Where Your Donation Goes

As an independent nonprofit library, the Internet Archive is powered by donations from individual users, and every little bit helps. But have you ever wondered how your donations are used? Or what impact your giving has on our work? The contributions we receive are crucial to continuing our mission—here are a few ways they help!

Infrastructure

The Internet Archive builds and maintains all of its own infrastructure, rather than contracting it out. Right now we’re holding more than 70 petabytes of data, including millions of books, hundreds of millions of webpages, and thousands of collections focused on everything from video gaming to opera music. That’s a lot of storage space!

The donations we receive help us purchase servers, provide bandwidth, and pay the electricity bills, so that anyone, anywhere, can access our resources. This year our systems have seen more use than ever before, and we were able to make some upgrades thanks to the generosity of our patrons. Your donations allow us to serve more than 1.5 million visitors every day!

Staff

All those servers need people to build and maintain them. The website needs programmers to develop it, the collections need archivists to organize them, and our patrons need librarians to answer their questions. We employ 150 people around the world to scan books, build software, maintain data centers, acquire new materials, and find ways to make the archive better for our users. That’s a small staff for one of the world’s top 300 websites—and in 2020, they’ve stretched even farther by working remotely to keep the archive online. Most of our employees could make more at a profit-driven company, but they’ve chosen instead to work at a nonprofit where every dollar counts and the mission comes first.

Our Projects

Most importantly, the generosity of our users is used to fund our work! These projects include the Wayback Machine, a crucial tool for preserving the history of the web. In an era of disinformation and misinformation, having documentation of what’s being said and who’s saying it is absolutely critical—and your donations help us keep the record straight.

We also use patron contributions to run the Open Library, a free, digital lending library of over 4 million eBooks that can be read in a browser or downloaded for reading off-line. It costs us just $20 to acquire, digitize, and preserve a book forever, making it available to readers around the world—and thanks to the contributions from our patrons, we’re always adding to the stacks!

Other projects that your donations fund include the Decentralized Web initiative, the TV News Archive, and our preservation of open access journals. We also use donations to help acquire, transport, and digitize special collections—such as ephemera from the Tytell Typewriter Company, the Marygrove College Library, or a dizzying array of 78 rpm records.

How to Help

If you’d like to make a donation to the Internet Archive, we’d greatly appreciate your support! Your contribution helps us survive, thrive, and keep growing. In addition to our online donations portal, there are several other options for how you can give. If you would like to make a securities donation or receive information about estate planning, email joy@archive.org. You can even donate using cryptocurrency!

If you’re unable to donate at the moment—or if you’ve already given—there are still ways you can lend a hand. Using Amazon Smile and setting the Internet Archive as your preferred charity will mean that we get a small donation every time you make a purchase. If your employer matches charitable contributions, you can easily double your impact—check your company here! And if you’re looking for more small ways you can help out, check out this blog post on how to make a difference right now without leaving the house.

We’re so grateful for each and every person who chooses to contribute to us. Thanks for your support, and enjoy the archive!

The Rutgers University Poster Project

Rutgers University and Internet Archive have collaborated to create a limited edition series of risograph posters. Facilitated by Amir Esfahani, Director of Special Art Projects at the Internet Archive, and Mindy Seu, Assistant Professor of Design in the Mason Gross School of the Arts, 14 students in the course Design Practicum gathered unique collections on the Internet Archive and then adapted their findings into an 11×17 graphic. These were printed on a risograph by the Brooklyn-based studio TXT Books

The first 40 people to sign up will receive a packet of these tabloid-size posters. Please sign up here! https://forms.gle/72sX8F8vM8sCBDwo6 (Please note: We can only provide shipment to people in the United States). 

The 14 Projects

Jeepneys – 1950s to Present by Pauline Yanes

Portfolio: https://paulineyanes.smvi.co/

Collection: https://archive.org/details/jeepneys-1950s-to-Present

After World War II, many military Jeeps were left in the Philippines by U.S. troops. These Jeeps were decorated and modified to hold more passengers. Since then, Jeepneys have become the most popular form of transportation in the country. This collection showcases Jeepneys in the Philippines starting from the 1950s, exploring a visual history of this symbol of Filipino culture.

Chinese Calligraphers of the Tang Dynasty 618CE—907CE by Zhongxuan Lin

Collection: https://archive.org/details/chinese-caligraphers-of-the-tang-dynasty-618-907

This collection includes the works of eight famous Chinese calligraphers born in Tang Dynasty. All of the images are photographs of the artwork written on paper or etched on monuments. 

Wartime Utility Furniture by Xinyi Huang

Collection: https://archive.org/details/war-time-utility-furniture

Utility furniture was first produced by the United Kingdom’s government during World War II due to the shortage of materials and usage rations.

Nintendo Box Art — USA vs. Japan by Derek Li

Portfolio: https://artfiles.rutgers.edu/~lid@art.rutgers.edu/projects/Arizona/index.html

Collection: https://archive.org/details/nintendo-game-box-art-usa-vs-japan

For this collection of comparisons between the USA’s and Japan’s box art for specific Nintendo games, it can be observed that the advent of global releases has removed much of the differences in box artwork with newer releases possessing nearly identical covers between the American and Japanese versions.

Souvenir Spoons Collected by The Fajardo-Reyes Family by Alexa Reyes

Portfolio: https://alexafreyes.github.io/

Social Media: https://www.instagram.com/alexareyesart/

Collection: https://archive.org/details/souvenir-objects-collected-by-the-fajardo-reyes-family

A growing collection of spoons gathered over several years by a first generation Filipino-American family from New Jersey. Each souvenir utensil has its own story, own memory, and own journey from traveling anywhere between across the country or across the ocean. 

Qing Dynasty Wealth Gap by Yuchao Wang

Collection: https://archive.org/details/qing-dynasty-wealth-gap

These photos display the extreme wealth gap between the Qing Dynasty’s upper class and civilians, revealing an invisible piece of history typically unseen in textbooks.

Fictional Languages (in video games) by Sarah Poon

Collection: https://archive.org/details/constructed-language

Video games develop fictional languages that cannot be used anywhere else in reality. Some languages are only audio-based instead of having a traditional visual alphabet. 

Rap Album Design 1993-2020 by Sebastian Lijo

Social Media: https://www.instagram.com/lijo.seb/ 

Collection: https://archive.org/details/rap-album-design-1993-2020

This collection was made to highlight the progression of graphic design on rap album covers. It begins in 1993, right in the middle of the golden era of rap, and extends to our current day. Two covers per year are shown in order of their appearance on the highest first-week sales charts.

Double Bass Archives by Yogini Borgaonkar

Collection: https://archive.org/details/double-bass-archives

The Double Bass Archives includes performances of classical compositions and each piece’s correlating sheet music. This collection acts as a resource, providing a deep dive into the sound, documentation, and physicality of the Double Bass.

Steven Universe Monopoly by Nicholas Plyler

Portfolio: art.rutgers.edu/~plyler

Collection: https://archive.org/details/steven-universe-monopoly    

This collection is meant to archive every single unique piece that comes from the Steven Universe Monopoly board game. These unique pieces can be used to traverse and visit iconic Steven Universe locations.

Horror Movie Posters of Dario Argento by Steve Tomori

Social Media: https://www.instagram.com/stevetomori_design   

Collection: https://archive.org/details/italian-horror-covers-by-director-dario-argento

This collection consists of horror movie posters from the director Dario Argento. It features Italian and American posters as well as some alternate versions. These movies were directed, and some even produced, by Dario Argento and span over decades.

Strobridge Lithographing Company’s Circus Posters — 1890s–1950s by Marinelle Manansala

Portfolio: marinellem.com    

Collection:https://archive.org/details/strobridge-lithographing-company-circus-posters-1890s-1950s

Circus posters were created by Cincinnati’s Strobridge Lithographing Company, printed in the 1890s through the 1950s. These posters focus on attracting the audience by depicting the unusual main acts in a dynamic composition. By 1900, they were known as the “Tiffany of Printers” since they had become one of the largest and most popular printing companies in the United States.

Transparencies by Anna Pittas

Portfolio: annapittas.com

Social Media: instagram.com/annapittasphotography

Collection: https://archive.org/details/kodachrome-mounted-color-transparencies

A collection of Kodachrome mounted color transparencies were taken between 1950-1970 by members of the Clarke family. The photos are mostly family photos, capturing fun memories.

Covid-19 Street Art by Catie Esposito 

Social Media: instagram.com/artbycatie

Collection: https://archive.org/details/covid-19-street-art  

A living collection of street art in the U.S.A. focused around the Coronavirus Pandemic. These works of art are often temporary, so I am attempting to document these murals as I see them, either in person or online. This is an ongoing project until the ‘pandemic’ is finally over.

Internet Archive Participates in DOAJ-Led Collaboration to Improve the Preservation of OA Journals

Since 2017, Internet Archive has pursued dedicated technical and partnership work to help preserve and provide perpetual access to open access scholarly literature and other outputs. See our original announcement related to this work and a recent update on progress. The below official press release announces an exciting new multi-institutional collaboration in this area.

The Directory of Open Access Journals (DOAJ), the CLOCKSS Archive, Internet Archive, Keepers Registry/ISSN International Centre and Public Knowledge Project (PKP) have agreed to partner to provide an alternative pathway for the preservation of small-scale, APC-free, Open Access journals.

The recent study authored by M.Laakso, L.Matthias, and N.Jahn has revived academia’s concern over the disappearance of the scholarly record disseminated in Open Access (OA) journals.

Their research focuses on OA journals as at risk of vanishing, and “especially small-scale and APC-free journals […] with limited financial resources” that often “opt for lightweight technical solutions” and “cannot afford to enroll in preservation schemes.” The authors have used data available in the Directory of Open Access Journals to come up with the conclusion that just under half of the journals indexed in DOAJ participate in preservation schemes. Their findings “suggest that current approaches to digital preservation are successful in archiving content from larger journals and established publishing houses but leave behind those that are more at risk.” They call for new preservation initiatives “to develop alternative pathways […] better suited for smaller journals that operate without the support of large, professional publishers.”

Answering that call, the joint initiative proposed by the five organisations aims at offering an affordable archiving option to OA journals with no author fees (“diamond” OA) registered with DOAJ, as well as raising awareness among the editors and publishers of these journals about the importance of enrolling with a preservation solution. DOAJ will act as a single interface with CLOCKSS, PKP and Internet Archive and facilitate a connection to these services for interested journals. Lars Bjørnhauge, DOAJ Managing Editor, said: “That this group of organisations are coming together to find a solution to the problem of “vanishing” journals is exciting. It comes as no surprise that journals with little to no funding are prone to disappearing. I am confident that we can make a real difference here.”

Reports regarding the effective preservation of the journals’ content will be aggregated by the ISSN International Centre (ISSN IC) and published in the Keepers Registry. Gaëlle Béquet, ISSN IC Director, commented: “As the operator of the Keepers Registry service, the ISSN International Centre receives inquiries from journal publishers looking for archiving solutions. This project is a new step in the development of our service to meet this need in a transparent and diverse way involving all our partners.”

About 50% of the journals identified by DOAJ as having no archiving solution in place use the Open Journal System (OJS). Therefore, the initiative will also identify and encourage journals on PKP’s OJS platform to preserve their content in the PKP Preservation Network (PKP PN), or to use another supported solution if the OJS instance isn’t new enough to be compatible with the PN integration (OJS 3.1.2+). 

The partners will then follow up by assessing the success and viability of the initiative with an aim to open it up to new archiving agencies and other groups of journals indexed in DOAJ to consolidate preservation actions and ensure service diversity.

DOAJ will act as the central hub where publishers will indicate that they want to participate. Archiving services, provided by CLOCKSS, Internet Archive and PKP will expand their existing capacities. These agencies will report their metadata to the Keepers Registry to provide an overview of the archiving efforts. 

Project partners are currently exploring business and financial sustainability models and outlining areas for technical collaboration.


DOAJ is a community-curated list of peer-reviewed, open access journals and aims to be the starting point for all information searches for quality, peer reviewed open access material. DOAJ’s mission is to increase the visibility, accessibility, reputation, usage and impact of quality, peer-reviewed, open access scholarly research journals globally, regardless of discipline, geography or language. DOAJ will work with editors, publishers and journal owners to help them understand the value of best practice publishing and standards and apply those to their own operations. DOAJ is committed to being 100% independent and maintaining all of its services and metadata as free to use or reuse for everyone.

CLOCKSS is a not-for-profit joint venture among the world’s leading academic publishers and research libraries whose mission is to build a sustainable, international, and geographically distributed dark archive with which to ensure the long-term survival of Web-based scholarly publications for the benefit of the greater global research community. https://www.clockss.org.

Internet Archive is a non-profit digital library, top 200 website at https://archive.org/, and archive of over 60PB of millions of free books, movies, software, music, websites, and more. The Internet Archive partners with over 800 libraries, universities, governments, non-profits, scholarly communications, and open knowledge organizations around the world to advance the shared goal of “Universal Access to All Knowledge.” Since 2017, Internet Archive has pursued partnerships and technical work with a focus on preserving all publicly accessible research outputs, especially at-risk, open access journal literature and data, and providing mission-aligned, non-commercial open infrastructure for the preservation of scholarly knowledge.

Keepers Registry hosted by the ISSN International Centre, an intergovernmental organisation under the auspices of UNESCO, is a global service that monitors the archiving arrangements for continuing resources including e-serials. A dozen archiving agencies all around the world currently report to Keepers Registry. The Registry has three main purposes: 1/ to enable librarians, publishers and policy makers to find out who is looking after what e-content, how, and with what terms of access; 2/ to highlight e-journals which are still “at risk of loss” and need to be archived; 3/ to showcase the archiving organizations around the world, i.e. the Keepers, which provide the digital shelves for access to content over the long term.

PKP is a multi-university and long-standing research project that develops (free) open source software to improve the quality and reach of scholarly publishing. For more than twenty years, PKP has played an important role in championing open access. Open Journal Systems (OJS) was released in 2002 to help reduce cost as a barrier to creating and consuming scholarship online. Today, it is the world’s most widely used open source platform for journal publishing: approximately 42% of the journals in the DOAJ identify OJS as their platform/host/aggregator. In 2014, PKP launched its own Private LOCKSS Network (now the PKP PN) to offer OJS journals unable to invest in digital preservation a free, open, and trustworthy service. 

For more information, contact: 

DOAJ: Dom Mitchell, dom@doaj.org

CLOCKSS: Craig Van Dyck, cvandyck@clockss.org

Internet Archive: Jefferson Bailey, jefferson@archive.org

Keepers Registry: Gaëlle Béquet, gaelle.bequet@issn.org

PKP: James MacGregor, jbm9@sfu.ca

Fact Checks and Context for Wayback Machine Pages

Fact checking organizations and origin websites sometimes have information about pages archived in the Wayback Machine. The Internet Archive has started to surface some of these annotations for Wayback Machine users. We are attempting to preserve our digital history but recognize the issues around providing access to false and misleading information coming from different sources. By providing convenient links to contextual information we hope that our patrons will better understand what they are reading in the Wayback Machine.

As an example, Politifact has investigated a claim included in a webpage that we archived. Our.news has matched this URL to the Politifact review which allowed us to provide a yellow context banner for Wayback Machine patrons. 

In a different case, we surfaced the discovery that a webpage is part of a disinformation campaign according to the researchers at Graphika and link to their research report

As a last example, the Internet Archive archived a Medium post that was subsequently removed based on a violation of their Covid-19 Content Policy.

As a library, our intention is to provide access to source material that might otherwise disappear but doing so with context prominently displayed.

We would like to acknowledge the hard work of the organizations we are building upon in order to provide context for archived web pages: FactCheck.org, Check Your Fact, Lead Stories, Politifact, Washington Post Fact-Checker, AP News Fact Check, USA Today Fact Check, Graphika, Stanford Internet Observatory, and Our.news.

We welcome feedback and suggestions about how to make the Wayback Machine better. 

Library Leaders Forum: Digital Library Practices For a More Equal Society

The Library Leaders Forum is an annual opportunity for the libraries community to come together and discuss the 21st-century library. This year’s virtual Forum ended last week with an inspiring session showcasing the impact of controlled digital lending. Let’s look back over some of the key moments from the session and the conference as a whole. 

During the final session, we were honored to present Michelle Wu with our Hero Award for her foundational work on controlled digital lending. COVID-19 demonstrated more than ever the power of this key practice in helping libraries reach vulnerable communities. As the election approaches, the emphasis was also on the role of digital access in supporting democracy. “Reliable access to information is the great equalizer,” Wu said in her acceptance speech. 

The power of digital tools was demonstrated further during the session with the grand reopening of Marygrove College Library. Despite the closure of the college, the library’s valuable collection of social justice scholarship has started a new life online. The materials are now freely available on our website, showcasing the power of digitization for preserving knowledge and expanding access. If you missed the session, you can watch the recording or read a full recap

The conference was packed with insight into the impact of controlled digital lending on libraries and the communities they serve. In our policy session, experts discussed how to build a healthy information ecosystem for the 21st Century. Our community session gave a platform to librarians, educators, and technologists who are developing next-generation library tools. 

The discussions showed a library community deeply committed to digital innovation and its potential for creating a more equal society. A key theme was how COVID-19 lockdowns have made librarians more aware of the necessity of digital lending. The practice, always useful in reaching communities who cannot access physical books, has been shown a powerful tool in emergency response. Practitioners also placed emphasis on the key role of digitization in archiving knowledge for future generations. 

However, it was clear that this is no time for complacency. Librarians face threats that would damage their ability to make knowledge accessible and preserve it for cultural posterity. A new lawsuit challenges their right to digitize collections and make them available to the public. Combined with an increasing lack of shelf space and spates of library closures, this could mean that many valuable collections end up in landfill. 

The community is determined to make sure that libraries stay “open” to all. To this end, we have launched the #EmpoweringLibraries campaign, which defends the right of libraries to own and lend digital books. Although the Forum has ended, the community will stay united through campaign activities. 

We’d like to say a huge thank you to everyone who took part and helped make the Library Leaders Forum a great success. Find out how you can stay connected and protect the key role of libraries in a democratic society here.

RSVP to the Open Library 2020 Community Celebration

2020 has been a year of difficulties for all of us. Many schools, libraries, and families have had to adapt to unexpected closures and new norms.

At the Internet Archive, volunteers from the OpenLibrary.org community have been stepping up to meet the challenges of this new normal, to ensure that educators, parents, students, and researchers may continue to safely access the educational materials they rely on.

This Tuesday, October 27, at 11:30 am PDT, we invite you to tune-in and join us as we celebrate this year’s efforts, overcoming unprecedented challenges and growing as an open community.

RSVP: https://forms.gle/dNzLDPtZHsrhudUc7

During this online event, you’ll hear from members of the community as we:
* Announce our latest developments and their impacts
* Raise awareness about opportunities to participate
* Show a sneak-peek into our future: 2021

For more updates, consider following us on twitter: @openlibrary

What Information Should we be Preserving in Filecoin?

The folks at Protocol Labs love their rockets. And outerspace. And exploration.

So when Filecoin, their cryptocurrency-fueled decentralized storage network launched recently, it was no surprise they called it Filecoin Liftoff. In the payload of that Filecoin rocket are treasures from the Internet Archive:

For 15 years, LibriVox has harnessed a global army of volunteers, creating 14,200 free public domain audiobook projects in 100 different languages. Where else can you listen to Jules Verne’s 20,000 Leagues Under the Sea in French, Spanish, English, German or Dutch…for free? Now, phrases of Shakespeare, Poe, Joyce and Dante will be stored across the Filecoin mainnet, broken into packets to be reconstituted when needed—perhaps in a new century.

The same destiny awaits the home movies, stock footage, educational and amateur films in the public domain, lovingly curated by the Prelinger Archives founder, Rick Prelinger. He encourages creatives to download and reuse these videos, creating countless new works like this one by musician Jordan Paul:

Now filmmakers and connoisseurs can sleep easier, knowing that a new, distributed copy of those films lives in the Filecoin network, (along with the main copy and multiple backups in the Internet Archive’s repositories.)

So what’s next Filecoin explorers?

Today, Protocol Labs and the Internet Archive are happy to announce the Filecoin Archives, a new community project to curate, disseminate and preserve important open access information often at risk of being lost. You can get involved in so many ways: by nominating information to be stored, uploading it to the Internet Archive, preserving the data as a Filecoin node while earning Filecoin for sharing your storage capacity.

What information should we be preserving? Please tell us!

How about 166,000 public domain books (60 terabytes) from the Library of Congress? Including 2100 texts about Abraham Lincoln and slavery?

Or Open Access Journal articles? (The Internet Archive has collected 9.1 million of them.)

It takes a host of global voices with diverse viewpoints to ensure that humanity’s most precious knowledge is represented online and preserved. So we need to hear from you. What open access information or datasets are you interested in preserving?

Between now and November 5, please send us your ideas and vote on the others. We will gather your suggestions, add our own, and publish the list from which we will select information to preserve across a global network of Filecoin nodes.

How to send us your suggestions 

Look for the tweet from @JuanBenet– reply to it with:

  • The Name of the Dataset.
  • The size in GB or TB.
  • An HTTP or @IPFS link to the data.
  • Why it matters.
  • #FilecoinArchives

Bonus points if the data is already stored in the Internet Archive or if you upload it there. Vote for ideas by retweeting them and please help us spread the word!

Juan Benet presents his early vision at the 2016 Decentralized Web Summit at the Internet Archive in San Francisco.

In 2015, a young developer named Juan Benet wandered into the Internet Archive headquarters. He painted a picture of a decentralized stack, something he now calls Web3, where the storage, transport and other layers would be distributed across many machines. Together with the DWeb community, we have imagined a web with our values written into the code: values such as privacy, security, reliability, and control over one’s own identity.  With the launch of Filecoin’s mainnet, a piece of that new web is perhaps within reach. 

Now it’s up to us to make sure the payload includes humanity’s most important knowledge.

Library Leaders Forum Explores Impact of Controlled Digital Lending

The third and final session of the 2020 Library Leaders Forum wrapped up Tuesday with a focus on the impact of Controlled Digital Lending on communities to provide broader access to knowledge. A full recording of the session is now available online.

Michelle Wu was honored with the Internet Archive Hero Award for her vision in developing the legal concept behind CDL. In her remarks, the attorney and law librarian shared her thoughts on the development and future of the lending practice. Wu does not see the theory that she designed 20 years ago as revolutionary, but rather a logical application of copyright law that allows libraries to fulfill their mission.

Despite current legal challenges, Wu predicts CDL can continue if libraries make themselves and their users heard.

“We must make sure that the public interests served are fully described, visible and clear to lawmakers and courts at the time they make their decisions,” Wu said. “If we do that, I believe the public interest will prevail and CDL will survive.”

The pandemic has underscored the need for digital access to materials and changed attitudes about CDL among libraries that had previously been risk averse to the practice, Wu said.  

“The closing of our libraries due to COVID has changed that mindset permanently,” Wu said. “It showed how the desire to avoid risk resulted in the actual and widespread harm to populations, depriving them of content at a time when access was more important than ever.”

Because of the pandemic, libraries are now empowered to try innovative practices to serve their patrons.

“With this new heightened awareness, I think the future of access is brighter,” Wu said. “Not only do I think CDL will flourish, but there seems to be very real chance that libraries will more aggressively fight to regain some of the public interest benefits of copyright that they’ve lost over the years.”

In the future, Wu maintained that CDL can ensure a balance for full and equal access to knowledge for every person.

“Reliable access to information is the great equalizer,” Wu said. “Information shapes each of us, and lack of it is part of what increases our divide.”

(A complete profile of Wu’s work can be found here.)

The event also included the virtual ribbon cutting ceremony announcing the reopening of the Marygrove College Library. The Internet Archive now houses its 70,000-volume library online, and has preserved the physical copies, after the institution closed the campus in 2019 and donated its entire collection for digitization. The move preserves books that reflect the college’s rich history of social justice and education programs that largely served women, African Americans and low-income students in Detroit.

“The knowledge that [the books] would still be available and still be utilized just keeps us going as we wrap up the college,” said Marygrove President Elizabeth Burns at the Forum. “It’s a sad, sad time, but it is also a time where we know the impact of the college will continue…It’s a very tangible measure of Marygrove for the future.”

Chris Freeland, director of Open Libraries at the Internet Archive, moderated a panel with Marygrove librarian Mary Kickham-Samy, Mike Hawthorne, a librarian at nearby Wayne State University, and Brenda Bryant, dean and director of Marygrove’s social justice program, to talk about the transformation of the library into a digital format.

“It’s exciting! I’m thrilled that it won’t be in just one small corner,” said Bryant of the library’s move online and value to scholars. Bryant built the nation’s first Master of Arts program in social justice at Marygrove and considered the library one of the best kept secrets on campus. “Like my activist friend Elena Herrada [said], the collection was important because in Detroit, reading is an act of resistance.” 

For more about Marygrove’s story, read our online profile.

Want Some Terabytes from the Internet Archive to Play With?

There are many computer science projects, decentralized storage, and digital humanties projects looking for data to play with. You came to the right place– the Internet Archive offers cultural information available to web users and dataminers alike.

While many of our collections have rights issues to them so require agreements and conversation, there are many that are openly available for public, bulk downloading.

Here are 3 collections, one of movies, another of audio books, and a third are scanned public domain books from the Library of Congress. If you have a macintosh or linux machine, you can use those to run these command lines. If you run each for a little while you can get just a few of the items (so you do not need to download terabytes).

These items are also available via bittorrent, but we find the Internet Archive command line tool is really helpful for this kind of thing:

$ curl -LOs https://archive.org/download/ia-pex/ia
$ chmod +x ia
$ ./ia download –search=”collection:prelinger” #17TB of public domain movies
$ ./ia download –search=”collection:librivoxaudio” #20TB of public domain audiobooks
$ ./ia download –search=”collection:library_of_congress” #166,000 public domain books from the Library of Congress (60TB)

Here is a way to figure out how much data is in each:

apt-get install jq > /dev/null
./ia search “collection:library_of_congress” -f item_size | jq -r .item_size | paste -sd+ – | bc | numfmt –grouping
./ia search “collection:librivoxaudio” -f item_size | jq -r .item_size | paste -sd+ – | bc | numfmt –grouping
./ia search “collection:prelinger” -f item_size | jq -r .item_size | paste -sd+ – | bc | numfmt –grouping

Sorry to say we do not yet have a support group for people using these tools or finding out what data is available, so for the time being you are pretty much on your own.

Michelle Wu Receives Internet Archive Hero Award for Establishing the Legal Basis for Controlled Digital Lending

Michelle Wu, Internet Archive Hero Award 2020 recipient

Michelle Wu is leading libraries to think and act in new ways to fulfill their missions.

For nearly two decades, she has advocated for preserving and expanding access to materials by responsibly digitizing collections. Using her expertise as an attorney, law librarian and professor, Wu crafted the legal theory behind Controlled Digital Lending (CDL) and has dedicated much of her career to showing libraries how to put the concept into practice.

To honor her innovative and tireless work, Wu has been named the recipient of the 2020 Internet Archive Hero Award. The annual award recognizes those who have exhibited leadership in making information available for digital learners all over the world. Past recipients have included Phillips Academy, the Biodiversity Heritage Library, and the Grateful Dead. Michelle received the award during the Library Leaders Forum final session on October 20.

“Michelle Wu was ahead of her time in understanding the transition to the digital era and brought library lending into our new landscape,” said Brewster Kahle, founder of the Internet Archive.

“Not only did Michelle see a problem coming, she did something about it,” Kahle says. “It’s a combination of being both a visionary on how the world could work and then making concrete steps to get us there.”

With library buildings closed now for safety, the demand for digital materials has grown. The pandemic magnifies the importance of using CDL as a strategy to expand services to the public, says Pamela Samuelson, a distinguished professor of law and information management at the University of California, Berkeley, who admires Wu’s insights as a scholar and librarian.

“She set the example and made people feel comfortable with a concept that was initially a little bit questionable,” says Samuelson. In her copyright classes, Samuelson now draws on Wu’s work to inform her students.

“Michelle’s articles explaining the concept have been very useful for students to have not just the reader’s perspective, or law student’s perspective, but how librarians are really taking the challenge of the digital age,” Samuelson says. “They are making good things happen to carry on the grand tradition of libraries to facilitate as much access as lawfully possible to the public they serve.”

Looking back on her career, Wu says she sort of fell into law. She abandoned plans for medical school after helping her roommate at the University of California San Diego study for the Law School Admission Test. Fascinated with the logic puzzles, she took the LSAT on a whim and did well enough to get a scholarship.

“I found I loved the theory of the law, looking at issues from all sorts of angles and finding a path through,” says Wu, who enrolled at the California Western School of Law and worked part-time at the San Diego County Law Library. She soon realized that the adversarial nature of the legal process didn’t suit how she viewed the law. Law librarianship was a better match, one grounded in collaboration and a commitment to using legal knowledge to educate and assist users in finding meaningful solutions to their legal problems . A year after earning her J.D., Wu got her master’s degree in librarianship with a certificate in law librarianship at the University of Washington.

She landed her first job at George Washington University Law School Library. In 2001, she was hired by the University of Houston School of Law. It was there, following the massive destruction of the school’s library due to Tropical Storm Allison, that Wu focused on the need to protect materials through digitization.

Wu says she began to wonder: “Is there a better way for libraries to prepare society for a world in which there are a growing number of natural disasters?” she recalls. “There are so many risks to our collections, and society depends on long-term access for this information,” Wu says.

Wu developed the theory for a digitization program designed with copyright in mind. What came to be known as CDL, she says, strikes a balance between the interest of the users and copyright owners. A library can lend out only the number of copies that it has legitimately acquired, though the copy can be any format.   The flexibility in format facilitates  more effective access for a wide variety of users, including those  who live remotely or have trouble physically coming to a library building, while also ensuring the preservation of content in situations like natural disasters.

After Houston, Wu worked at the Hofstra School of Law and Georgetown University Law Center. As both a library director and law professor, Wu says she has been well-positioned to advocate for CDL and reason with the skeptics.

 “I haven’t heard a lot of substantive objections. I have heard fear, which is common and understandable anytime you are changing the status quo, but it is something that must be overcome for advancement.” says Wu. “In talking with others about CDL, I  focus on what CDL is and what it is intended to accomplish, which pushes people to engage deeply instead of rejecting the idea out of fear. From my perspective, CDL  is the purest form of balance in copyright that you are going to find in a world of technology, and that balance is difficult to deny when you examine CDL in detail.”

Kyle K. Courtney,  the copyright advisor and program manager at the Harvard Library Office for Scholarly Communication, says from the first time he met Wu, he was inspired by her ideas and willingness to challenge norms. Her research was a major influence on Courtney’s work and career. Together, they co-authored a position statement on CDL.

“It is great to meet your heroes sometimes — and even better to be able to work with them side by side,” says Courtney. “She is not a theoretical scholar. This is what’s awesome: She puts the cutting-edge CDL copyright system to work. That’s why she’s a trailblazer in both words and action, putting libraries at the forefront in our field.”

Wu’s leadership has helped advance the collaborative work of libraries and enabled there to be  more transparency in sharing information, says Courtney. He and Wu have presented on CDL at several conferences and discussed the concept with Congressional staff on Capitol Hill last year.

“She is one of the hardest working members of the library field I know,” Courtney says. “She’s oriented toward practical results and addresses 21st century challenges in multiple environments – public, private and academic. She is a person of remarkable integrity.”

Courtney says Wu’s recognition showcases what leaders in librarianship should aspire to: a successful record of progressive scholarship,  influence on the next generation of librarians and a legacy of hard work that reflects an enthusiasm for libraries.

Sharing the story of CDL on Capitol Hill, Lila Bailey, policy counsel for the Internet Archive, says she was struck by Wu’s ability to connect with staffers. “Michelle explains things in such a clear, intuitive, practical way,” says Bailey, who also has collaborated with Wu on research. “She’s so competent and conscientious.”

Wu has been committed to spreading her knowledge of both academic and practical aspects of the CDL to librarians and policymakers across the country. “She is somebody who came up with a legal theory and spent her career creating a proof of concept for why this is important,” Bailey says. “The Internet Archive sets this very ambitious vision of universal access to all knowledge then it tries to live up to the vision. Michelle embodies this ethos of the Internet Archive to be the change you want to see in the world.”

In June, Wu retired from academia, but she continues to research and mentor emerging librarians. Too often, (outside of the sciences) academia gives more weight to the risk in innovation instead of imagining the opportunities that creative problem-solving can provide, but Wu says that attitude doesn’t serve the public in the best way.

“We can’t sit back and expect everyone automatically to understand the importance of libraries long term. We have to stand up for what we believe, advocate for it, and find solutions that better serve society in an ever-changing world.” Wu says.