Author Archives: Alexis Rossi

Redesigning Archive.org

Last week we announced a new beta version of the archive.org site.  The beta is the first step toward inviting people to participate in building libraries together.

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2014 beta site

2014 beta site

Why redesign the site?

The Wayback Machine was launched in 2001, and the current look of the site was debuted in 2002 when we added movies, texts, software, and music.  There have been minor design changes and we’ve added features over the years to make the library materials more usable, but the current interface has just accumulated over time.  We have not “rethought” the site in a holistic way in the past 12 years.

A lot has changed since 2002, for the Internet Archive and on the web.  In 2002 the archive contained 5,000 non-Wayback items, about half movies from the Prelinger Archive and half live music concerts from the Etree.org community with a few books and pieces of software sprinkled in. Those 5,000 files added up to about 3 terabytes of data.  Today we have more than 20 million media items that add up to about 10,000 terabytes of data (that’s not including 435 billion saved web pages that take up an additional 10,000 terabytes of space).

As we added more stuff to the archive, people came to visit.  We ended 2002 with about 9,000 registered users.  Today we have just a hair under 2 million registered users, and around 2.5 million individuals use the library materials every day.

Having thousands of movies available on the Internet in 2002 was actually pretty rare (remember, Youtube didn’t exist until 2005). Those 5,000 media items couldn’t be played on our site – you had to download them to your own computer to watch or listen. It was very difficult to add your own files to the Internet Archive – and who would have had the bandwidth to do it anyway?  In 2002 only 21% of U.S. homes had “high speed” internet connections.  High speed back then meant 200 kb per second. [1]

And of course, we can’t forget mobile. About 20-30% of our users today are on mobile devices, and the current web site is not serving them well.

Over the years the archive has grown immensely in terms of material and patrons. Our mission is Universal Access to All Knowledge.  And we think we can do better both with Access and with gathering All Knowledge if we have new tools and a better interface for the site.

Why this interface?

We started talking about the redesign in January of this year.  (Well, honestly we’ve been talking about it since 2006, but this was the first serious, archive-wide project.)

First we found a wonderful Creative Director, David Merkoski, and hired a great designer, Kristen Schlott.  We interviewed people, both users of the archive and people who had never heard of us, and asked them questions about how they use media. We examined how our site was being used, and talked about the intricacies and complications that come with archiving 20 million disparate things. We researched how other sites deal with large amounts of media. We used our current collections and use cases to understand how different designs would perform. Our lead developer, Tracey Jaquith, built prototypes and we user tested them. We talked to some of our power users and partners about our plans and showed them the prototype to get feedback. We had a LOT of meetings.

Idea clustering after user interviews

Idea clustering after user interviews

During this process we realized that we needed to find a way to open the archive up to more participation.  The Internet Archive has built some important and useful collections, both with partners and on our own.  We digitize 1,000 books per day.  We archive 1 billion URLs every week.  We capture television 24 hours per day, every single day.  But there is a lot of media out there in the world, and we can’t save all of it for the future without the help of experts.

Who are the experts?  You!  There are some amazing collections of media in the archive, out on the web, and sitting around on shelves and in basements that have been created by the people who know and care the most about saving those things and making sure their collections are complete and well described.  We want to create a place for those people to build communities around their interests where they can safely store these amazing collections and show them to as many people as possible.  If we all work together, we can create the most useful library the world has ever seen.

WHEN!?

Today the beta has the same basic functions as the current site, with some great additions: more visual cues to help you find things, facets on collections to quickly get you where you want to go, easy searching within collections, user pages, and many more.  We think it’s already an improvement over the current site – otherwise, we wouldn’t be showing it to you yet!

But the tools that will allow you to create your own collections and collaborate with others are still being built.  These features will be released in stages so that we can test them out in the beta and see how they work for people.  We will use feedback from patrons – both what you tell us, and the usage logs for the beta – to make decisions about how things will evolve. (Don’t worry, we aren’t keeping IP addresses — the beta respects user privacy.) When you’re in the beta, you’re going to run into things that might not work quite the way you expected, or that have suddenly changed since you used them yesterday. Sometimes it will be slow or you’ll find bugs. New things will appear, and other things may disappear. New tools will suddenly start working. We hope that for our intrepid beta users, this will be part of the fun. (Because we certainly think it’s fun!)

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What new things are coming?

To some extent, this remains to be seen.  We will in part make decisions based on how the beta is used, so please use it!

Our current ideas include: speeding up the site; allowing patrons to create their own collections; improving accessibility for the print disabled, adding ways for patrons to collaborate around collections and items, etc.

There’s a lot more to come.  We hope you will explore all of these new options with us, and help us build the library.  If you would like to give us feedback, please write to us at info at archive dot org, or leave comments here.

 

 

Popular subjects in our book collection

We took a leisurely stroll through half a million books today, and we noticed that lots of the books were congregating around some popular categories.  This isn’t an exhaustive list, we just thought it would nice to share a little of the landscape with you.  Click through to download or borrow these books through our Open Library site.

We want your old T-shirts. Really.

Pews, photo by Jason Scott

The great room. Photo by Jason Scott.

The Internet Archive is headquartered in a building that used to be a Christian Science church.  The great room includes a gorgeous stained glass dome, a pipe organ, and graceful wooden pews.  We seat 400+ people in this space to show movies and to host conferences on a regular basis.

The room is beautiful, but those pews are hard on the posterior if you plan to sit there for more than 15 minutes at a time.

Turning tshirts into cushions.

Turning tshirts into cushions.

So we came up with a plan – let’s make some cushions!  That sounds simple enough, but we are thrifty people.

We are taking old T-shirts and recycling them into cushion covers.  We are looking for T-shirts from non-profits or from tech companies in particular, but we’ll take whatever you’ve got.  Any size, any color, just as long as there aren’t holes in the fabric or big stains that may discourage people from sitting on that cushion.

This is where you come in!  Which one of us doesn’t have a bunch of old corporate swag T-shirts sitting in the back of our closet taking up space?  If you’re willing to part with those useless shirts, we’re willing to put them to use.

Drop off your shirts in person, or send your shirts to:

Internet Archive
300 Funston Ave
San Francisco, CA 94118

Have questions?  Email info@archive.org.

Your old shirts could make somebody's butt much more comfortable.

Your old T-shirts could make somebody’s butt very happy.

Create playlists with CratePlayer

rudolphI find great stuff on the Internet Archive all the time, and now I can use a tool called CratePlayer to create playlists from archive.org movie and audio files.  For example, I want to play a bunch of old Christmas movies at my holiday party this year so I found some cartoons and added them to a Crate.  Now all I have to do is hook my computer up to the TV, press play, and poof!  Instant entertainment!

crateplayerCratePlayer is a curation tool that lets you gather audio and video content from online sources into collections that can be played and shared.  When they approached us about incorporating Internet Archive items into their platform, we said “yes!” and gave them some pointers about accessing archive.org content.  Off they went, and in short order they had it all working.

Try using their bookmarklet as you’re poking around among archive.org audio and video content.  It’s easy to use and might help you keep track of all the great things you find.

Fixing Broken Links on the Internet

No More 404s

Today the Internet Archive announces a new initiative to fix broken links across the Internet.  We have 360 billion archived URLs, and now we want you to help us bring those pages back out onto the web to heal broken links everywhere.

When I discover the perfect recipe for Nutella cookies, I want to make sure I can find those instructions again later.  But if the average lifespan of a web page is 100 days, bookmarking a page in your browser is not a great plan for saving information.  The Internet echoes with the empty spaces where data used to be.  Geocities – gone.  Friendster – gone.  Posterous – gone.  MobileMe – gone.

Imagine how critical this problem is for those who want to cite web pages in dissertations, legal opinions, or scientific research.  A recent Harvard study found that 49% of the URLs referenced in U.S. Supreme Court decisions are dead now.  Those decisions affect everyone in the U.S., but the evidence the opinions are based on is disappearing.

In 1996 the Internet Archive started saving web pages with the help of Alexa Internet.  We wanted to preserve cultural artifacts created on the web and make sure they would remain available for the researchers, historians, and scholars of the future.  We launched the Wayback Machine in 2001 with 10 billion pages.  For many years we relied on donations of web content from others to build the archive.  In 2004 we started crawling the web on behalf of a few, big partner organizations and of course that content also went into the Wayback Machine.  In 2006 we launched Archive-It, a web archiving service that allows librarians and others interested in saving web pages to create curated collections of valuable web content.  In 2010 we started archiving wide portions of the Internet on our own behalf.  Today, between our donating partners, thousands of librarians and archivists, and our own wide crawling efforts, we archive around one billion pages every week.  The Wayback Machine now contains more than 360 billion URL captures.

ftc.gov

FTC.gov directed people to the Wayback Machine during the recent shut down of the U.S. federal government.

We have been serving archived web pages to the public via the Wayback Machine for twelve years now, and it is gratifying to see how this service has become a medium of record for so many.  Wayback pages are cited in papers, referenced in news articles and submitted as evidence in trials.  Now even the U.S. government relies on this web archive.

We’ve also had some problems to overcome.  This time last year the contents of the Wayback Machine were at least a year out of date.  There was no way for individuals to ask us to archive a particular page, so you could only cite an archived page if we already had the content.  And you had to know about the Wayback Machine and come to our site to find anything.  We have set out to fix those problems, and hopefully we can fix broken links all over the Internet as a result.

Up to date.  Newly crawled content appears in the Wayback Machine about an hour or so after we get it.  We are constantly crawling the Internet and adding new pages, and many popular sites get crawled every day.

Save a page. We have added the ability to archive a page instantly and get back a permanent URL for that page in the Wayback Machine.  This service allows anyone — wikipedia editors, scholars, legal professionals, students, or home cooks like me — to create a stable URL to cite, share or bookmark any information they want to still have access to in the future.  Check out the new front page of the Wayback Machine and you’ll see the “Save Page” feature in the lower right corner.

Do we have it?  We have developed an Availability API that will let developers everywhere build tools to make the web more reliable.  We have built a few tools of our own as a proof of concept, but what we really want is to allow people to take the Wayback Machine out onto the web.

Fixing broken links.  We started archiving the web before Google, before Youtube, before Wikipedia, before people started to treat the Internet as the world’s encyclopedia. With all of the recent improvements to the Wayback Machine, we now have the ability to start healing the gaping holes left by dead pages on the Internet.  We have started by working with a couple of large sites, and we hope to expand from there.

WordPress.com is one of the top 20 sites in the world, with hundreds of millions of users each month.  We worked with Automattic to get a feed of new posts made to WordPress.com blogs and self-hosted WordPress sites.  We crawl the posts themselves, as well as all of their outlinks and embedded content – about 3,000,000 URLs per day.  This is great for archival purposes, but we also want to use the archive to make sure WordPress blogs are reliable sources of information.  To start with, we worked with Janis Elsts, a developer from Latvia who focuses on WordPress plugin development, to put suggestions from the Wayback into his Broken Link Checker plugin.  This plugin has been downloaded 2 million times, and now when his users find a broken link on their blog they can instantly replace it with an archived version.  We continue to work with Automattic to find more ways to fix or prevent dead links on WordPress blogs.

Wikipedia.org is one of the most popular information resources in the world with  almost 500 million users each month.  Among their millions of amazing articles that all of us rely on, there are 125,000 of them right now with dead links.  We have started crawling the outlinks for every new article and update as they are made – about 5 million new URLs are archived every day.  Now we have to figure out how to get archived pages back in to Wikipedia to fix some of those dead links.  Kunal Mehta, a Wikipedian from San Jose, recently wrote a protoype bot that can add archived versions to any link in Wikipedia so that when those links are determined to be dead the links can be switched over automatically and continue to work.  It will take a while to work this through the process the Wikipedia community of editors uses to approve bots, but that conversation is under way.

Every webmaster.  Webmasters can add a short snippet of code to their 404 page that will let users know if the Wayback Machine has a copy of the page in our archive – your web pages don’t have to die!

We started with a big goal — to archive the Internet and preserve it for history.  This year we started looking at the smaller goals — archiving a single page on request, making pages available more quickly, and letting you get information back out of the Wayback in an automated way.  We have spent 17 years building this amazing collection, let’s use it to make the web a better place.

Thank you so much to everyone who has helped to build such an outstanding resource, in particular:

Adam Miller
Alex Buie
Alexis Rossi
Brad Tofel
Brewster Kahle
Ilya Kreymer
Jackie Dana
Janis Elsts
Jeff Kaplan
John Lekashman
Kenji Nagahashi
Kris Carpenter
Kristine Hanna
Kunal Mehta
Martin Remy
Raj Kumar
Ronna Tanenbaum
Sam Stoller
SJ Klein
Vinay Goel

Borrow Top Children’s Books

nypllogoRecently the New York Public Library published a list of their choices for the top 100 children’s books from the last 100 years.  We took a look at the books we have available in the Open Library and Internet Archive collections, and it turns out we have scanned a lot of them!  There is no cost to borrow books through at either site, you just need a free account.

If a book on this list isn’t linked, that means we don’t have a digital copy yet.  If you would like to donate the physical book to us, we can add it to the queue of books to be scanned and it will become available in the future.

You may also be interested in the freely downloadable books from the Children’s Library collection on archive.org.

Amelia BedeliaA
Alexander and the Terrible, Horrible, No Good, Very Bad Day
. Judith Viorst. Illus. by Ray Cruz. (1972)
All-of-a-Kind Family. Sydney Taylor, illustrated by Helen John. (1951)
Amelia Bedelia. Peggy Parish, illustrated by Fritz Siebel. (1963)
The Arrival. Shaun Tan. (2007)

B
Bark, George. Jules Feiffer. (1999)
Because of Winn-Dixie. Kate DiCamillo. (2000)
Bread and Jam for FrancesBen’s Trumpet. Rachel Isadora. (1979)
Big Red Lollipop. Rukhsana Khan. Illus. by Sophie Blackall. (2010)
The Birchbark House. Louise Erdrich. (1999)
The Book of Three. Lloyd Alexander. (1964)
The Borrowers. Mary Norton. Illus. by Beth Krush and Joe Krush. (1953)
El Gallo De Bodas: A Traditional Cuban Folktale. Lucía M. González. Illus. by Lulu Delacre. (1994)
Bread and Jam for Frances. Russell Hoban. illustrated by Lillian Hoban. (1964)
Bridge to Terabithia. Katherine Paterson. (1977)
Brown Bear, Brown Bear, What Do You See? Bill Martin, Jr. Illus. by Eric Carle. (1967)

Curious GeorgeC
Caps for Sale. Esphyr Slobodkina. (1938)
The Cat in the Hat. Dr. Seuss. (1957)
Chains. Laurie Halse Anderson. (2008)
A Chair For My Mother. Vera B. Williams. (1982)
Charlotte’s Web. E.B. White. Illus. by Garth Williams. (1952)
Chato’s Kitchen. Gary Soto. Illus. by Susan Guevara. (1995)
Chicka Chicka Boom Boom. Bill Martin, Jr. and John Archambault. Illus. by Lois Ehlert. (1989)
Corduroy. Don Freeman. (1976)
Curious George. H.A. Rey. (1941)

D'Aulaires' Book of Greek MythsD
D’Aulaires’ Book of Greek Myths. Ingri D’Aulaire and Edgar Parin D’Aulaire. (1962)
Don’t Let the Pigeon Drive the Bus! Mo Willems. (2003)

E
Esperanza Rising. Pam Muñoz Ryan. (2000)

F
Freight Train. Donald Crews. (1978)
Frog and Toad Are Friends. Arnold Lobel. (1970)
From the Mixed-Up Files of Mrs. Basil E. Frankweiler. E.L. Konigsburg. (1967)

Grandfather's JourneyG
George and Martha. James Marshall. (1972)
The Giver. Lois Lowry. (1993)
Go, Dog. Go! P.D. Eastman. (1961)
Goodnight Moon. Margaret Wise Brown. Illus. by Clement Hurd. (1947)
Grandfather’s Journey. Allen Say. (1993)
The Graveyard Book. Neil Gaiman. Illus. by Dave McKean. (2008)
Green Eggs and Ham. Dr. Seuss. (1960)

HolesH
Harold and the Purple Crayon. Crockett Johnson. (1955)
Harriet the Spy. Louise Fitzhugh. (1964)
Harry Potter and the Sorcerer’s Stone. J.K. Rowling. (1998)
Hatchet. Gary Paulsen. (1989)
The Hobbit. J.R.R. Tolkien. (1937)
Holes. Louis Sachar. (1998)

I
The Invention of Hugo Cabret. Brian Selznick. (2007)

J
Joseph Had a Little Overcoat. Simms Taback. (1999)
Jumanji. Chris Van Allsburg. (1981)
Just a Minute: A Trickster Tale and Counting Book. Yuyi Morales. (2003)

Lon Po PoL
Lilly’s Purple Plastic Purse. Kevin Henkes. (1996)
The Lion and the Mouse. Jerry Pinkney. (2009)
The Lion, the Witch and the Wardrobe. C.S. Lewis. (1950)
The Little House. Virginia Lee Burton. (1942)
The Little Prince. Antoine de Saint-Exupéry. (1943)
Locomotion. Jacqueline Woodson. (2003)
Lon Po Po: A Red-Riding Hood Story From China. Ed Young. (1989)

M
MatildaMadeline. Ludwig Bemelmans. (1939)
Make Way for Ducklings. Robert McCloskey. (1941)
Matilda. Roald Dahl. Illus. by Quentin Blake. (1988)
Meet Danitra Brown. Nikki Grimes. Illus. by Floyd Cooper. (1994)
Millions of Cats. Wanda Gág. (1928)
Miss Nelson is Missing! Harry Allard. Illus. by James Marshall. (1977)
Mr. Popper’s Penguins. Richard and Florence Atwater. Illus. by Robert Lawson. (1938)
Mrs. Frisby and the Rats of NIMH. Robert C. O’Brien. (1971)
Mufaro’s Beautiful Daughters: An African Tale. John Steptoe. (1987)
Mrs. Frisby and the Rats of NIMHMy Father’s Dragon. Ruth Stiles Gannett. Illus. by Ruth Chrisman Gannett (1948)
My Name is Yoon. Helen Recorvits. Illus. by Gabi Swiatkowska. (2003)

O
Olivia. Ian Falconer. (2000)
One Crazy Summer. Rita Williams-Garcia. (2010)

P
The People Could Fly: American Black Folktales. Virginia Hamilton. Illus. by Leo/Diane Dillon. (1985)
The Phantom Tollbooth. Norton Juster. Illus. by Jules Feiffer. (1961)
Roll of Thunder, Hear My CryPierre: A Cautionary Tale in Five Chapters and a Prologue. Maurice Sendak. (1962)
Pink and Say. Patricia Polacco. (1994)
Pippi Longstocking. Astrid Lindgren. (1950)

R
Ramona the Pest. Beverly Cleary. (1968)
Rickshaw Girl. Mitali Perkins. Illus. by Jamie Hogan. (2007)
Roll of Thunder, Hear My Cry. Mildred D. Taylor. (1976)
Rumpelstiltskin. Paul O. Zelinsky. (1986)

S
Strega NonaA Sick Day for Amos MCGee. Philip Stead. Illus. by Erin E. Stead. (2010)
The Snowy Day. Ezra Jack Keats. (1962)
Starry River of the Sky. Grace Lin. (2012)
The Stories Julian Tells. Ann Cameron. Illus. by Ann Strugnell. (1981)
The Story of Ferdinand. Munro Leaf. Illus. by Robert Lawson. (1936)
Strega Nona. Tomie dePaola. (1975)
Swimmy. Leo Lionni. (1963)
Sylvester and the Magic Pebble. William Steig. (1969)

The True Story of the 3 Little PigsT
Tales of a Fourth Grade Nothing. Judy Blume. (1972)
The Tales of Uncle Remus: The Adventures of Brer Rabbit. Julius Lester. Illus. by Jerry Pinkney. (1987)
Tar Beach. Faith Ringgold. (1991)
Ten, Nine, Eight. Molly Bang. (1983)
Tomie dePaola’s Mother Goose. Tomie dePaola. (1985)
The True Story of the Three Little Pigs. Jon Scieszka. Illus. by Lane Smith. (1989)
Tuesday. David Wiesner. (1991)

V
The Very Hungry Caterpillar. Eric Carle. (1969)

A Wrinkle in TimeW
The Watsons Go to Birmingham—1963. Christopher Paul Curtis. (1995)
The Westing Game. Ellen Raskin. (1978)
When You Reach Me. Rebecca Stead. (2009)
Where Is the Green Sheep? Mem Fox. Illus. by Judy Horacek. (2004)
Where the Wild Things Are. Maurice Sendak. (1963) – or borrow in Spanish
Why Mosquitoes Buzz in People’s Ears. Verna Aardema. Illus. by Leo/Diane Dillon. (1975)
Winnie-the-Pooh. A.A. Milne. Illus. by Ernest H. Shepard. (1926)
A Wrinkle in Time. Madeleine L’Engle. (1962)

80 terabytes of archived web crawl data available for research

petaboxInternet Archive crawls and saves web pages and makes them available for viewing through the Wayback Machine because we believe in the importance of archiving digital artifacts for future generations to learn from.  In the process, of course, we accumulate a lot of data.

We are interested in exploring how others might be able to interact with or learn from this content if we make it available in bulk.  To that end, we would like to experiment with offering access to one of our crawls from 2011 with about 80 terabytes of WARC files containing captures of about 2.7 billion URIs.  The files contain text content and any media that we were able to capture, including images, flash, videos, etc.

What’s in the data set:

  • Crawl start date: 09 March, 2011
  • Crawl end date: 23 December, 2011
  • Number of captures: 2,713,676,341
  • Number of unique URLs: 2,273,840,159
  • Number of hosts: 29,032,069

The seed list for this crawl was a list of Alexa’s top 1 million web sites, retrieved close to the crawl start date.  We used Heritrix (3.1.1-SNAPSHOT) crawler software and respected robots.txt directives.  The scope of the crawl was not limited except for a few manually excluded sites.  However this was a somewhat experimental crawl for us, as we were using newly minted software to feed URLs to the crawlers, and we know there were some operational issues with it.  For example, in many cases we may not have crawled all of the embedded and linked objects in a page since the URLs for these resources were added into queues that quickly grew bigger than the intended size of the crawl (and therefore we never got to them).  We also included repeated crawls of some Argentinian government sites, so looking at results by country will be somewhat skewed.  We have made many changes to how we do these wide crawls since this particular example, but we wanted to make the data available “warts and all” for people to experiment with.  We have also done some further analysis of the content.

Hosts Crawled pie chart

If you would like access to this set of crawl data, please contact us at info at archive dot org and let us know who you are and what you’re hoping to do with it.  We may not be able to say “yes” to all requests, since we’re just figuring out whether this is a good idea, but everyone will be considered.

 

A/V Geeks fundraiser to digitize 100 miles of film

A/V Geeks has done a lot of digitization of old film for The Internet Archive. They are trying to raise funds to digitize many more hours of footage to put up on archive.org which will be free to view and use by the public. If you would like to contribute here is some information:

http://www.indiegogo.com/avgeeks100miles

WHAT? The A/V Geeks have over 24,000 old 16mm educational films that we’ve rescued from landfills, dumpsters, closets, school libraries. These films cover topics from Atomic Bombs to Zoo Babies and provide an entertaining yet insightful glimpse into our past. We’ve kept these materials from being thrown out and we want to continue our mission by giving them a new life and sharing them you!

Traditionally, this means that we would have to either travel to you or you would have to travel to us to watch a film on a projector. By digitizing these films we can give you and the world access to these materials! When a film from the A/V Geeks archive is digitized and uploaded to the internet, it can be easily accessed, watched, downloaded, researched and repurposed for music videos, class projects, documentaries and more.

Help us digitize 100 Miles of Film! Instead of traveling miles to give access to these films we’d rather digitize miles of 16mm film. Film length is generally measured in feet (in the US) to where 2100 feet of film roughly equals one hour of content. With your support we can digitize and make available 100 miles of film – over 240 hours of (around 1,000 individual titles) from the archive. So we envision this as sort of a road rally. We have to go 100 miles in a short period of time. We’ll have a small team to keep the machines humming along. We aren’t sure what we’ll find with some of the films – we haven’t seen them yet!

For every $500 we raise, we digitize one mile of film (nearly 2.5 hours of material)!

HTTP Archive joins with Internet Archive

It was announced today that HTTP Archive has become part of Internet Archive.

The Internet Archive provides an archive of web site content through the Wayback Machine, but we do not capture data about the performance of web sites.  Steve Souders’s HTTP Archive started capturing and archiving this sort of data in October 2010 and has expanded the number of sites covered to 18,000 with the help of Pat Meenan and WebPagetest.

Steve Souders will continue to run the HTTP Archive project, and we hope to expand its reach to 1 million sites.  To this end, the Internet Archive is accepting donations for the HTTP Archive project to support the growth of the infrastructure necessary to increase coverage.  The following companies have already agreed to support the project: Google, Mozilla, New Relic, O’Reilly Media, Etsy, Strangeloop, and dynaTrace Software. Coders are also invited to participate in the open source project.

Internet Archive is excited about archiving another aspect of the web for both present day and future researchers.