On March 15, the small island nation of Aruba, part of the Dutch Caribbean, closed its borders to visitors. Cruise ships packed with tourists stopped coming. Casinos, libraries and schools shut their doors, as Aruba’s 110,000 residents locked down to halt the spread of COVID-19.
Librarians quickly gathered reading lists from students, parents and schools. With high school graduation exams just a month away, the required literature books would be crucial. Aruban students are tested on books in Dutch, English, Spanish and their native language of Papiamento. “Just before your literary final exams, you need to re-read the books,” explained Peter Scholing, who leads digitization efforts at the National Library of Aruba. “The libraries are closed. Your school libraries are closed. You can order from Amazon, but it takes weeks and weeks to arrive. If you are in an emergency, then you hope your books are online.”
Scholing was relieved to discover that most of the required literature in English and Spanish was available in the Internet Archive’s National Emergency Library. As library staff moved to work from home, they grabbed the tools to digitize the books in Papiamento that were missing. Many local authors were easy to track down and most gladly gave permission for free downloads or loaning their works. Scholing reports, “Some of them choose digital lending. But a lot of them say, ‘Well it was a limited print run….I’ve sold all the copies of my books, now you can just make it available for download.’”
Preservation Pays Off
For many years, the library’s small Special Collections staff had been diligently digitizing key collections: photographs, historic texts, newspapers, and perhaps the world’s largest collection of texts in Papiamento. But with few technical resources, the National Library of Aruba had no way to provide access to those works. Scholing says the Internet Archive proved to be the “missing link.” In March 2019, the Library was able to unveil its new Digital Collection, 18,800 texts, videos and audio now accessible to the world on archive.org. Today, with libraries and schools closed, these materials are the keys to unlocking the doors to online learning.
“We didn’t imagine something like the Covid crisis could happen,” said Scholing. “But for our preservation efforts, this is the Big One. We are really lucky to be able to provide access to information that we couldn’t otherwise without the Internet Archive.”
When Waitlists Won’t Work
Although Scholing had permission from the authors to lend their recent books, several times we accidentally reinstituted the waiting list, since the National Emergency Library does not include books from the last five years. That meant students reading the work suddenly would have had to wait, sometimes for weeks, to move up the waiting list. Scholing wrote to us immediately: “There must be an alternative. I’m getting emails from students and teachers already.”
Eventually we worked out the kinks so Aruba’s books in the National Emergency Library wouldn’t get taken down. In addition, hundreds of texts in Papiamento from 1844-2020 are now available without waitlist. It’s part of a bigger vision on the island to teach students to read and write the language they speak at a higher level. “A lot of textbooks come straight from the Netherlands…you are reading about snow, trains and windmills,” Scholing explained. “It’s better to use something from a newspaper or magazine produced locally…It’s their own context. It speaks more to them.”
He even received this note from a local author, written in Papiamento:
Peter aprecia, (Dear Peter,)
Hopi admiracion pa e trabou cu bo ta desplegando pa Aruba y nos hendenan.
(A lot of admiration for the work that you are carrying out for Aruba and for our people.)
This week, schools in Aruba are scheduled to reopen. Since March, the library has tripled the number of items in its digital collection, and visitors have increased by 300%. Scholing sees this as evidence that the National Emergency Library will have lasting benefit. “All the thresholds and barriers to access this unique information have been lifted, once you put it online.”
For six weeks, Internet Archive book scanner, Mandy Weiler, was unable to digitize art history books inside the now shuttered Getty Research Institute. Furloughed and stuck inside her 500-square-foot apartment in Los Angeles, she spent a lot of time staring out the window. She took up bird watching and hung out with her cat. Then, the Internet Archive had an idea: bring scanners back from furlough and hire experts to teach Mandy and other book scanners new skills, including dating 78 rpm records and performing custom audio restoration on these recordings from a century ago. “Before I was doing the whole Doom Scrolling all day long,” Mandy recalls. “When we came back from furlough…I was really glad to get assigned to the 78 project. It has been such a nice distraction to get lost in these old records.”
Across the country, in Philadelphia, music metadata researcher Liz Rosenberg was also in need of work. A specialist in 78 rpm records trained by the legendary George Blood, Liz agreed to lead a new project cataloging 38,000 discs in our 78s collection for which the date of publication is unknown. Her team of a dozen former book scanners starts with the data on the record labels, but that is often just the beginning. Almost every 78 recording was originally assigned a matrix number, usually etched into the shellac itself. It is the only sure way of identifying a performance, but certain record labels such as Victor kept its matrix numbers secret. Sometimes only abbreviated versions of the matrix number are printed on the label itself.
Enter Mandy Weiler, who has a bachelor’s degree in Public History and has worked for libraries for the last decade. Turns out that digging up music metadata is right in her wheelhouse. “It’s a lot of web sleuthing. I’m one of those people who have 100 tabs open all the time on their computer,” she explained. “My partner calls me a story hoarder. I’m glad we are putting it to good use.”
Take for instance this 78 disc, Reigen (La Ronde de L’amour) by Adolf Wohlbruck, publication date unknown. “I started in all the normal places, but I wasn’t getting any hits,” Mandy recounted. “I couldn’t narrow down the dates and then I started finding out more about the performer.”
Mandy’s research uncovered a fascinating story behind this disc. The performer, Adolf Wohlbruck, was better known as Anton Walbrook, the queer, Jewish son of a circus performer who fled Nazi Germany in 1936. Walbrook went on to become a celebrated actor in Hollywood and England.
In La Ronde, the 1950 film for which he recorded this performance, Walbrook plays the master of ceremonies in a cycle of stories about love. The film was nominated for two Academy Awards and was later remade in a 1964 film starring Jane Fonda.
Perhaps Walbrook’s best known films are the 49th Parallel and The Red Shoes, both of which you can still watch in the Internet Archive. All of this rich backstory is now recorded in the Internet Archive Review Section for this 78 rpm record.
“It can take you down some great rabbit holes,” Mandy said. “This is the stuff I’ve been interested in my adult life. Digging in and finding information that is not readily available and sharing it. Universal Access to to Knowledge. That’s important to me because it helps so many people.”
Oh, and the publication date of the 78 Reigen? Mandy says it is likely 1951. Can anyone help us further?
Last week the Internet Archive upped our bandwidth capacity 30%, based on increased usage and increased financial support. Thank you.
This is our outbound bandwidth graph that has several stories to tell…
A year ago, usage was 30Gbits/sec. At the beginning of this year, we were at 40Gbits/sec, and we were handling it. That is 13 Petabytes of downloads per month. This has served millions of users to materials in the wayback machine, those listening 78 RPMs, those browsing digitized books, streaming from the TV archive, etc. We were about the 250th most popular website according to Alexa Internet.
Then Covid-19 hit and demand rocketed to 50Gbits/sec and overran our network infrastructure’s ability to handle it. So much so, our network statistics probes had difficulty collecting data (hence the white spots in the graphs).
We bought a second router with new line cards, and got it installed and running (and none of this is easy during a pandemic), and increased our capacity from 47Gbits/sec peak to 62Gbits/sec peak. And we are handling it better, but it is still consumed.
Library directors and staff are facing incredible challenges in meeting their community’s needs during this unprecedented time of library closure. As a recent article by NISO Director of Content, Jill O’Neill, points out “[o]ne take-away from this global pandemic might be the humble recognition that there are existing needs in the marketplace that are not satisfactorily served by current access models.” In the meantime, with the majority of the nation’s libraries closed, librarians are turning to a variety of currently available digital content resources to meet patron needs while their physical collections are unavailable for use.
One of the librarians leading the charge is Michael Blackwell, Director of St. Mary’s County Library, in coastal Maryland. Michael is active in a variety of eBook working groups at the state and national level, and champions the role of digital content in meeting the needs of the residents of his rural Maryland county. Another voice in this conversation is Lisa Radha Weaver, Director of Collections and Program Development at Hamilton Public Library, in Hamilton, Ontario, Canada. With a circulation of more than 7 million items each year, Hamilton Public Library serves its community of more than 750,000 residents through a variety of programs that are all currently suspended due to COVID-19. Similarly, Kelvin Watson, Director of Broward County Libraries, in southern Florida, is leading his staff and community through this remarkable moment in library history. Serving a population of nearly 2 million people, the Broward County Library system circulates more than 10 million items each year through its 38 branches, all of which are currently closed.
All three librarians took time from their hectic schedules to talk with the Internet Archive about their operations during closure, the role of digital content in meeting the needs of their patrons, and the value of digital libraries in the COVID-19 era.
Chris Freeland, Internet Archive: As of this writing your libraries are currently closed because of COVID-19. How are you reaching patrons while your libraries are shuttered?
Kelvin Watson, Director, Broward County Libraries (FL): All of the 38 physical locations of Broward County Library (BCL) closed at the end of the day on March 19, 2020, but library staff remain working to keep up with the public’s demand for its free online resources and remote reference services. With its customers confined at home, BCL is experiencing a surge in usage and new users of its digital resources.
As the threat of COVID-19’s spread increased in mid-March, BCL marketing staff launched a public-awareness campaign via social media posts and targeted ads, a virtual newsletter and customer emails to inform the community about its extensive collection of free digital content that can be accessed with a BCL Instant eCard.
The marketing efforts paid off. There has been an increase in Overdrive eBooks and eAudiobooks checkouts of 22% from March 2019 to March 2020 and a 68% rise in check-outs of eBooks from Axis 360, which offers titles for children and teens, a clear indication of how many youth in our community are accessing BCL materials for homework and entertainment during local safer-at-home mandates.
In addition to providing digital content, another way that BCL is engaging customers while its buildings are closed is through virtual outreach that replaces popular in-person library programs. These include video story times, like this reading by librarian Autumn Dec of the book Dragons Love Tacos, which has garnered 1.1k views on social media as well as librarian-led “Book Bites” book reviews. BCL is even planning a virtual version of their popular “Summer at Your Library” program, which will offer prizes and incentives as well as an online game board and activities for readers and learners of all ages.
Just like the Internet Archive, during this crisis, BCL is also expanding its scope by reaching out to customers in unexpected ways. Staff at BCL’s Creation Station makerspaces are using the library’s public 3D printers, sewing machines and other gear, to produce protective face coverings and using BCL’s 3D printers to make S-hooks (which helps face coverings fit comfortably) to distribute locally to healthcare professionals and first responders.
Michael Blackwell, Director, St. Mary’s County Library (MD): The COVID-19 pandemic has foregrounded the need to provide all types of library content virtually. We are doing weekly digital storytimes so that children can and their parents can have fun while practicing literacy-building activities. We are grateful to publishers such as Penguin Random House that have lifted restrictions on storytime reading of content online. We are doing online trivia contests. We are subscribing to additional online services, such as CreativeBug, which has videos about crafting. We are doing a weekly “Quaranzine” with writing and art submissions by our patrons.
One of the most important ways we are responding, however, is by providing additional digital content. We have added to the number of Hoopla checkouts per month and added content to OverDrive, RBDigital, and the DPLA Exchange. We are a small three branch system serving a county of some 113,000, however, and we do not have the funds to keep up with an increased demand, with downloads exceeding 33% in March and April what they did in January and February.
Lisa Radha Weaver, Director of Collections and Program Development, Hamilton Public Library: During this unprecedented time, Hamilton Public Library (HPL) staff is available by phone, email and online chat. Our website (hpl.ca) also offers 24/7 access to online programs and resources. While our branches are closed, HPL continues to connect customers with our Digital Collections including the National Emergency Library (NEL). Staff is also calling all customers aged 75+, 3D printing masks and sewing protective face coverings, offering online programs and discussion forums for all ages, launching our Hamilton Reads and Summer Reading programs early and donating our book sale collections to clients at our partner food banks.
Chris Freeland: Are your staff or patrons using the National Emergency Library while your libraries are closed? If so, what response are you getting?
Michael Blackwell: The Internet Archive provides another arrow in our quiver. Without additional cost, we can provide another source of eBooks that helps us match the depth and breadth of print books sitting idle on our shelves. Patron response has been sparse, but at least one person has commented with joy upon finding books from his childhood that he had not seen in years, that are otherwise completely unavailable in digital form, and that could be read only by ordering tattered copies from online bookstores. We are not using it to supplant our licensed content but to add richness that we otherwise could not. In a time when we cannot circulate our physical collection, when many are staying in place for their own health, when many are now unemployed, and when an economic recession might restrict people’s buying power and create ever greater reliance upon libraries, a source of information and reading delight is welcome to us and our patrons.
Lisa Radha Weaver: At HPL, we share the National Emergency Library with customers via our website, catalogue and during reference inquiries. Our reference desk is open seven days a week and staff Book an Appointment for those customers needing additional assistance. Customers are directed to the NEL for content that we cannot physically share at this time.
Chris Freeland: The value and role of digital libraries have never been more apparent, and yet, in an attempt to discredit the work of the Internet Archive and the National Emergency Library, critics are using a line of attack that the Internet Archive is “not a library.” As a professional librarian, how is this criticism harmful?
Michael Blackwell: Criticism that the Internet Archive is not a library is so absurd a claim as to be almost unworthy of a response and yet it should be of concern to all librarians. Attacks on libraries are of course commonplace these days. An online search will quickly reveal organized groups that would, for instance, like local government to seize control of libraries to make all collections and programs suit the outlook of a particular religion. My library has been attacked by such groups.
This attempt to subvert a library by saying it isn’t actually a library is unprecedented, as far as I know, but equally worthy of rejection as narrow-minded censorship, however fallacious it is. First, members of a group unaffiliated with libraries have no more business defining what a library is than librarians have any business saying who is or who is not an author. Second, what exactly is a library? In defining the term, the American Library Association, which surely has more right to define what a library is than Internet Archive’s critics, says the following: “The word ‘library’ seems to be used in so many different aspects now, from the brick-and-mortar public library to the digital library (https://libguides.ala.org/library-definition).
The Internet Archive is not a public library, of course, but in an increasingly digital world, collections of eBooks and other resources online have every claim to be called a library. Project Gutenberg describes itself as “a library of over 60,000 free eBooks” (https://www.gutenberg.org/). The word library is in the very name of the Digital Public Library of America, another registered 501(c)(3) non-profit organization. Do these critics maintain that DPLA too is not a library? What about the increasingly important collections of local content digitized by public libraries, including books of local interest—are only the physical books sitting on shelves the actual “library”? Nonsense! Libraries must be free to collect in ways that give access to knowledge, and we must defend our mandate and the people’s right to literacy against any agency that would restrict our legitimate efforts to provide and preserve books.
Lisa Radha Weaver: As a public library, our mandate is to provide equal access to information and encourage lifelong learning. HPL staff members appreciate the opportunity to expand our support to customers during this pandemic. Digital libraries ensure customers continue to enjoy access to content. The Internet Archive offers increased access to research and information, regardless of format or choice of genre. Hamilton Public Library supports Controlled Digital Lending (CDL) and while physical collections are temporarily closed, customers need access in new ways. The National Emergency Library ensures vital, equitable access for everyone — just as public libraries will again provide when physical distancing and stay-at-home orders are lifted.
Kelvin Watson: Libraries are more than physical spaces and buildings – like the Internet Archive, our resources and services are virtual as well, serving our customers 24/7, everywhere and anywhere. Our strong virtual presence has been just as important as our brick-and-mortar storefronts – even more so in times of crisis, when people cannot visit a library in person for whatever reason.
During the COVID-19 crisis, with social distancing and stay-at-home mandates, we are again seeing just how essential our virtual services are. Just because customers can’t walk into a library it doesn’t mean they’re not using library services. They are, more than ever according to our statistics. For many customers, accessing library materials virtually is easier, faster and more efficient. Online or in person, Broward County Library is still a library, providing educational, informational and recreational resources constantly and consistently, to everyone in our community, all the time, at any place.
The Fourth Annual Internet Archive Artist-in-Residency Exhibition, organized in collaboration with Ever Gold [Projects], has been cancelled this year—along with so many other visual art exhibitions in the Bay Area and across the globe. Part of the residency program involves Ever Gold and the Internet Archive providing participating artists with funds to support production costs to create their research project and the artworks they exhibit.
Typically, emerging artists creating a body of work for a solo or two-person exhibition at an art gallery pay for these production costs out of their own pockets, and wait for their dealers to place their finished artworks with collectors, patrons, or institutions to recoup this overhead.
With exhibitions cancelled and art sales slowing down to a crawl, these lost revenues are compounding emerging artists, who have already invested in production costs for now cancelled shows.
As this is a specific problem to practicing emerging artists which the artist in residency program is designed to support—Ever Gold and the Internet Archive have decided to use the funds allocated for this year’s residency program and create a relief grant to support other Bay Area artists with lost and out of pocket exhibition production costs.
This is made possible by a grant from the Internet Archive, with additional support from the Kenneth Rainin Foundation and individual contributions from Roselyne Swig, Bryan Meehan, Justin Shaffer, John Sanger, and Maurice Kanbar. To date, we have raised a total of $30,000 which wewill be distributing in thirty $1,000 grants direct to artists who meet the following qualifications.
APPLICATIONS OPEN 9AM (PST) MAY 12TH / AND CLOSE MAY 15TH 4PM
Applications will be limited to the first 400 artists who apply.
Qualifications for artists to apply:
You must be a Bay Area resident.
You must have had a solo, two, or three-person exhibition that has been cancelled or delayed due to the pandemic.
The exhibition needs to be with a commercial Bay Area art gallery and have an original opening date of between March and September 2020.
Provide visual documentation of the body of work made or in-progress.
Provide a basic summary of production costs spent out of pocket for this work (besides materials, this can also include studio rent, and other related costs)
Provide a finished or draft of the press release for the exhibition.
Only 400 application slots available, open May 12 – 15, with funds distributed the following week.
You must be able to participate in an online exhibition featuring grant recipient, tentatively scheduled in mid-June.
Applications will be reviewed by: –Hilde Lynn Helphenstein aka Jerry Gogosian (Curator, critic, and @jerrygogosian) –Drew Bennett (Artist and founder of the Facebook art program) –Andrew McClintock (Ever Gold [Projects]) –Amir Esfahani (Internet Archive)
She’s an author of crime fiction. A college librarian. A recently retired faculty member at a small liberal arts college in Minnesota. For more than 30 years, Barbara Fister has felt the opposing pull from her publishers and the call of open access; from the need for books to make money and the desire for her published work to live on into the next century. Plus, this author and librarian has authored five books now available in the National Emergency Library.
Because Fister resides at the nexus of authors and libraries, we wanted to understand why on April 15, 2020, she posted this to her Twitter account:
From her home in rural Minnesota, Fister (who is “not a fan of Zoom/Skype/etc”) and I corresponded by email. “Honestly, I was surprised,” Barbara wrote. “When I started poking around the National Emergency Library I did a vanity search and—hey, look at that! I had to tweet that my books were there, because it made me happy. Then I started looking for things I would check out of my academic library if it were open, and many of those books were there, too. It’s very gratifying to have that access.”
As Fister sees it, “Regardless of the legal issues, I think the Internet Archive has the moral high ground in launching the National Emergency Library. There’s no way people who already contributed to paying for access to books through taxes or tuition can individually purchase every book they might want to consult while the libraries they relied on (and helped to fund) are closed. We need to consider the public good in this crisis.”
One reason Fister is “tickled” is because her novels, published in 2008 and 2010, are hard to find, even in libraries. “They were published a while ago, so a lot of public libraries have no doubt weeded them to make room for more recent titles, which is totally understandable,” Fister explained. “I have worried a bit about the disappearance of non-academic books from the public cultural record. There was a time scholars could rediscover overlooked women writers long after their books went out of print, because they were on the shelves of academic libraries. In recent decades, however, academic book budgets have been strained and very few libraries purchase and retain popular literature.” She believes this “gradual forgetting of the popular” makes a shared digital collection like the Internet Archive’s even more valuable. “Even without a pandemic, it’s a need that I’m happy the Internet Archive is tackling.”
Fister has made many of her publications completely open access, and downloadable through the Internet Archive. It’s a value she embraced as an academic librarian. “As a library, we consciously promoted open access because equitable access to information is a core library value. For that reason, I have tried to make as much of my work open access as possible. This gets tricky with books, because both authors and publishers put a great deal of work into a book, and since I respect the value editors and publishers add, I sympathize with the need to have a business model that supports that critical hand-crafted work.”
But as both an author and a librarian, Fister doesn’t subscribe to the notion that libraries in general and the National Emergency Library in particular are cutting into author revenue.”It’s not a competition, it’s a symbiosis.” she wrote. ”I don’t think they understand how unlikely it is that allowing multiple users of these versions of their books will adversely affect their income, but it seems many authors view it as a moral argument. ‘You can’t scan my books, period. It’s my property, and you didn’t ask my permission.’ Admittedly, like most authors I don’t depend on my writing for a living; perhaps if I did I would feel differently. But as it is, I’m delighted if anyone discovers my books and enjoys them.”
There’s no way people who already contributed to paying for access to books through taxes or tuition can individually purchase every book they might want to consult while the libraries they relied on (and helped to fund) are closed. We need to consider the public good in this crisis.
As an academic, Fister has spoken and written extensively about information literacy, the “understanding of how information is produced and valued…ethically in communities of learning.” She points to Congress and the current copyright laws as the source of current tensions between open access advocates, libraries, authors and publishers, writing:
Launching the National Emergency Library has been risky for the Internet Archive, and I appreciate that act of risk-taking as a person who would like us to do a better job of balancing social and individual interests in the original Constitutional purpose of copyright – “To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.” Congress has tilted much too far against society’s legitimate interest by making “limited time” for copyright owners nearly unlimited. This is actually bad for authors – and for all of us. Copyright isn’t working as it should, but people are too nervous to make full use of fair use because losing a lawsuit could be ruinous. The Authors Guild does not represent all authors. It certainly doesn’t represent my interests. I’m more aligned with the Authors Alliance.
Some day in the future, when COVID-19 is defeated and libraries are once again open, Fister believes that scholars of library history will examine this moment and “be pleased that their research is available to Americans who are learning and working from home during this historic pandemic.”
Barbara Fister is one of those working from home.
Earlier, Barbara returned a library book she needs for her research, Wayne Wiegand’sA Part of Our Lives: A People’s History of American Public Libraries, but now that her library is closed, she was delighted to find it in the National Emergency Library. “’I’m scrolling through on my laptop, typing out quotes I want to note down; no copying and pasting or downloading the file for keeps allowed, all limits which makes it not at all like piracy,” she wrote. “This effort to make so many books available for the duration, legally risky and technically challenging, is beyond what any single library could do. While the National Emergency Library isn’t the same as our local libraries, it’s a wonderful thing to have available in these challenging times.”
Our staff has been working from home for weeks now, keeping the Internet Archive up and running from a variety of remote locations. In the midst of all our video calls, email chains, and team chats, one theme keeps reoccurring: gratitude. We’re grateful for all of the donors who give so generously to us time and time again; we’re grateful for all of the teachers who write us with their suggestions and kind words of encouragement; we’re grateful for all of the Dead Heads who upload live shows and keep us staff entertained; we’re grateful for our partners and colleagues.
Most importantly, we are grateful that our community supports us and helps us grow. We are grateful for you.
In the past few months we’ve received countless messages from our community asking “How can I help?”. People everywhere are wondering how, during these turbulent times, they can make a positive impact on the world without leaving their homes. Some folks have offered to make a donation in support of what we do, and we’re always grateful for the help! But for those who might not be able to donate right now, or who already have and wish they could do more, there are a few different ways you can lend a hand. Here are some easy ways to help the Internet Archive if you have limited time, money, mobility, or energy:
Matching Gifts Have you donated to the Internet Archive recently? Help your gift go even further! Many companies offer matching gift programs as part of their benefits packages to employees. These organizations may be willing to double or even triple the value of your charitable gifts. Have you made a donation this year that might qualify? Curious to see if your company provides this benefit? To find out, visit our Matching Gifts page and enter your company’s name in the search box.
Better World Books Roundup Program There’s nothing like a good book to whisk you off and help wile away the hours while stuck inside. When you buy a book from Better World Books, you have the option of rounding up your purchase to support the Internet Archive. Since we launched this partnership back in December 2019, these roundups have resulted in $11,000 for the Internet Archive! A little bit certainly goes a long way. To our friends at Better World Books and to all who have ‘rounded up’ 10 cents here and 45 cents there, thank you. To wander their digital bookshelves for your next book purchase, visit the Better World Books website.
Amazon Smile Fresh veggies, canned goods, dish soap, the elusive toilet paper…many people are doing most of their shopping these days using delivery apps like Amazon. Did you know that Amazon Smile gives back .5% of every purchase you make to the participating non-profit of your choice? If you find yourself hitting their “virtual checkout” button more often, make sure you do so with Amazon Smile! And if you decide to make the Internet Archive the beneficiary, we’d be ever so grateful. To sign up and support us, visit: https://smile.amazon.com/ch/94-3242767
Donate Books Looking for a forever home for all those books that no longer spark joy? Look no further than Better World Books. Every book they receive will be resold, donated, recycled… or digitized and added to the Internet Archive, so that readers everywhere can enjoy it. All books (in good condition) are welcome! Visit https://www.betterworldbooks.com/go/donate to find a dropbox location near you.
Host a Facebook Fundraiser Is your birthday coming up? Or looking for a good way to spread the word about the Internet Archive to friends and family? Why not try out hosting a fundraiser on Facebook! To learn more, visit https://www.facebook.com/fund/internetnetarchive/
Spread the Word! One simple way to support us is by using the Archive and spreading the word to your friends and family. We don’t have an advertising or marketing team, so we definitely appreciate all the help we can get with promotion. If the Wayback Machine saved your website or you found a cool collection that made your day, tell a friend! You can also follow us on Twitter, Facebook and Instagram. We’ve got a once a month newsletter you can join, and make sure to bookmark our blog!
Thanks for helping us out! Your support helps journalists, teachers, researchers, high school students, kindergarteners, PhD candidates, genealogists, old time radio enthusiasts, Dead Heads, podcasters, developers, and readers of all ages get the information they want, the information they need, and the information they love. We thank you for all your contributions, big and small. Every little bit (and byte) counts.
One of the few people working in our headquarters building, Roxana Alfaro Rodriguez has been busy sewing cloth masks to give away. We now have a dozen ready and they are available for free in a box in front of the Internet Archive.
If you would like one, please come by 300 Funston Avenue. Please only take one or maybe two. They take about 30 minutes apiece to make. Thank you, Roxana, for your amazing sewing skills!
Our friends at Better World Books, the wonderful online bookstore (which is shipping during the current crisis) added a “round up your bill” feature so that purchasers could add up to 99 cents to their order as a donation to the Internet Archive.
Thanks to the generosity of their customers, Better World Books sent us a check for $11,000 in donations! The average donation was 45 cents. Thank you to 24,444 customers of Better World Books for supporting our nonprofit library!
Better World Books, is a B-corp, a social benefit corporation, dedicated to social good projects including supporting literacy programs, the Internet Archive, and Books for Africa. And they are now owned by a non-profit charity, Better World Libraries, making it now completely mission aligned with the non-profit Internet Archive.
A big Internet Archive thank you to Better World Books customers! A great way for our community to support them in these times would be to buy a book from Better World Books. And remember, please round up if you are able!
The Supreme Court held today that copyright protection does not extend to the law – in this case, to the annotations in Georgia State’s annotated code. Justice Roberts explained that the animating principle behind this rule is that no one can own the law. “Every citizen is presumed to know the law,” and “it needs no argument to show . . . that all should have free access to its contents.”
This is a victory for our friends at Public.Resource.Org, the public domain, and the public at large. Free access to the law is core to the ability of our citizenry to fully participate in our democratic society. The Internet Archive has worked with Public Resource for 6 years to make the law fully searchable and downloadable to the public for free. We applaud this outcome and hope that more legal works will come to be available to the public in the coming days and weeks. We are glad this fight is over.