patrons, I am always holding in the back of my mind the subtext of a “small team, long term.” These ideas guide choices around process, technologies and architecture. We regularly discard choices that would entail too much complexity or require too much on-going, hands-on maintenance. And we try to resist rushing features out the door that will only add to our technical debt later.

What is the most interesting project you’ve worked on at the Internet Archive?
I set up a wiki to allow scholars to submit transcriptions of scanned Balinese palm leaves.

What has been your greatest achievement (so far) at the Internet Archive?
Creating a team that likes working together, is resilient through conflicts and pushes each other to keep getting better.

What are you reading?
The Sense of Style by Steven Pinker. It’s a contemporary writing style manual that incorporates cognitive science and linguistics and acknowledges the evolving nature of language.

National Library Week 2023: Caitlin, events

To celebrate National Library Week 2023, we are introducing readers to four staff members who work behind the scenes at the Internet Archive, helping connect patrons with our collections, services and programs.

If there’s an event at the Internet Archive, there’s a good chance Caitlin Olson had her hand in it. And with about 80 events last year, including 40 in-person, that keeps her plenty busy. 

“I’m a helper by nature and my role involves wearing a lot of hats,” said Olson, senior executive assistant for seven years. 

While not a librarian by training, Olson said she enjoys supporting librarians and their work. Olson provides support for webinars online and parties at the Internet Archive’s headquarters in San Francisco. She also assists Internet Archive’s founder Brewster Kahle in his work, helps staff with IT issues (including migrating to remote work during the pandemic), and pinch hits when needed. 

“I’m the go-to person for most questions because if I don’t know the answer, I likely know who will,” Olson said, who prefers working behind-the-scenes and is known as a fixer who keeps a calm head. “Brewster says I help soothe the organization. I often can jump in and solve a problem.”

After graduating from high school in a small town in northern California, Olson said she gravitated to the Bay Area for college, so has both the “country mouse” and “city mouse” experience. After a stint in journalism, she was drawn to the Internet Archive. “I wanted to work for a place where people felt passionate about what they were doing—and I found that here,” Olson said.

What’s an aspect of your job that you especially like?
I work with our ceramicist who creates all of our statues for the Archive. Fun Fact: after you work here for three years, you get a statue made in your likeness (if you want).

What is the most interesting project you’ve worked on at the Internet Archive? 
Our annual Public Domain Day events and the book talks we host in collaboration with The Booksmith

Favorite collection at the Internet Archive?
The Attention K-Mart Shoppers collection 

What are you reading?
Fuzz: When Nature Breaks the Law by Mary Roach, which is about what happens when animals commit crimes, and From Here to Eternity: Traveling the World to Find the Good Death by Caitlin Doughty, which is a book that explores death-care in different cultures and it’s written by a badass mortician. 

National Library Week 2023: Liz, donations

To celebrate National Library Week 2023, we are introducing readers to four staff members who work behind the scenes at the Internet Archive, helping connect patrons with our collections, services and programs.

Liz Rosenberg first worked with the Internet Archive in the early days of the Great 78 Project. She helped design the digitization workflow of 78rpm records and estimates transferring 30,000 sides of records herself.

The self-described “record lady,” Rosenberg said the project was the perfect entrée to the organization. She graduated from Drexel University with a degree in music industry technology, with a specialty in audio recording and production.

In 2020, Rosenberg was officially hired by the Internet Archive in patron services and later asked to lead the organization’s physical donation program. She continues with the Great 78 Project, overseeing monthly uploads, resolving metadata issues and coordinating digitization of donated collections with partners at George Blood LP.

“The Internet Archive is a place that I had always dreamed of working,” Rosenberg said. “I really looked up to the mission of the Internet Archives so when the opportunity came up to work for them directly, I couldn’t have said yes faster.”

As donations manager, Rosenberg receives inquiries from individuals and librarians about donating their physical media to the Internet Archive for preservation and digitization, from single items to collections of millions of objects. She has overseen the donations of small folk music collections, individual collectors’ passion projects, and college libraries including Bowling Green State University and the University of Hawaii. 

The individual collector contributions often are triggered by the death of a loved one. “Those tend to be sensitive situations for families,” she said. “But they are grateful to almost be able to spend time with them through the preservation of their collection and be able to go and visit whenever they want. That’s very special.”

Rosenberg keeps a “warm and fuzzy thank you file” on her computer from donors that she said keeps her motivated to encourage others to share their collections, like the message below:

Dear Liz,

You are amazing! Thank you for your kind guidance and generous ways. Seeing the dedication today has brought a difficult and costly task of storing these books over such a long period of time to this heartfelt moment and for such a worthy cause. I am in the middle of grading portfolios and preparing for a solo art exhibition so, as usual, I need to juggle the books in between. I will be in touch soon but, again, I just wanted to let you know how wonderful you and your organization are 🙂

in kindest regard, Karen

What is the most rewarding part of your job?
For me, it’s really about preserving stories. I feel such a connection to donors that I work with when I get to hear the story of how a collection was created. We want to preserve those stories alongside the media itself. And that’s really such a privilege.

What has been your greatest achievement (so far) at the Internet Archive?
Presenting on behalf of the Internet Archive at the 2022 Association for Recorded Sound Collections Conference. A recording of the presentation, as given to the Internet Archive staff shortly after the conference, can be found on the Internet Archive here.

What’s your favorite item at the Internet Archive?
This transcription recording of a child playing accordion: https://archive.org/details/78_four-leaf-clover_sonny-walikis-and-his-squeeze-box_gbia0001730a. We transferred this record without knowing who the performer was or anything about their history. The family of Sonny Walikis actually found the recording in our collection shortly after their family member had passed away and reached out to tell us the history of the recordings. I always think of this record as the best example of why we preserve media – to connect people to lost stories and help memories live on.

What’s your favorite collection at the Internet Archive?
The 78rpm record collection! archive.org/details/georgeblood

What are you reading?
The Tower of Swallows by Andrzej Sapkowski

What is your secret talent?
Morphing into a children’s choir! I was a recording studio intern and we had children booked to sing the part but they got too distracted in the booth. So I sang all of the parts slowed down 10% and we sped them up to make me sound “child-like”. The results are one of my only vocal credits: https://www.youtube.com/watch?v=WlKhVhuTiik.