Category Archives: Cool items

The Internet Archive Telethon Pt. 3

See also Parts 1 and 2.

We dreamed up the idea of an Internet Archive Telethon, and due to the work of employees, volunteers, and performers, we put together an (almost) 24-hour show. We had an amazing time doing it.

But what were the results?

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In total, including the 2-1 matching grant we had going on, we raised $131,134 across the 24 hour telethon period. Many donations were $50 or $100, with some lower and a few higher. Watching the funding trends that were in effect from the previous year and this month, there was roughly $30,000 expected to be made if we hadn’t done anything unusual beyond the fundraising banner and the usual contacting of folks to donate. So that means, unscientifically, that the Internet Archive Telethon caused a 400 percent increase in donations, which makes it a wild success!

A shout-out to Doug Kaye of IT Conversations, who donated $10,000 to the event towards the end, as well as Kevin Savetz, who contributed $1,500 in the name of the vintage computing history he and others have been uploading. Limor Fried of Adafruit donated $500, and many, many others contributed other amounts throughout the day and night.

Not only was money raised, but awareness was raised: people were being told about the show and were checking out the Internet Archive for the first time. We got a chance to see everyone excited and happy at the end of the year about this place we work in, and to talk about what brings us there. And the performance acts, all volunteering time and effort, provided us with amazing entertainment and spectacle. It was a resounding success on many other levels as well.

Will it happen again next year? Who knows. What we do know is how incredibly wonderful the experience was, even through all the hard work and intense effort, and how great it is that a mission like the Archive’s can inspire so much.

Thank you so much for being a part of this.

There are so many people to thank for this event. We’ll start with Eddie Codel for livestreaming equipment and Jasmine/Chris/Alex at Support Class for their on-screen reactive graphics – you all made us seem much more professional. On the internal side of Internet Archive employees, June Goldsmith handled administration concerns with the hosting of the event and worked out logistics. The front office (Katherine, Laurel and Michelle) made the calls and the reaching out for security, scheduling and logistics. Michelle invited many of our acts and made logistical arrangements for their media, as well as recruited and organized our team of non-staff volunteers. Wendy Hanamura provided advice, booking, and contacts for multiple acts, as well as being onsite for portions of the event.  A lot of employees and volunteers came onsite to help run the Cortex, including Sam, Davide, Jake, Kevin, Laurel, Trevor, Jackie, Carolyn, and Jeff. Rachel Lovinger was a tireless producer for the majority of the cortex’s existence. Carolyn did the Telethon landing page graphics and web design. Will Fitzgerald provided coding for the banner linkage as well as a major assist to near-realtime automatic updating of telethon fundraising totals. Ralf, Tracey, Tim, Trevor, and Brewster and others helped during the Great Network Confusion of December 2015, getting the entire network infrastructure whipped into shape. And, of course, our many acts, including Conspiracy of Beards, Diva Marisa Lendhart, Craig Baldwin, Andy Isaacson, Chris Gray, Justin Hall, Lauren Taylor, Jeff Kaplan, Odd Salon, Gary Gach, Trevor von Stein, the Balkan Brass Band, Alexis Rossi and Dwalu Khasu, Rick and Megan Prelinger, John Perry Barlow and John Gilmore, John Law.

We are no doubt missing many more people who contributed to the Telethon both behind and in front of the camera –  it’s a testimony to how many hands came forward to lift this dream up into reality. Thanks to everyone who was a part of it.

A Treasure Trove of Adventure and Uploading

The Internet Archive opens its doors and drives towards a goal of Universal Access to Knowledge, and encourages contributions and uploads from our audience on a global scale. In some cases, like our Netlabels section, the contributors are often the creators as well, publishing open-licensed music at the Archive. Others, however, are doing their part to make sure near-forgotten works find a new life online.

RM_Ballantyne_The_Pirate_City_0006 Shining among these contributing curators is one Nick Hodson of Athelstane e-books, who over the course of years uploaded hundreds (more that 400, in fact) of late 19th century stories of adventure. These books, created by a wide range of authors and publishing houses, contain all manner of plot, drama and intrigue, as well as some top-quality illustration work of the time.

With titles like Twice Lost (1876), The Island Home or The Adventures of Six Young Crusoes (1851), The Voyages of the Ranger and Crusader and What Befell Their Passengers and Crews (1872) and Cutlass and Cudgel (1890), these writings range from epic stories to tales for young readers, a gamut worth traveling in itself.

Additionally, historical work has been done to give context to the books, including biographies of the authors and publishing houses. Explanations of the process of converting the items have been included as well, revealing that Hodson and his colleagues would set up voice synthesizers reading the text, to catch any errors not found other ways.

RM_Ballantyne_The_Pirate_City_0010

It’s good enough to bring to the spotlight this collection of literature, and to point out that as a library, it’s a handsome snapshot of a writing style of the past. But beyond that is the fact that the Archive’s digital storehouses are most welcoming to contributors who accompany the files with the descriptions and reasons behind their being added to the collections.

When a reader finds these stories, now over a century and a half in the past, they do so looking for the descriptions, titles and other information attached to them by the uploader. The reward comes in the view counts and reviews from a happy audience stumbling on a trove of writing that references lives long past.

The Internet Archive’s upload facility awaits quality contributions of culture and history from throughout the world, and continual improvements in search, browsing and on-line reading mean the reward for your efforts will be an ever-growing and grateful audience.

Here’s to the adventures on the high seas, and the adventures of contributors to the Internet Archive, past and future!

Mirroring the Stone Oakvalley Music Collection

soamc_logo

The Internet Archive has begun mirroring a fantastic collection of music called the “Stone Oakvalley Music Collection”. When you visit one of their websites, the archive.org mirror is one of the choices for download. Going forward, the Archive will offer a full backup of the entire site (over a terabyte) for permanent storage.

Why the Stone Oakvalley Collection is important

Manufactured from the early 1980s to the mid 1990s, the Commodore 64 computer was a revolutionary piece of hardware and a critical introduction to programming for generations. It also had, within its design, a very well-regarded sound chip: the 6581/8580 SID (Sound Interface Device), whose unique properties in wave generation and effects gave a special sound in the hands of the right developers and musicians.

MOS_Technologies_6581

 

This successful piece of hardware was manufactured in the millions across the life of the C64, and in the late 1980s, the introduction of the Commodore Amiga computer brought to life an improved chipset for generating sound; the 8364, or PAULA. With a range of improvements to what sounds and music could come out of this chip, the Amiga soared with capabilities that took years to match in other machines.

paula8364The Archive hosts many examples of music generated by these chips: our C64 Games Archive has videos in the hundreds of games played on a Commodore 64, and searching for terms like “Amiga Music”, “Chiptunes” and “C64 Music” will yield a good amount of sound to enjoy.

But nothing comes close to the Stone Oakvalley Collection in terms of breadth, dedication, and craft in ensuring the unique sound of these chips can be enjoyed in the future.

setup01

The process, which is documented here, involved setting up a large amount of Commodore hardware connected to servers which would reboot the machines, over and over, playing thousands of pieces of music in different configurations, and automatically cataloging and saving the resulting waveforms. Considerations for modifications of the chipset over the years, of stereo versus mono recordings, and verification of the resulting 400,000 files have provided the highest quality of snapshots of this period.

Browsing the Collection

Currently, there are two websites for Stone Oakvalley’s collection – one based around the C64, and the other based around the Amiga.  Impeccable work has been done to catalog the music, so if there are songs or games you remember, they are likely to be saved on the site (and powered from Archive.org’s servers). Otherwise, browse the stacks of the sites and enjoy a soundscape of computer history.

The Internet Archive strives to provide universal access to the world’s knowledge. Through mirroring, hosting and gathering of data, our mission allows millions to gain ad-free, fast access to information and materials. Be sure to check our many collections on our main site.

Millions of historic images posted to Flickr

by Robert Miller, Global Director of Books, Internet Archive

flickr_image

“Reading a book from the inside out!”. Well not quite, but a new way to read our eBooks has just been launched. Check out this great BBC article:
http://www.bbc.co.uk/news/technology-28976849

Here is the fabulous Flickr commons collection:
https://www.flickr.com/photos/internetarchivebookimages

BBC articleAnd here is our welcome to Flickr’s Common Post:
http://blog.flickr.net/en/2014/08/29/welcome-the-internet-archive-to-the-commons/

What is it and how did it get done?
A Yahoo research fellow at Georgetown University, Kalev Leetaru, extracted over 14 million images from 2 million Internet Archive public domain eBooks that span over 500 years of content.  Because we have OCR’d the books, we have now been able to attach about 500 words before and after each image. This means you can now see, click and read about each image in the collection. Think full-text search of images!

How many images are there?
As of today, 2.6 million of the 14 million images have been uploaded to Flickr Commons. Soon we will be able to add continuously to this collection from the over 1,000+ new eBooks we scan each day. Dr. Simon Chaplin, Head of the Wellcome Library says, “This way of discovering and reading a book will help transform our medical heritage collection as it goes up online. This is a big step forward and will bring digitized book collections to new audiences.”

What is fun to do with this collection?
Trying typing in the word “telephone’ and enjoy what images appear? Curious about how death has been characterized over 500 years of images – type in “mordis”. Feeling good about health care – type in medicine and prepare to be amazed. Remember, all of these images are in the public domain!

Future plans?
We will be working with our wonderful friends at Flickr and our great Library partners to make this collection even more interesting –  more images, more sub-collections and some very interesting ideas of how to use some image recognition tools to help us learn more about, well, anything!

Questions about this collection, projects or things to come?
Email me at robert@archive.org

Open Call for tumblr Collaborators

Screen Shot 2013-04-08 at 3.25.52 PMWhen it comes to collaborative culture, tumblr is where it’s at – and we’re ready to jump in. We’re not going to just redirect this blog, though, we’re opening up our tumblr URL to anyone interested in messing around with our content.

We’re looking at this as an opportunity to show the world some of the amazing stuff we’ve collected – over 10 petabytes of information just waiting to be juxtaposed, made into macros, remixed, glitched, written on, moshed, analyzed, sequenced and combined in ways we haven’t dreamed of.

We will be accepting 52 people. We’ll be here to offer support and guide them in their exploration with content and code, then we’ll feature their finished work for a week on the official tumblr. Each person’s residency will also be archived, of course. That’s what we do!

Check out http://internetarchive.tumblr.com for more details and an application form.

Lost Landscapes SF6: huge success– Next Lost Landscapes of Detroit February 22

Standing room only for Rick Prelinger’s Lost Landscape of San Francisco 6 at the Internet Archive last night.   New films including “process plates” from studios brought a new sharpness to many of the films presented.   Suggested donations was 5 bucks or 5 books, and people brought lots of great books for the Archive.

Next is Lost Landscapes of Detroit on February 22, 2012– this is Detroit without the narratives being imposed on it.   Doors open at 6:30, show at 7:30.

Thank you all!

Hard Drive Archaeology – And Hackerspaces

Two different, but somewhat related additions to the archive you might want to check out.

First, I was contacted earlier this week about a project to recover information off of an old Cray-1 supercomputer hard drive. Unlike, say, trying to get your old floppies to read or pulling an old mix tape off of a cassette, with something as old as a Cray-1 (a computer once called the “World’s Most Expensive Love Seat“), you don’t even have a place to really plug it in: functioning Cray-1 machines are rare as you can get, and even if you were to get the hard drives spinning up and read off of – where would you get the data off the Cray?

Researcher Chris Fenton has a thing about Cray supercomputers – he built a tiny homebrew version of one that used emulation to allow you to experience some aspect of Crays, from his desktop. So when he found himself with a 80 Megabyte CDC 9877 disk pack, which was quite a lot for the early 1970s, it wasn’t just a matter of hooking it up to USB. (Actually, we have a brochure for the behemoth you would put this disk pack into to read it.)  Here’s what a nearly-the-same CDC 9987 looks like:

Ultimately, Fenton got the information off of the disk pack using a whole variety of techniques and experiments, as part of a research project this summer. He wrote a paper about the process, entitled Digital Archeology with Drive-Independent Data Recovery: Now, With More Drive Dependence!” and it’s now mirrored here at the archive. If nothing else, be sure to browse through the paper just to see the customized stepper motor and reader he build to pull the magnetic data off the platters. And I was kind of understating things… ultimately he did hook it up to USB.

From this careful, forensic-quality magnetic scan of the drive, Fenton has produced a large image of the disk, one far larger than the data on it but allowing further experimentation and reading from the image without having to build a robot in your basement. And now, we’re offering this image on the archive. Remember, you won’t be able to pull this data down and go back to the 1970s, instantly – you should be reading up documentation of disk formats, learn about how pull information off of magnetic flux recording, and a whole other host of material and knowledge…. but hey, weekends are for having fun, right?

Even ten years ago, the idea of offering several gigabytes of something (that expands out to about 20 gigabytes of something) online was beyond crazy – that we’ve come so far in offering this much to so many people speaks how much the world has changed since the era of this disk pack.

Fenton is associated with the NYC-based hackerspace, NYC Resistor and it was their mailing list that got in contact with me to get this disk image up to the archive.

Coincidentally, this was also the week that two NYC Resistor members released a book, for free, which you might really enjoy. Bre Pettis and Astera Schneeweisz hatched a plan to make a book on hackerspaces at the end of 2008. They wanted to put it together in less than two weeks, and as people submitted photos, essays and other material, the project increased in size, more folks were brought in, and this month the end result was released for free.

Entitled “Hackerspaces: The Beginning”, this photo-filled book is available at the archive to read online or download. A worldwide view of hackerspaces throughout the world as of 2008, it also includes memories of spaces past and dreams of spaces future. It’s an excellent snapshot of a beautiful, technological world well worth browsing this weekend (and weekends to come).

So if you’re in the mood for advanced research or just to check out some great photos, the archive’s got something for you!

Why Publishers Support E-book Lending with OpenLibrary.org: A Q&A with Smashwords Mark Coker

Photo of Mark Coker

Mark Coker Founder, CEO Smashwords

This Q&A kicks off a series of conversations with visionary publishers who support e-book digital library lending with OpenLibrary.org.

Mark Coker, Founder, CEO and Chief Author Advocate, founded Smashwords  to change the way books are published, marketed and sold.  In just three years it has become the leading ebook publishing and distribution platform for independent authors and small publishers.  The Wall Street Journal named Mark Coker one of the “Eight Stars of Self-Publishing” in 2010. He is a contributing columnist for the Huffington Post, where he writes about ebooks and the future of publishing. For Smashwords updates, follow Mark on Twitter at @markcoker.

Q. What is the relationship between publishers and Open Library?

A: “There is an intersection of common interest with publishers and Open Library – the passionate desire to get books to readers. The innovators at Open Library understand that the way people access books is an ongoing evolution and they are at the forefront of finding solutions to support all the key stakeholders – publishers and distributors, authors and most of all, readers.

Q: How do Libraries help to support book distribution?

old man reading computer

“Its simple – the more readers have a chance to engage with a book, the more likely they are to recommend it, or purchase it.”


A: Open Library purchases your books and shares them with readers by creating a web page for each book, with a cover photo and descriptive information. There are prompts to read, borrow and buy. Open Library has more than 4,600,000 unique visitors a month.

Q: What makes Smashwords different from other publishing organizations?

A: Smashwords represents 19,000 indie authors and small presses who handle the writing, editing and pricing of their books. We distribute these titles to major retailers such as Apple, Barnes & Noble, Sony, Kobo and Diesel. We believe that authors should maintain the creative and financial control of their work and receive the lion share of income. Our authors keep upwards of 85% of the profits on the books we distribute.

Q. Why are some publishers and authors excited about e-books accessed via public libraries?

“If you build it, they will come.”

A: Our authors and publishers rely on Smashwords to open up new opportunities to reach readers. We’re working with most of the biggest indie authors, and many of them are excited about libraries. Open Library and its partners believe, “if you build it, they will come and I agree.  As demand for ebooks through a digital public library systems increase, publishers will better understand the value of partnering with Open Library. We hope they utilize Smashwords to reach these new distribution venues.

Buying E-Books from Smashwords

Young Adult e-Books by Amanda Hocking available on OpenLibrary.org

Smashwords’ best-selling authors contribute to OpenLibrary.org

Smashwords, the largest distributor of independently published literature, recently provided the Internet Archive and OpenLibrary.org with its first installment of e-Books from best known, best-selling e-Book authors including: Young Adult sensation Amanda Hocking; Fantasy author, Brian Pratt; Romance novelist Ruth Ann Nordin; and Business Expert, Gerald Weinberg.

Mark Coker, CEO of Smashwords believes that libraries are crucial to every publisher’s survival because they provide the face to face connection between readers, authors and books.

“We see tremendous value in partnering with the Internet Archive. Their visionary leadership is helping to create a worldwide digital public library.”
Mark Coker, CEO, Smashwords

The deposit by Smashwords was a first attempt at demonstrating the feasibility of making modern books more globally accessible through OpenLibrary.org. Next up – the creation of a new model that supports the on-going purchase of e-Books by participating libraries.

“The publishing world is rapidly changing,” asserts Coker, “There’s plenty of room for numerous distribution models and in my opinion, publishers should be bending over backwards to support these initiatives.”